פודקאסטים בנושא Kemper Art Museum

Inspired by the 1974 film by Francis Ford Coppola of the same name, this installation is an exploration of surveillance techniques and the paranoia they engender. To create this work, a series of covert listening devices were professionally installed under the wallpaper and beneath the carpeting. The artist and her team then went through the space,…

This video, the title of which pays homage to the 1976 Roman Polanski film of the same name, follows the trajectory of a soap bubble as it floats through the empty rooms of a house under renovation. The soundtrack has been constructed out of found and synthesized sound by the Brazilian duo O Grivo.

Visitors are invited to describe their first love to a police sketch artist. The title of this work is borrowed from a novella by Samuel Beckett.

The miniature sculptures that make up this series were created by various people during conversations in bars and restaurants. Collected by the artist, these modest assemblages effectively constitute semi-conscious traces of social activities and verbal exchange.

The artist exposed maps of New York state counties to the elements during the rainy season in Belo Horizonte, Minas Gerais, Brazil, alluding to the mutability of geography over time. After drying, the maps were painted, further taking on a transformed state.

Richard Flood, chief curator at the New Museum, and curatorial associate Benjamin Godsill discuss a selection of works in the exhibition Rivane Neuenschwander: A Day Like Any Other, on view at the Mildred Lane Kemper Art Museum from October 8, 2010 to January 10, 2011.

John Curley discusses Willem de Kooning's Saturday Night (1956), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

Meredith Malone discusses Alexander Calder's Five Rudders (1964), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

Michael Murawski discusses Marsden Hartley's The Iron Cross (1915), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

Michael Murawski discusses Josef Albers's Homage to the Square: Aurora (1951-55), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

Michael Murawski discusses Josef Albers's Homage to the Square: Aurora (1951-55), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

Michael Murawski discusses Marsden Hartley's The Iron Cross (1915), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the Museum's Spotlight Series.

Carmon Colanglo discusses On the Margins to provide context and commentary on selected works in the spring 2008 exhibition.

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 8/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 1/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 1/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 2/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 2/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 3/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 3/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 4/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 4/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 5/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 5/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 6/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition.

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 7/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 9/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 9/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 8/9

Thaddeus Strode joins curators Sabine Eckmann and Meredith Malone to provide context and commentary on selected works in the spring 2008 exhibition. 7/9

Bryna Campbell discuss Joseph Jones's Landscape (1932), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the February Spotlight Series essay and gallery talk. February 5, 2008.

Bryna Campbell discuss Joseph Jones's Landscape (1932), part of the Kemper Art Museum's permanent collection. Presented in conjunction with the February Spotlight Series essay and gallery talk. February 5, 2008.

A short walkthrough of the Kemper Art Museum's winter 2008 special exhibition Beauty and the Blonde.

A discussion of Ludwig Meidner's Selbstbildnis (Self-Portrait), 1912, the January 2008 installment of the Kemper Art Museum's Spotlight Series. December 18, 2008

A discussion of Ludwig Meidner's Selbstbildnis (Self-Portrait), 1912, the January 2008 installment of the Kemper Art Museum's Spotlight Series. December 18, 2008

A short walkthrough of the Kemper Art Museum's winter 2008 special exhibition Beauty and the Blonde.

Assistant curator Meredith Malone discusses Olafur Eliasson's Your Imploded View (2001), which hangs from the museum's main atrium space. Presented in conjunction with the December Spotlight Series essay and gallery talk. December 7, 2007

Assistant curator Meredith Malone discusses Olafur Eliasson's Your Imploded View (2001), which hangs from the museum's main atrium space. Presented in conjunction with the December Spotlight Series essay and gallery talk. December 7, 2007

Feminist scholar Maria Elena Buszek and artist Lynn Hershmann Leeson joins a conversation with curator Catharina Manchanda to examine some of the influential and shifting roles that the blonde has played in American art and popular culture since the 1950s. November 16, 2007

Feminist scholar Maria Elena Buszek and artist Lynn Hershmann Leeson joins a conversation with curator Catharina Manchanda to examine some of the influential and shifting roles that the blonde has played in American art and popular culture since the 1950s. November 16, 2007

Christiane Paul, adjunct curator of new media arts at the Whitney Museum of American Art, discusses different functions of "screens" in digital art that go beyond their use as surfaces for image projection. October 25, 2007

Christiane Paul, adjunct curator of new media arts at the Whitney Museum of American Art, discusses different functions of "screens" in digital art that go beyond their use as surfaces for image projection. October 25, 2007

The curators of Window | Interface discuss new media art and the ways electronic windows and interface structure the experience and practice of art today. August 31, 2007

The curators of Window | Interface discuss new media art and the ways electronic windows and interface structure the experience and practice of art today. August 31, 2007

Andrea Fraser leads a walk-through of her work featured in the Kemper Art Museum exhibition Andrea Fraser, "What do I, as an artist, provide?" May 11, 2007

Andrea Fraser leads a walk-through of her work featured in the Kemper Art Museum exhibition Andrea Fraser, "What do I, as an artist, provide?" May 11, 2007