Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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תוכן מסופק על ידי ANAM Radio and Australian National Academy of Music. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי ANAM Radio and Australian National Academy of Music או שותף פלטפורמת הפודקאסט שלו. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
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Ibert's Flute Concerto (Ep 5 2020)
MP3•בית הפרקים
Manage episode 266033453 series 1192534
תוכן מסופק על ידי ANAM Radio and Australian National Academy of Music. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי ANAM Radio and Australian National Academy of Music או שותף פלטפורמת הפודקאסט שלו. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
Episode 5, 2020: Ibert’s Flute Concerto Wednesday 1 July 2020 ANAM Music Librarian, Phil Lambert thinks French composer Jacques Ibert’s most popular compositions sparkle like French champagne. First coming to public attention in the early 1920s, Ibert’s oeuvre is known for being polished and entertaining, never driven by any theory, agenda or the desire to gain attention through shock value. But lest you think that his range is limited, try tracking down Orson Welles’ 1948 film, Macbeth, which owes its ominous and oppressive atmosphere to Ibert’s excellent score. Ibert wrote his Flute Concerto between 1932 and 1934 for his contemporary flautist Marcel Moyse, who is probably considered the greatest flautist of his time. Knowing that he was writing for a virtuoso, Ibert did not spare this composition from any technical difficulty. This is the challenge ANAM alumna Cassandra Slater (flute 2019) had to overcome when mastering this piece for the Grand Final of the 2019 ANAM Concerto Competition . In this episode of ANAM Radio, Cassandra shares with us how she trained “almost like an athlete” to make sure she had the stamina to perform this rather demanding piece with the Tasmania Symphony Orchestra. She also shares some insightful anecdotes about the piece’s second movement, written after Ibert’s father passed away. Cassandra was one of three finalists to perform in the Grand Final of the 2019 ANAM Concerto Competition with the Tasmanian Symphony Orchestra in Hobart. The music you will hear is from her Melbourne performance where she performed the piece with Louisa Breen on piano.
…
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42 פרקים
MP3•בית הפרקים
Manage episode 266033453 series 1192534
תוכן מסופק על ידי ANAM Radio and Australian National Academy of Music. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי ANAM Radio and Australian National Academy of Music או שותף פלטפורמת הפודקאסט שלו. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
Episode 5, 2020: Ibert’s Flute Concerto Wednesday 1 July 2020 ANAM Music Librarian, Phil Lambert thinks French composer Jacques Ibert’s most popular compositions sparkle like French champagne. First coming to public attention in the early 1920s, Ibert’s oeuvre is known for being polished and entertaining, never driven by any theory, agenda or the desire to gain attention through shock value. But lest you think that his range is limited, try tracking down Orson Welles’ 1948 film, Macbeth, which owes its ominous and oppressive atmosphere to Ibert’s excellent score. Ibert wrote his Flute Concerto between 1932 and 1934 for his contemporary flautist Marcel Moyse, who is probably considered the greatest flautist of his time. Knowing that he was writing for a virtuoso, Ibert did not spare this composition from any technical difficulty. This is the challenge ANAM alumna Cassandra Slater (flute 2019) had to overcome when mastering this piece for the Grand Final of the 2019 ANAM Concerto Competition . In this episode of ANAM Radio, Cassandra shares with us how she trained “almost like an athlete” to make sure she had the stamina to perform this rather demanding piece with the Tasmania Symphony Orchestra. She also shares some insightful anecdotes about the piece’s second movement, written after Ibert’s father passed away. Cassandra was one of three finalists to perform in the Grand Final of the 2019 ANAM Concerto Competition with the Tasmanian Symphony Orchestra in Hobart. The music you will hear is from her Melbourne performance where she performed the piece with Louisa Breen on piano.
…
continue reading
42 פרקים
כל הפרקים
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