We are a Filipino-Chinese couple living in the heart of Manila. We have been together for 20 years and decided to make this podcast to share our life experiences. Our podcast has no format and may discuss random things like relationships, recommended food in Binondo or about our philosophy in life. If you like our podcast, don’t forget to click the subscribe/follow button and give us a 5 star rating ^.^ Please visit our FB page @kwentuhansessionsph and ig page @kwentuhansession. You can also ...
Manage episode 275132648 series 1325546
על ידי Centre for the History of the Emotions, The Centre for the History of the Emotions, and QMUL התגלה על ידי Player FM והקהילה שלנו - זכויות היוצרים שמורות למפרסם, לא ל-Player FM, והשמע מוזרם ישירות מהשרתים שלכם. הירשמו כדי לעקוב אחר עדכונים ב-Player FM, או הדביקו את כתובת העדכונים באפליקציות פודקאסט אחרות.
Hetta Howes and James Morland continue their exploration of solitude in this episode, pondering the perilous places we sometimes enter in the search for aloneness. James introduces listeners to the graveyard poets of the 18th century, who sought out places of darkness to explore their biggest fears and deepest anxieties. Hetta then speaks to Josh Cohen about Emily Dickinson’s reclusive tendencies, the imagined wildernesses she created locked away in her room, and the ways in which, historically, seclusion and solitude could make women simultaneously conspicuous and invisible. Finally, she talks to Barbara Taylor about John Donne’s terrifying struggle with solitude in his sickroom and what we can learn from those most troubling forms of aloneness when care has disappeared. *Correction: the poem ‘The Wilderness’ referenced in this podcast episode was misattributed to Emily Dickinson and is by 20th-century poet Kathleen Raine. For more on wilderness and solitude in Dickinson, see her poem, ‘Had I not seen the sun’. Contributors: James Morland (Queen Mary University of London), Josh Cohen (Goldsmiths University), Barbara Taylor (Queen Mary University of London) Presented by Hetta Howes Curated by James Morland Produced by Natalie Steed Readings by James Morland and Sam West