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תוכן מסופק על ידי Ken Davenport, Broadway Podcast Network and Broadway Podcast Network. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Ken Davenport, Broadway Podcast Network and Broadway Podcast Network או שותף פלטפורמת הפודקאסט שלו. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
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225 - New Actors Equity Association Protocols

17:11
 
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סדרה בארכיון ("עדכון לא פעיל" status)

When? This feed was archived on March 19, 2022 12:09 (2y ago). Last successful fetch was on November 05, 2021 02:37 (2+ y ago)

Why? עדכון לא פעיל status. השרתים שלנו לא הצליחו לאחזר פודקאסט חוקי לזמן ממושך.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 287998740 series 171072
תוכן מסופק על ידי Ken Davenport, Broadway Podcast Network and Broadway Podcast Network. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Ken Davenport, Broadway Podcast Network and Broadway Podcast Network או שותף פלטפורמת הפודקאסט שלו. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.

I am responding to the NEW protocols released by Actors Equity Association for the return of live theater.

As reported by Phillip Boroff (formerly of Bloomberg News and now of his own Broadway Journal), those protocols include things like:

  • Mass transport cannot be used. A private car and driver must be provided for every AEA member reporting to/from rehearsal (Uber and Lyft services do not qualify).
  • Members must be put up in hotels if they don’t live alone.
  • 3 required tests before rehearsals begin, each of which must be paid for by the Producer and cannot be covered by the Actor’ Health Plans, even if they have coverage.

And a lot more.

You can read all of the posted guidelines, right on the AEA website. (They’re incredibly well organized and separated by the type of production a Producer might consider in the near future (indoor, outdoor, etc.)

If you want to read more of my thoughts on these new protocols, go to my blog.

About the podcast:

After 6 years of podcasting with one style, we're shaking it up here - no guests! Just me! I'm giving you micro-episodes with my perspective on Broadway and the comeback on Broadway.

About me:

Ken Davenport is a Tony Award-winning Broadway producer and writer whose credits include Once On This Island (Tony Award), Gettin’ the Band Back Together, The Play that Goes Wrong, Groundhog Day (Tony nomination), Deaf West Theatre’s Spring Awakening (Tony nomination), It’s Only a Play, Macbeth starring Alan Cumming, Godspell, Kinky Boots (Broadway - Tony Award, National Tour, Toronto, Australia, and West End), and more, including multiple Off-Broadway productions! Ken’s shows have been produced internationally in over 25 countries around the world.

He is the founder of TheaterMakersStudio.com, a one-of-a-kind "masterclass" community that provides training and inspiration from Broadway's best to writers, directors, producers and more.

Ken also serves as the Executive Producer for North America for Andrew Lloyd Webber’s Really Useful Group. Outside of theatre, he has produced award-winning content for both film and TV. Ken’s unique production and marketing style has garnered him international attention in numerous publications, including Vanity Fair and The New York Times.

Upcoming projects include Broadway Vacation, Joy the Musical, My Life In Pink, a revival of The Great White Hope, Harmony: A New Musical written by Barry Manilow and Bruce Sussman, a musical based on the life and songs of Neil Diamond, and a musical based on the life of Harry Belafonte.

Keep up with me @KenDavenportBway on Instagram.

Check out my blog for daily content: www.theproducersperspective.com

This episode was produced by Mary Dina.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

257 פרקים

Artwork
iconשתפו
 

סדרה בארכיון ("עדכון לא פעיל" status)

When? This feed was archived on March 19, 2022 12:09 (2y ago). Last successful fetch was on November 05, 2021 02:37 (2+ y ago)

Why? עדכון לא פעיל status. השרתים שלנו לא הצליחו לאחזר פודקאסט חוקי לזמן ממושך.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 287998740 series 171072
תוכן מסופק על ידי Ken Davenport, Broadway Podcast Network and Broadway Podcast Network. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Ken Davenport, Broadway Podcast Network and Broadway Podcast Network או שותף פלטפורמת הפודקאסט שלו. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.

I am responding to the NEW protocols released by Actors Equity Association for the return of live theater.

As reported by Phillip Boroff (formerly of Bloomberg News and now of his own Broadway Journal), those protocols include things like:

  • Mass transport cannot be used. A private car and driver must be provided for every AEA member reporting to/from rehearsal (Uber and Lyft services do not qualify).
  • Members must be put up in hotels if they don’t live alone.
  • 3 required tests before rehearsals begin, each of which must be paid for by the Producer and cannot be covered by the Actor’ Health Plans, even if they have coverage.

And a lot more.

You can read all of the posted guidelines, right on the AEA website. (They’re incredibly well organized and separated by the type of production a Producer might consider in the near future (indoor, outdoor, etc.)

If you want to read more of my thoughts on these new protocols, go to my blog.

About the podcast:

After 6 years of podcasting with one style, we're shaking it up here - no guests! Just me! I'm giving you micro-episodes with my perspective on Broadway and the comeback on Broadway.

About me:

Ken Davenport is a Tony Award-winning Broadway producer and writer whose credits include Once On This Island (Tony Award), Gettin’ the Band Back Together, The Play that Goes Wrong, Groundhog Day (Tony nomination), Deaf West Theatre’s Spring Awakening (Tony nomination), It’s Only a Play, Macbeth starring Alan Cumming, Godspell, Kinky Boots (Broadway - Tony Award, National Tour, Toronto, Australia, and West End), and more, including multiple Off-Broadway productions! Ken’s shows have been produced internationally in over 25 countries around the world.

He is the founder of TheaterMakersStudio.com, a one-of-a-kind "masterclass" community that provides training and inspiration from Broadway's best to writers, directors, producers and more.

Ken also serves as the Executive Producer for North America for Andrew Lloyd Webber’s Really Useful Group. Outside of theatre, he has produced award-winning content for both film and TV. Ken’s unique production and marketing style has garnered him international attention in numerous publications, including Vanity Fair and The New York Times.

Upcoming projects include Broadway Vacation, Joy the Musical, My Life In Pink, a revival of The Great White Hope, Harmony: A New Musical written by Barry Manilow and Bruce Sussman, a musical based on the life and songs of Neil Diamond, and a musical based on the life of Harry Belafonte.

Keep up with me @KenDavenportBway on Instagram.

Check out my blog for daily content: www.theproducersperspective.com

This episode was produced by Mary Dina.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

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