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Lucas Fels performs Helmut Lachenmann’s revolutionary work ‘Pression’ for solo cello of 1969. The documentary features a rehearsal session with Lachenmann and Fels exploring the novel instrumental techniques, and several conversations discussing ...על ידי School of Advanced Study, University of London
 
Institute of Musical ResearchMine Do?antan-Dack, Peter Collyer, Paul Archbold, Christopher Redgate, Neil Heyde, Peter Sheppard SkærvedRound Table discussion with Mine Do?antan-Dack, Peter Collyer, Paul Archbold, Christopher Redgate, Neil Hey...על ידי School of Advanced Study, University of London
 
Institute of Musical ResearchPerformers - Peter Sheppard Skærved (violin) and Neil Heyde (cello)Peter Sheppard Skærved (violin) and Neil Heyde (cello) perform extracts from Ravel's Sonata for Violin and Cello (1922) – movements 2, 3, and 4...על ידי s
 
Institute of Musical ResearchNeil Heyde and Peter Sheppard SkærvedNeil Heyde and Peter Sheppard Skærved discuss Ravel's Sonata for Violin and Cello (1922) in historical context[OTHER]Supported by IMR, Middlesex University, AHRC Research...על ידי School of Advanced Study, University of London
 
Institute of Musical ResearchPerformers - Sebastian Comberti (cello) and Mine Do?antan-Dack (piano)Sebastian Comberti (cello) and Mine Do?antan-Dack (piano) perform Serge Rachmaninov 'Cello Sonata in G minor op. 19'Supported by IMR, Middl...על ידי School of Advanced Study, University of London
 
Institute of Musical ResearchMine Do?antan-Dack and Sebastian CombertiMine Do?antan-Dack and Sebastian Comberti discuss the repertoire for cello and pianoSupported by IMR, Middlesex University, AHRC Research Centre for Musical Performance...על ידי School of Advanced Study, University of London
 
Institute of Musical ResearchTITLE: The Geography of Possibility: Mapping the Future of the Past in Central Asian MusicARTIST: Theodore Levin DESCRIPTION: Lecture by Theodore Levin.m4vPRODUCER: Colin StillCOPYRIGHT: Optic Nerve 2012על ידי School of Advanced Study, University of London
 
Institute of Musical ResearchTITLE: The body and the landscape in Kyrgyz poetics: topography resonance and image in contemporary Kyrgyz epicARTIST: Stephanie BunnDESCRIPTION: Lecture by Stephanie BunnPRODUCER: Colin StillCOPYRIGHT: Optic Ne...על ידי School of Advanced Study, University of London
 
Institute of Musical ResearchTITLE: East vs West: regional styles of dombyra performance and their representation in music practice and discourse in modern KazakhstanARTIST: Saida Daukeyeva DESCRIPTION: Lecture by Saida DaukeyevaPRODUCER: Col...על ידי School of Advanced Study, University of London
 
Institute of Musical ResearchTITLE: ‘The least expressive instrument’ (Harold Bauer, 1917) ARTIST: Mine Dogantan DackDESCRIPTION: Lecture by Mine Dogantan DackPRODUCER: Colin StillCOPYRIGHT: Optic Nerve 2012על ידי School of Advanced Study, University of London
 
Institute of Musical ResearchTITLE: Narratives of Ancientness and Kazakh Nationhood in the Music of the “Turan” EnsembleARTIST: Megan M RancierDESCRIPTION: Lecture by Megan M RancierPRODUCER: Colin StillCOPYRIGHT: Optic Nerve 2012על ידי School of Advanced Study, University of London
 
Institute of Musical ResearchTITLE: ‘Music is nothing more than a Decoration of Silence’ (Marsilio Ficino, c.1485)ARTIST: Anthony RooleyDESCRIPTION: Lecture by Anthony RooleyPRODUCER: Colin StillCOPYRIGHT: Optic Nerve 2012על ידי School of Advanced Study, University of London
 
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