Ep. 34: Frank Djeng on Bruce Lee's ENTER THE DRAGON 50th Anniversary [Cantonese]

The Hong Kong On Screen Podcast

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תוכן מסופק על ידי Hong Kong On Screen. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Hong Kong On Screen או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.

<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/the-unshakeables">The Unshakeables</a></span>

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The Unshakeables

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The Unshakeables podcast from Chase for Business and iHeartMedia's Ruby Studio dives into the unbelievable “What are we gonna do now?” moments that changed everything for small business owners. From mom-and-pop coffee shops to auto-detailing garages, every small business owner knows that the journey is full of the unexpected. A single make-or-break experience can change the course of your business forever. Those who stand firm in their resolve have a special name. We call them The Unshakeables. These are their stories. Join Ben Walter, CEO of Chase for Business, and a lineup of special co-hosts as they speak with small business owners across America who’ve gone through some of the most unexpected situations anyone can face and walked away stronger for it. These aren’t stories about the darlings of Silicon Valley or titans of Wall Street. These are real stories from real people behind the small companies powering their communities every day. The speakers’ opinions belong to them and may differ from opinions of J.P. Morgan Chase & Co and its affiliates. Views presented on this podcast are those of the speakers; they are as of the podcast release date and they may not materialize.

לפני שנתיים 1:00:34

MP3•בית הפרקים

為何美國會這麼重視這部電影呢？
西方一致認為《猛龍過江》為李小龍最好的電影，但香港一般認為前三部都比這部好，為什麼呢？
有說李小龍在設計武打時，刻意迎合西方觀眾，究竟什麼是迎合西方品味呢？
有什麼片段被删呢？
《猛龍過江》有什麼特別呢？
李小龍最好的電影是什麼呢？

On the 50th anniversary of Bruce Lee's passing, the first Hong Kong film co-produced with a major American film studio, "Enter the Dragon," was released nationwide in the United States one month after his death, causing a sensation and ranking 13th in the box office for the year in 1973. Bruce Lee became the first Chinese actor to play the lead role in a Hollywood film, significantly influencing the development and status of martial arts films in world cinema history.
Unfortunately, he couldn't witness his achievements and influence during his lifetime. On August 13th and August 16th, Warner Bros. owns the film "Enter the Dragon," which will hold nationwide screenings of the newly restored 4K version. Don't miss the opportunity to see the final work of the legendary Bruce Lee on the big screen.
"The Hong Kong On Screen Podcast" in this episode has invited Hong Kong film expert Frank Djeng to discuss:

Why does the United States value this film so much?
While Western audiences generally regard "Enter the Dragon" as Bruce Lee's best film, Hong Kong audiences believe the first three films are better. Why is that?
It's been said that Bruce Lee intentionally catered to Western audiences when designing martial arts choreography. What exactly constitutes catering to Western tastes?
Which scenes were deleted?
What makes "Enter the Dragon" special?
What is Bruce Lee's best film?

Follow the hosts:
Kay Ho's Instagram: @kayho1430
---
The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org.
Support the show: https://www.hkonscreen.org/giving
Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments

83 פרקים

#Fine Arts #Politics #Arts #News #Cinema #Hong Kong #Hong Kong On Screen

The Hong Kong On Screen Podcast

Ep. 34: Frank Djeng on Bruce Lee's ENTER THE DRAGON 50th Anniversary [Cantonese]

The Hong Kong On Screen Podcast

published לפני שנתיים

שתפו

MP3•בית הפרקים

為何美國會這麼重視這部電影呢？
西方一致認為《猛龍過江》為李小龍最好的電影，但香港一般認為前三部都比這部好，為什麼呢？
有說李小龍在設計武打時，刻意迎合西方觀眾，究竟什麼是迎合西方品味呢？
有什麼片段被删呢？
《猛龍過江》有什麼特別呢？
李小龍最好的電影是什麼呢？

Why does the United States value this film so much?
While Western audiences generally regard "Enter the Dragon" as Bruce Lee's best film, Hong Kong audiences believe the first three films are better. Why is that?
It's been said that Bruce Lee intentionally catered to Western audiences when designing martial arts choreography. What exactly constitutes catering to Western tastes?
Which scenes were deleted?
What makes "Enter the Dragon" special?
What is Bruce Lee's best film?

83 פרקים

#Fine Arts #Politics #Arts #News #Cinema #Hong Kong #Hong Kong On Screen

כל הפרקים

The Hong Kong On Screen Podcast

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לפני 11 weeks55:17

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לפני 12 weeks31:06

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Ep. 77 Interview w/ Don Ng, the Director of "No Time for Goodbye" 58:25

לפני 12 weeks58:25

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Ep. 76 Interview W/ HK Indie Short Film Award 2025 Directors Program III 28:07

לפני 21 weeks28:07

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Ep. 75 Interview W/ HK Indie Short Film Award 2025 Directors Program II 47:52

לפני 21 weeks47:52

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The Hong Kong On Screen Podcast

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Ep. 74 Interview W/ HK Indie Short Film Award 2025 Directors Program I 39:59

לפני 22 weeks39:59

39:59

「Keep Roll嚟多個」x Hong Kong On Screen 聯播Podcast Ep74：專訪影意志獨立短片獎特輯入圍作品五地聯展：導演訪談系列（一）王樂堯/杜震謙/唐浩賢/陳穎淇 🎬 「影意志香港獨立短片獎2025」入圍作品將於洛杉磯 🏙️ 6月14、21及28日連續三個星期六放映，📩 記得訂閱《銀幕・香港》電子報，第一時間獲取放映詳情！預留位置現已開放，即刻留位！ 🎙️🎙️ 本集節目特別邀請到「節目一」的四位導演接受訪問！在訪談中，他們真誠分享了創作短片的初心與過程中面對的挑戰💡🎬。同時，他們也對這次的放映充滿期待，希望能吸引更多關注香港電影的觀眾走進戲院，共同支持本地創作🇭🇰🎥。 Ep.74 Interview W/ HK Indie Short Film Award 2025 Directors Wong Lok Yiu/ To Chun Him/ Tong Ho Yin/ Chan Wing Ki [Cantonese] 🎬 The shortlisted films from the Hong Kong Independent Short Film Award 2025 will be screened in Los Angeles 🏙️ on three consecutive Saturdays: June 14, 21, and 28 . 🎙️🎙️ In this episode, we’re joined by the four directors featured in “Program 1”! During the interview, they sincerely share the inspirations behind their short films and the challenges they faced along the way 💡🎬. They also express great excitement for the upcoming screening, hoping it will attract more audiences who care about Hong Kong cinema to come to the theater and support local creations 🇭🇰🎥. RSVP Now! 📩 Subscribe to the Hong Kong On Screen newsletter for the latest screening details! --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

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Ep. 73: Interview w/ Hong Kong Film Festival Australia Organiser Cicely and Volunteer Hester [Cantonese] 57:51

לפני 24 weeks57:51

57:51

Ep73：專訪香港電影節（澳洲）主辦人阿詩及義工Hester 🎬 「影意志香港獨立短片獎2025」入圍作品將於洛杉磯 🏙️ 6月14、21及28日連續三個星期六放映，📩 記得訂閱《銀幕・香港》電子報，第一時間獲取放映詳情！預留位置現已開放，即刻留位！ 🎙️🎙️ 本集節目邀請到是次電影節的主辦人阿詩及Hexter，與我和HKOS新加入的義工Iris分享籌辦過程中遇到的難題與故事。 🔥 他們亦談到選擇放映電影名單的難處和需要顧及的事情。 🏆 節目最後，他們還分享對香港電影產業狀況的看法。 Ep.73 Interview w/ Hong Kong Film Festival Australia Organiser Cicely and Volunteer Hester [Cantonese] 🎬 The shortlisted films from the Hong Kong Independent Short Film Award 2025 will be screened in Los Angeles 🏙️ on three consecutive Saturdays: June 14, 21, and 28 . RSVP Now! 🎙️🎙️ In this episode, Cicely and Hexter who are the organiser and volunteer of HKFFA, will be sharing the insights of creating this festival, with me and Iris, our new volunteer in HKOS. 🔥 They also talked about the difficulties they had when deciding the films to be screened in the festival. 🏆 Towards the end of the episode, they shared their views towards Hong Kong film industry as well. --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

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Ep. 72: Interview w/ the HK Indie Short Film Award 2025 Organizer Kaiu Choy [Cantonese] 37:44

לפני 24 weeks37:44

37:44

Ep72：專訪「影意志香港獨立短片獎2025」籌備人蔡嘉儀 🎬 「影意志香港獨立短片獎2025」入圍作品將於洛杉磯 🏙️ 6月14、21及28日連續三個星期六放映，📩 記得訂閱《銀幕・香港》電子報，第一時間獲取放映詳情！預留位置現已開放，即刻留位！ 🎙️🎙️ 本集節目邀請到是次短片獎活動的主辦人蔡嘉儀，與我分享籌辦過程中的點滴與幕後故事。 🔥 她也談到，在移居台灣後，為何仍選擇堅持這份工作，以及背後的動力與信念。 🏆 節目最後，我們一起探討了「什麼是獨立電影？」以及「香港的獨立電影未來還能如何走下去？」 Ep.72 Interview w/ the HK Indie Short Film Award 2025 Organizer Kaiu Choy [Cantonese] 🎬 The shortlisted films from the Hong Kong Independent Short Film Award 2025 will be screened in Los Angeles 🏙️ on three consecutive Saturdays: June 14, 21, and 28 . RSVP Now! 📩 Subscribe to the Hong Kong On Screen newsletter for the latest screening details! 🎙️🎙️ In this episode, I’m joined by Kaiu Choy, the organizer of this year’s short film awards, who shares behind-the-scenes stories and insights from the planning process. 🔥 She also talks about why she continues to pursue this work even after relocating to Taiwan, and what drives her to keep going. 🏆 Toward the end of the episode, we delve into questions like: What is independent cinema? And what paths are still open for Hong Kong’s independent film scene? --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

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Ep. 71: Interview with Irene Chan, Director of the Toronto Hong Kong Club [Cantonese] 33:53

לפני 24 weeks33:53

33:53

Ep71：專訪「多倫多香港會」負責人Irene Chan 🎬 「影意志香港獨立短片獎2025」入圍作品將於洛杉磯 🏙️ 6月14、21及28日連續三個星期六放映，📩 記得訂閱《銀幕・香港》電子報，第一時間獲取放映詳情！預留位置現已開放，即刻留位！ 🎙️🎙️ 本集節目邀請到多倫多香港會負責人 Irene Chan，與我們分享自2020年以來多倫多舉辦香港電影放映活動的點滴。 🔥 她也談到多次策劃獨立電影放映的初衷與心得體會。 🏆 節目最後，我們深入介紹了「影意志香港獨立短獎2025」的放映詳情，敬請留意！ 🎟️ 多倫多區嘅朋友想買飛，可以去呢度： https://shorturl.at/ib7ZX Ep.71 Interview with Irene Chan, Director of the Toronto Hong Kong Club 🎬 The shortlisted films from the Hong Kong Independent Short Film Award 2025 will be screened in Los Angeles 🏙️ on three consecutive Saturdays: June 14, 21, and 28 . RSVP Now! 📩 Subscribe to the Hong Kong On Screen newsletter for the latest screening details! 🎙️ In this episode, we invited Irene Chan, Director of the Toronto Hong Kong Club, to share highlights from the Hong Kong film screenings held in Toronto since 2020. 🔥 She also spoke about the motivations and experiences behind organizing multiple independent film screenings. 🏆 At the end of the episode, we dove into the details of the upcoming "Hong Kong Independent Shorts Awards 2025" screening — don’t miss it! 🎟️ Friends in the Toronto area can get their tickets here: https://shorturl.at/ib7ZX --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org. Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

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Ep. 70: Interview w/ HK Independent Short Film Award 2025 Curator Vincent Cui (崔允信) [Cantonese] 44:09

לפני 26 weeks44:09

44:09

Ep70：專訪「影意志香港獨立短片獎2025」策展人崔允信 🎬 「影意志香港獨立短片獎2025」入圍作品將於洛杉磯 🏙️ 6月14、21及28日連續三個星期六放映，📩 記得訂閱《銀幕・香港》電子報，第一時間獲取放映詳情！預留位置現已開放，即刻留位！ 🎙️ 本集節目中，我們邀請到老朋友、導演崔允信，深入談論這個短片獎的發起緣由、評審機制與得獎作品的背後故事。 🔥 他也進一步分享入選作品《星星之火・不可燎原》退出原定全球五地聯展的詳情，並談到自己面對事件時的灰心與感受。 🏆 節目最後，我們還討論了最新一屆香港電影金像獎的結果，以及它對本地獨立電影生態的潛在影響。 📰 相關報導：獨立媒體：陳朗昇受訪紀錄片入圍海外短片節惟導演因「受訪者受壓」退出放映集誌社：影意志獨立短片獎｜陳朗昇受訪短片退出放映影意志：受訪者受到壓力追新聞：國安時代｜前記協主席陳朗昇受壓影意志入圍影片棄映崔允信：少了一部電影，作品展如期放映光傳媒：「影意志獨立短片獎」入圍作品《星星之火・不可燎原》退出所有放映節目棱角媒體：影意志獨立短片獎受訪者陳朗昇受壓抽起海外放映 Ep70: Interview with “Hong Kong Independent Short Film Award 2025” Curator Vincent Cui 🎬 The shortlisted films from the Hong Kong Independent Short Film Award 2025 will be screened in Los Angeles 🏙️ on three consecutive Saturdays: June 14, 21, and 28 . RSVP Now! 📩 Subscribe to the Hong Kong On Screen newsletter for the latest screening details! 🎙️ In this episode, we speak with our good friend, director Vincent Cui, for an in-depth conversation about the origins of the short film awards, the judging process, and the stories behind the winning selections. 🔥 Cui also expands on the reasons behind the withdrawal of one of the shortlisted works, A Spark That Cannot Ignite a Prairie Fire , from a planned five-city international showcase, and shares his feelings of disillusionment in the face of recent challenges. 🏆 Finally, we discuss the results of the latest Hong Kong Film Awards and what they might mean for the future of independent cinema in the city. 📰 News coverage: Hong Kong Free Press: Documentary on Hong Kong journalist Ronson Chan withdrawn from overseas screenings, citing ‘pressure’ --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org. Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

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Ep. 69: LOVE LIES 我談的那場戀愛 w/ Music Producer Day Tai (戴偉) [Cantonese] 1:06:29

לפני 48 weeks1:06:29

1:06:29

🎧 HKOS Podcast 全新上線！Ep69: 與電影原創音樂大師戴偉的深度對話 🎬 電影《我談的那場戀愛》已於12月6日在全美上映，尚未購票的觀眾請盡快行動，珍惜映期！ 🎟️ 購票連結：https://www.amctheatres.com/movies/love-lies-78564 本集播客特別邀請三屆香港電影金像獎得主戴偉，深入探討🎼 電影配樂的核心意義、製作過程及其對電影的重要性。我們回顧了他自1998年踏入配樂行業以來的非凡經歷與深刻見解，同時深入了解他為《我談的那場戀愛》製作電影音樂的過程： ✨ 如何選擇主題聲音以代表電影 🎤 如何為歌手量身打造歌曲展現其最佳特色 🎥 如何協調音樂與影片的完美結合此外，戴偉也分享了與知名電影人如導演黃修平及監製泰迪羅賓的合作點滴，帶來不少幕後故事。🎞️ 📀 戴偉的精彩作品已廣泛登陸各大串流平台，包括2023年特別製作的Atmos版《金手指》（可於Apple Music收聽），以及多部備受讚譽的原聲大碟，如： 🎶《狂舞派》 🎶《哪一天我們會飛》 🎶《點五步》音樂愛好者千萬不要錯過，立即上線收聽吧！🔥 🎧 HKOS Podcast: New Episode! Ep69 - A conversation with Film Music Producer Day Tai 🎬 The film Love Lies premiered nationwide in the U.S. on December 6 ! For those who haven’t purchased tickets yet, don’t miss the chance to watch it during its limited run. 🎟️ Get your tickets here: Click Here In this episode, we are thrilled to have Day Tai, a three-time Hong Kong Film Awards winner, join us to explore the essence of 🎼 film scoring , its production process, and its importance to movies. We also look back at his remarkable career since entering the industry in 1998 and delve into his work on Love Lies : ✨ How he chose the signature sounds to represent the film 🎤 How he tailored songs to highlight the unique qualities of the singers 🎥 How he seamlessly integrated music with the cinematic narrative Additionally, Day shares behind-the-scenes stories about working with renowned filmmakers such as director Adam Wong and producer Teddy Robin. 🎞️ 📀 Many of Day’s acclaimed works are available on major streaming platforms, including the 2023 special Atmos edition of The Goldfinger (available on Apple Music) and award-winning soundtracks like: 🎶 The Way We Dance 🎶 She Remembers, He Forgets 🎶 Weeds on Fire Music lovers, don’t miss this! Tune in now on your favorite streaming platforms. 🔥 --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

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Ep. 68: Rather Be Ashes than Dust w/ Producer Nancy Tong [English] 43:54

לפני 49 weeks43:54

43:54

🎥 紀錄片《寧化飛灰》（Rather Be Ashes Than Dust），一部屬於香港人的作品，將於洛杉磯 🌟 Starlight Whittier Village Cinemas 放映。屆時，制片人湯美如將出席映前與映後的座談會🎙️。電影門票可於以下連結購買：🔗 https://booking.starlightcinemas.com/login/1003/111626 （選擇 “Continue as Guest” 即可購票 🎫）。在本集，主持人與紀錄片製片湯美如 🎥 深入探討其參與製作的多部紀錄片，包括《Denise Ho - Becoming the Song》🎶（2020）、《Faceless》😷（2022）以及《寧化飛灰》🔥（2023）。節目最後，Nancy還分享了對海外香港人🌏如何應對2019年後香港🇭🇰局勢的看法。 🎥 A documentary for Hong Kongers, Rather Be Ashes Than Dust, will be screened at Starlight Whittier Village Cinemas 🌟 in Los Angeles. Producer Nancy Tong will attend pre- and post-screening discussions. Tickets are available here:🔗 https://booking.starlightcinemas.com/login/1003/111626 (Note: Select "Continue as Guest" to purchase directly🎫). In this podcast episode, the host engages in a deep conversation with documentary producer Nancy Tong 🎥 about her experiences working on several documentaries, including Denise Ho - Becoming the Song (2020) 🎶, Faceless (2022) 😷, and Rather Be Ashes than Dust (2023) 🔥. Toward the end of the episode, Nancy shares her thoughts on how overseas Hongkongers 🌏 should respond to the post-2019 situation in Hong Kong 🇭🇰. --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

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Ep. 67: Rather Be Ashes than Dust w/ Director Alan Lau [Cantonese] 48:17

לפני 49 weeks48:17

48:17

🎥 紀錄片《寧化飛灰》（Rather Be Ashes Than Dust），一部屬於香港人的作品，將於洛杉磯 🌟 Starlight Whittier Village Cinemas 放映。屆時，制片人湯美如將出席映前與映後的座談會🎙️。電影門票可於以下連結購買：🔗 https://booking.starlightcinemas.com/login/1003/111626 （選擇 “Continue as Guest” 即可購票 🎫）。 🎧 在最新一集播客，主持人與導演劉健倫深入探討了電影的製作過程、個人經歷，以及移居英國後的所見所聞🇬🇧。劉導演更寄望香港電影人能拓展視野🌏，積極創作，為香港人持續發聲📢。 🎥 A documentary for Hong Kongers, Rather Be Ashes Than Dust, will be screened at Starlight Whittier Village Cinemas 🌟 in Los Angeles. Producer Nancy Tong will attend pre- and post-screening discussions. Tickets are available here:🔗 https://booking.starlightcinemas.com/login/1003/111626 (Note: Select "Continue as Guest" to purchase directly🎫). 🎧 In this podcast episode, the host talks in depth with director Alan Lau about the filmmaking process, personal experiences, and observations after emigrating to the UK🇬🇧. The director also encourages Hong Kong filmmakers to broaden their visions 🌏, engage in creative projects, and continue speaking out for Hong Kong📢. --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

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Ep. 66: All Shall Be Well w/ Director Ray Yeung and Producer Teresa Kwong [English] 39:33

לפני 1 year39:33

39:33

Ahead of the Los Angeles Premiere of this year’s Teddy Award-winning film ALL SHALL BE WELL, we interview director Ray Yeung and producer Teresa Kwong on their take on the story and style of the film, the journey of bringing the film to screen, and the film’s unlikely connections to Johnnie To and Wong Kar-wai! 2nd Hong Kong On Screen Film Festival – All Shall Be Well Date: September 7, 2024 (Sat) Time: 7:00 PM Location: Starlight Whittier Village Cinemas Get your tickets here ! Movies mentioned: All Shall Be Well《從今以後》 Suk Suk (Twilight’s Kiss)《叔·叔》 Five Easy Pieces《輪流傳》 Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

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Ep. 65: Interview w/Director Kiwi Chow(周冠威)[Cantonese] 49:47

לפני 1 year49:47

49:47

導演周冠威稱《幻愛》為他的首部個人長篇電影，儘管在此之前他已完成《一個複雜的故事》以及香港金像獎最佳電影《十年》中的「自焚者」短片。銀幕·香港非常榮幸將《幻愛》納入第二屆「銀幕·香港電影節」的線上放映名單，該片於2024年8月25日美國西岸時間凌晨至9月1日晚上11:59期間免費開放全球觀眾觀看。此外，還附有周導演為登記觀眾錄製的短片介紹，反應熱烈。我們感謝所有觀眾的支持，特別感謝那些慷慨捐款的人士！在本集podcast中，我們回顧了周導演參與的所有電影，並提到他最近在台灣完成的合拍片，這也是他首部以非粵語拍攝的「香港電影」。聽眾還可以收聽我們製作的第12集和第13集 podcast，其中我們詳細討論了導演的金馬獎得獎作品《時代革命》。 Director Chow Kwun-wai describes *BEYOND THE DREAM* as his first personal feature-length film, although he had previously completed *A COMPLICATED STORY* and the "Self-immolator" short in *TEN YEARS*, which won Best Film at the Hong Kong Film Awards. Hong Kong On Screen is honored to include *BEYOND THE DREAM* in the second " Hong Kong On Screen Festival " online screening lineup. The film was free for global viewing from August 25, 2024, at midnight Pacific Time until 11:59 p.m. on September 1, 2024. Additionally, a short introduction by Director Chow, explicitly recorded for registered viewers, has been included, and an enthusiastic response has been received. We thank all viewers for their support, especially those who generously donated! In this podcast episode, we review all the films in which Director Chow has been involved and mention his recent co-production in Taiwan, which is also his first "Hong Kong film" shot in a non-Cantonese language. Listeners can also check out episodes 12 and 13 of our podcast, where we discuss in detail his Golden Horse Award-winning work, *REVOLUTION OF OUR TIMES*. --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

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Ep. 64: Hong Kong Film History Pt. 7 w/ Po Fung (蒲鋒) [Cantonese] 1:29:22

לפני 1 year1:29:22

1:29:22

「香港電影史導論 Podcast第七集」討論大網有關這系列的Podcast, 詳情請看這裡。第七集「無線電視廣播的衝擊及『香港地』『香港人』意識的明顯出現」討論大網： 1967年無線電視開始，到1970年代電視成了深入民心的娛樂和資信媒介。其後原本有線廣播的麗的也轉為無線廣播。香港電影也受到電視冒起的直接影響。電視上成功的節目被改編成電影，電視也成了電影人材的培訓地，成功的電視人紛紛被引進電影圈。電視上的戲劇節目和新聞節目也建立了一個清晰的香港人身份認同。以粵語作廣播的電視甚至幫助香港電影由國語主導轉變成粵語主導。香港電影也在1970年代完成了世代交替，上一輩編導多在1970年代退下火線，在香港成長的新一代影人紛紛接棒，單以電影界出身的，吳思遠、洪金寶、吳宇森都開始建立他們穩固的導演地位。新一代影人之外還有新的類型，功夫片、警匪片、黑幫片、賭千片等過去沒有的類型也在1970年代成型。 --------- Outline of Introduction to Hong Kong Film Industry Podcast Part 7 About this series of podcasts, please check here . Episode 7: “TVB’s Impact on the Emergence of ‘Hong Kong’ and the ‘Hong Konger’ Identity" Television Broadcasting Limited (TVB) was founded in 1967 and had, by the 1970s, become a popular and influential entertainment and information program in Hong Kong. Even Hong Kong cinema was directly influenced by the rise of television. Television soon became a training ground for talent in the film industry: successful televisions were often adapted into movies, and it was common for successful television personnel to be introduced into the film industry. Television dramas and news programs also established a distinctive identity for the people of Hong Kong. Cantonese Television even helped shift Hong Kong Cinema’s market from being a Mandarin-dominated market to being Cantonese-dominated. In the 1970s, Hong Kong cinema completed a generational transition, with the previous generation of directors and writers retiring from the scene and a new generation of filmmakers from Hong Kong taking over. Notable directors who emerged from this period include John Woo, Sammo Hung, and Tsui Hark, who all established themselves as leading figures in the industry. In addition to new filmmakers, new film genres such as martial arts films, crime films, gangster films, and gambling films also emerged in the 1970s, which had not been seen before. ****************** Follow the hosts: Kay Ho's Instagram: @kayho1430 Po Fung's Facebook: https://www.facebook.com/flash1030/ This episode is part of the "Preserve Yesterday - Back to Lee Theatre VR" project , which was a collaboration with the Hong Kong XR Museum. For more info, visit here: https://www.hongkongxrmuseum.org/lee-theatre-ticket . --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

1
Ep. 63: Hong Kong Film History Pt. 6 w/ Po Fung (蒲鋒) 3/3 [Cantonese] 1:30:38

לפני 1 year1:30:38

1:30:38

「香港電影史導論 Podcast第六集」討論大網有關這系列的Podcast, 詳情請看這裡。第六集「嘉禾的出現及自由競爭下1970年代影業的興旺」討論大網： 1970年開始時，擁有影城和院線，製作量龐大的邵氏兄弟公司好像一個絕不可能被打倒的影壇巨人，結果它卻製造出自己的強大敵人，那就是從邵氏公司的管理人員鄒文懷。鄒在邵氏因方逸華主政而離開組織嘉禾公司，它發掘了李小龍，承接了國泰公司的片廠，組織了院線，再由許冠文喜劇屢破票房紀錄。嘉禾由一家資金短絀的公司發展成足以與邵氏分庭抗禮的國際有名的大公司，並成為1980至1990香港電影的中流砥柱，可說是一個傳奇。除了嘉禾，1970年代在不同時期都有一些獨立電影公司在票房上創出佳績，為影業帶來新風，包括思遠、繽繽，這都與香港影業自由競爭脫不了干系。在這第六集的podcast，我們一共分開三節，在第三節，我們討論了以下內容：七十年代香港電影與台灣電影的關係如何？為何可以說是歷史上最緊密的時期？隨著粵語片停產，台灣電影進入香港市場，哪些作品受到了歡迎？許多台灣電影人來到香港註冊開公司，並在香港進行電影後期製作，原因是什麼？為什麼香港在這個年代的後期製作會受益於台灣電影的湧入？台灣電影在香港是如何沒落的？這與香港在自由氣氛下爆發的創作力有何關係？香港在自由的環境下，如何超越台灣影人的作品？「南下影人」在七十年代還有發展嗎？香港電影業界與外國（主要是美國）電影業界有哪些聯繫？雙方自六十年代開始交流後對香港電影製作有什麼影響？七十年代，不少片場倒閉，取而代之的是租借器材公司，例如沙龍，為什麼會出現這種現象？對電影業有什麼貢獻？ --------- Outline of Introduction to Hong Kong Film Industry Podcast Part 6 About this series of podcasts, please check here . Episode 6: “The Emergence of Golden Harvest and the Flourishing of the Film Industry in the 1970s Under Free Competition" At the start of the 1970s, the Shaw Brothers Company, with its studios and cinema chains and a massive production volume, seemed like an invincible giant in the film industry. However, it created its formidable competitor: Raymond Chow, a former Shaw Brothers executive. Chow left the company due to disagreements with Mona Fong's management and founded Golden Harvest. Golden Harvest discovered Bruce Lee, took over Cathay Organization's studios, and established its cinema chain. The success of Michael Hui's comedies repeatedly broke box office records. Golden Harvest evolved from a financially struggling company into an internationally renowned giant capable of rivaling Shaw Brothers. It became a pillar of Hong Kong cinema from the 1980s to the 1990s, embodying a legendary success story. In addition to Golden Harvest, several independent film companies achieved significant box office success during the 1970s, bringing fresh ideas to the industry. These included companies like Seasonal Film Corporation and Bo Ho Film Company, which thrived due to the free competition in Hong Kong's film industry. In this sixth episode of the podcast, we divided our discussion into three segments. In the third segment, we covered the following topics: How were Hong Kong and Taiwanese films related in the 1970s, and why can this period be considered the closest in history? With the cessation of Cantonese films, Taiwanese films entered the Hong Kong market. Which works were well-received? Why did many Taiwanese filmmakers come to Hong Kong to register companies and conduct post-production work there? Why did Hong Kong's post-production industry benefit from the influx of Taiwanese films during this period? How did Taiwanese films decline in Hong Kong, and how is this related to the creative explosion in Hong Kong's free atmosphere? How did Hong Kong surpass Taiwanese filmmakers' works in a free environment? Did "Filmmakers from Mainland China" continue to develop in the 1970s? What connections existed between Hong Kong's film and foreign (mainly American) film industries? What impact did their interactions since the 1960s have on Hong Kong film production? In the 1970s, many film studios closed down and were replaced by equipment rental companies, such as Salon. Why did this phenomenon occur, and what contributions did it make to the film industry? ****************** Follow the hosts: Kay Ho's Instagram: @kayho1430 Po Fung's Facebook: https://www.facebook.com/flash1030/ This episode is part of the "Preserve Yesterday - Back to Lee Theatre VR" project , which was a collaboration with the Hong Kong XR Museum. For more info, visit here: https://www.hongkongxrmuseum.org/lee-theatre-ticket . --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

1
Ep. 62: Hong Kong Film History Pt. 6 w/ Po Fung (蒲鋒) 2/3 [Cantonese] 52:35

לפני 1 year52:35

52:35

「香港電影史導論 Podcast第六集」討論大網有關這系列的Podcast, 詳情請看這裡。第六集「嘉禾的出現及自由競爭下1970年代影業的興旺」討論大網： 1970年開始時，擁有影城和院線，製作量龐大的邵氏兄弟公司好像一個絕不可能被打倒的影壇巨人，結果它卻製造出自己的強大敵人，那就是從邵氏公司的管理人員鄒文懷。鄒在邵氏因方逸華主政而離開組織嘉禾公司，它發掘了李小龍，承接了國泰公司的片廠，組織了院線，再由許冠文喜劇屢破票房紀錄。嘉禾由一家資金短絀的公司發展成足以與邵氏分庭抗禮的國際有名的大公司，並成為1980至1990香港電影的中流砥柱，可說是一個傳奇。除了嘉禾，1970年代在不同時期都有一些獨立電影公司在票房上創出佳績，為影業帶來新風，包括思遠、繽繽，這都與香港影業自由競爭脫不了干系。在這第六集的podcast，我們一共分開三節，在第二節，我們討論了以下內容：李小龍猝死之後，嘉禾是如何渡過難關呢？七十年代，香港社會從傳統走向現代，而電影圈正是這種社會變遷的縮影。嘉禾是如何在這個轉變中超越邵氏的？嘉禾擁有眾多巨星，其中洪金寶、許冠文、吳宇森、成龍的影響有多大？什麼是諧趣功夫片？有哪些著名作品？它們如何影響了《功夫熊貓》？諧趣功夫片如何使粵語電影成為香港電影的主流？除了嘉禾，七十年代還湧現了不少獨立電影製作公司，他們有哪些人？又有哪些作品？ Outline of Introduction to Hong Kong Film Industry Podcast Part 6 About this series of podcasts, please check here . Episode 6: “The Emergence of Golden Harvest and the Flourishing of the Film Industry in the 1970s Under Free Competition" At the start of the 1970s, the Shaw Brothers Company, with its studios and cinema chains and a massive production volume, seemed like an invincible giant in the film industry. However, it created its formidable competitor: Raymond Chow, a former Shaw Brothers executive. Chow left the company due to disagreements with Mona Fong's management and founded Golden Harvest. Golden Harvest discovered Bruce Lee, took over Cathay Organization's studios, and established its cinema chain. The success of Michael Hui's comedies repeatedly broke box office records. Golden Harvest evolved from a financially struggling company into an internationally renowned giant capable of rivaling Shaw Brothers. It became a pillar of Hong Kong cinema from the 1980s to the 1990s, embodying a legendary success story. In addition to Golden Harvest, several independent film companies achieved significant box office success during the 1970s, bringing fresh ideas to the industry. These included companies like Seasonal Film Corporation and Bo Ho Film Company, which thrived due to the free competition in Hong Kong's film industry. In this sixth episode of the podcast, we divided our discussion into three segments. In the second segment, we covered the following topics: How did Golden Harvest overcome the difficulties following Bruce Lee's sudden death? In the 1970s, Hong Kong society transitioned from traditional to modern, with the film industry reflecting this social change. How did Golden Harvest surpass Shaw Brothers during this transformation? Golden Harvest had many stars. How significant were the influences of Sammo Hung, Michael Hui, John Woo, and Jackie Chan? What are comedy kung fu films? What are some famous works, and how did they influence "Kung Fu Panda"? How did comedy kung fu films help Cantonese-language movies become mainstream in Hong Kong? Besides Golden Harvest, many independent film production companies emerged in the 1970s. Who were involved, and what works did they produce? ****************** Follow the hosts: Kay Ho's Instagram: @kayho1430 Po Fung's Facebook: https://www.facebook.com/flash1030/ This episode is part of the "Preserve Yesterday - Back to Lee Theatre VR" project , which was a collaboration with the Hong Kong XR Museum. For more info, visit here: https://www.hongkongxrmuseum.org/lee-theatre-ticket . --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

1
Ep. 60: The Lyricist Wannabe《填詞L》 w/ Director Norris Wong 2/2 [Cantonese] 28:58

לפני 1 year28:58

28:58

《填詞L》已於5月25日於Starlight Whittier Village Cinemas 下午3點放映 🎬✨，多謝入場觀賞電影的朋友 💖，另外也多謝導演黃綺琳和監製黃鐦親身來到現場跟我們分享 🙏。在這一集podcast，我們跟導演主要討論了電影拍攝初衷 🎥，選景的邏輯 📍，拍攝期間的挑戰 💪，以及對填詞夢的最終結果有什麼看法 🎶。係呢度聽：https://hkonscreen.firstory.io/ 🎧 --- "The Lyricist Wannabe" was screened on May 25th at 3:00 PM at Starlight Whittier Village Cinemas 🎬✨. We thank everyone who came to watch the film 💖 and special thanks to director Norris Wong and producer Hoi Wong for coming in person to share with us 🙏. In this episode of the podcast, we mainly discussed with the director the initial inspiration for making the film 🎥, the logic behind choosing locations 📍, the challenges faced during filming 💪, and their thoughts on the outcome of the dream of becoming a lyricist 🎶. Listen here: https://hkonscreen.firstory.io/ 🎧 --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

1
Ep. 59: Hong Kong Film History Pt. 6 w/ Po Fung (蒲鋒) 1/3 [Cantonese] 1:16:13

לפני 1 year1:16:13

1:16:13

「香港電影史導論 Podcast第六集」討論大網有關這系列的Podcast, 詳情請看這裡。第六集「嘉禾的出現及自由競爭下1970年代影業的興旺」討論大網： 1970年開始時，擁有影城和院線，製作量龐大的邵氏兄弟公司好像一個絕不可能被打倒的影壇巨人，結果它卻製造出自己的強大敵人，那就是從邵氏公司的管理人員鄒文懷。鄒在邵氏因方逸華主政而離開組織嘉禾公司，它發掘了李小龍，承接了國泰公司的片廠，組織了院線，再由許冠文喜劇屢破票房紀錄。嘉禾由一家資金短絀的公司發展成足以與邵氏分庭抗禮的國際有名的大公司，並成為1980至1990香港電影的中流砥柱，可說是一個傳奇。除了嘉禾，1970年代在不同時期都有一些獨立電影公司在票房上創出佳績，為影業帶來新風，包括思遠、繽繽，這都與香港影業自由競爭脫不了干系。在這第六集的podcast，我們一共分開三節，在第一節，我們討論了以下內容：嘉禾成立的背景，主人的背景是什麼？話事鄒文懷從邵氏帶走了些什麼人？出走的原因又是什麼？張徹本伴隨鄒氏出走，但最後為什麼沒有呢？李小龍這一名巨星的出現，是如何拯救了嘉禾呢？功夫片自李小龍出現後成賣座電影，跟從前的武俠電影有什麼分別呢？何謂真正的功夫片？嘉禾衛星公司是什麼？嘉禾是如何利用省減成本開支呢？ --------- Outline of Introduction to Hong Kong Film Industry Podcast Part 6 About this series of podcasts, please check here . Episode 6: “The Emergence of Golden Harvest and the Flourishing of the Film Industry in the 1970s Under Free Competition" At the start of the 1970s, the Shaw Brothers Company, with its studios and cinema chains and a massive production volume, seemed like an invincible giant in the film industry. However, it created its formidable competitor: Raymond Chow, a former Shaw Brothers executive. Chow left the company due to disagreements with Mona Fong's management and founded Golden Harvest. Golden Harvest discovered Bruce Lee, took over Cathay Organization's studios, and established its cinema chain. The success of Michael Hui's comedies repeatedly broke box office records. Golden Harvest evolved from a financially struggling company into an internationally renowned giant capable of rivaling Shaw Brothers. It became a pillar of Hong Kong cinema from the 1980s to the 1990s, embodying a legendary success story. In addition to Golden Harvest, several independent film companies achieved significant box office success during the 1970s, bringing fresh ideas to the industry. These included companies like Seasonal Film Corporation and Bo Ho Film Company, which thrived due to the free competition in Hong Kong's film industry. In this sixth episode of the podcast, we divided our discussion into three segments. In the first segment, we covered the following topics: The background of Golden Harvest's establishment: What is the background of its founders? What personnel did Raymond Chow take with him from Shaw Brothers? What were the reasons for the departure? Chang Cheh initially planned to leave with Raymond Chow but ultimately did not—why was that? How did the emergence of the superstar Bruce Lee save Golden Harvest? How did kung fu films become box office hits after Bruce Lee's appearance, and how did they differ from the earlier wuxia films? What defines a true kung fu film? What was Golden Harvest's satellite company, and how did Golden Harvest utilize it to reduce costs? ****************** Follow the hosts: Kay Ho's Instagram: @kayho1430 Po Fung's Facebook: https://www.facebook.com/flash1030/ This episode is part of the "Preserve Yesterday - Back to Lee Theatre VR" project , which was a collaboration with the Hong Kong XR Museum. For more info, visit here: https://www.hongkongxrmuseum.org/lee-theatre-ticket . --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

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Ep. 58: The Lyricist Wannabe《填詞L》 w/ Director Norris Wong 1/2 [Cantonese] 23:46

לפני 1 year23:46

23:46

《填詞L》將於5月25日於Starlight Whittier Village Cinemas 下午3點放映，詳情請到：https://www.hkonscreen.org/lyricist 🎬✨ 在這一集podcast，我們跟導演主要討論了《填詞L》票房終於達到700萬 💸，從很㥬惶到最終收回成本的心情 😰😅。另外，導演因為參與了Netflix劇集《此時此刻》的製作，我們於是也討論了台灣與香港電影／電視製作的分別 🎥🇹🇼🇭🇰，還有從政府資助的首部劇情電影計劃到自資拍攝電影，再到參與高成本的跨國製作 🌏🎬，當中的又體味到什麼呢？ --- "The Lyricist Wannabe" will be screened on May 25th at 3:00 PM at Starlight Whittier Village Cinemas. For more details, please visit: https://www.hkonscreen.org/lyricist 🎬✨. In this podcast episode, we mainly discussed with the director about the box office of "The Lyricist Wannabe,” which finally reached 7 million 💸, from being very anxious 😰 to eventually breaking even 😅. Additionally, because the director participated in the production of the Netflix series "At the Moment," we also discussed the differences between film/television production in Taiwan and Hong Kong 🎥🇹🇼🇭🇰. Moreover, we discussed the experiences gained from the government's First Feature Film Initiative, which involved self-financed film production and participation in high-budget international productions 🌏🎬. --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

1
Ep. 57: Pai Niang Niang: The Last Osmanthus Blossom《白孃孃：一朶遲桂花》 w/ Director Isabel Wong [Cantonese] 43:46

לפני 2 years43:46

43:46

🎙️📽️🌸 在這一集podcast，主持人跟導演圍繞紀錄片《白孃孃：一朶遲桂花》討論了以下幾點： 🔍 埋藏了52年的錄影帶是如何發現？影帶錄下了什麼呢？這個發現跟潘迪華（潘姐姐）有什麼關係呢？ 👩‍🎤 《白孃孃》究竟是什麼呢？潘姐姐對這套音樂劇有什麼期望呢？ 🎭 我們是從那裡認識潘姐姐呢？ 🎬 潘姐姐喜歡演戲嗎？她是演員還是歌星？ 💡 在製作這個紀錄片的過程中，最困難的是什麼呢？ 🌍 最終能把這套紀錄片帶給海外的觀眾，導演會有什麼期望呢？ 📅 潘組姐的個人紀錄片什麼時候推出呢？內容有些什麼呢？ 🎥 這部紀綠片會在5月29日下午4時於McCormick Screening Room, UC Irvine 免費放映，導演會親身出席映後訪談，請觀眾撥冗出席。 🎟️ 請情可看這裡： https://www.hkonscreen.org/painiangniang-chi 🎙️📽️🌸 In this episode of the podcast, the host and the director discussed the following points regarding the documentary "Pai Niang Niang: The Last Osmanthus Blossom": 🔍 How was the videotape buried for 52 years discovered? What was recorded on the tape? 👩‍🎤 What is this discovery related to Rebecca Pan (Sister Pan)? What is "Pai Niang Niang"? What are Sister Pan's expectations for this musical? 🎭 How did we first know Sister Pan? 🎬 Does Sister Pan like acting? Is she an actress or a singer? 💡 What was the most challenging part of making this documentary? 🌍 What are the director's expectations for finally bringing this documentary to overseas audiences? 📅 When will Sister Pan's documentary be released? What does it contain? 🎥 This documentary will be screened for FREE at the McCormick Screening Room, UC Irvine, on May 29th at 4 pm. The director will personally attend a post-screening interview. Please make time to attend! 🎟️ Free ticketing information: https://www.hkonscreen.org/painiangniang --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

1
Ep. 56: Back Home (七月返歸） w/ Director Nate Ki [Cantonese] 20:48

לפני 2 years20:48

20:48

《七月返歸》終於來北美放映，各位香港電影迷，記得3月29日，一定要盡快買票入場！《銀幕·香港》很開心得到美國發行的邀請，跟導演謝家祺做一個簡而精的訪問，訪問中除了談到電影創作的源起，還談了Mirror 文化，導演大贊AK (江𤒹生)粉絲，讓他們劇組非常感動。想聽更多，記得馬上收聽啦！ The North American premiere of "BACK HOME" has finally arrived, and Hong Kong's film enthusiasts should mark March 29th on their calendars and purchase their tickets promptly. "Hong Kong On Screen" was delighted to have been invited by the US distributor to conduct a brief yet insightful interview with the film's director, Nate Ki. The discussion covered the film's genesis and delved into the concept of Mirror (A Hong Kong Cantopop Boy group) culture. The director expressed admiration for AK (Anson Kong) fans, which deeply moved the film's crew. If you're interested in hearing more, the interview can be listened to now. --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

1
Ep. 55: Spacked Out w/ Director Lawrence Lau [English] 25:45

לפני 2 years25:45

25:45

We interview director Lawrence Lau of Spacked Out on the impressionistic, romantic style of his film, working with Johnnie To, and what the hell “spacked out” actually means! Films mentioned: Spacked Out《無人駕駛》 Gangs《童黨》 Queen of Temple Street《廟街皇后》 Lee Rock《雷洛傳》 Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

1
Ep. 54: Hong Kong Film History Pt. 5 w/ Po Fung (蒲鋒) 3/3 [Cantonese] 1:10:00

לפני 2 years1:10:00

1:10:00

「香港電影史導論 Podcast第五集」討論大網有關這系列的Podcast, 詳情請看這裡。第五集「香港電影在1960年代的變遷」討論大網： 1960年代的香港影業基本上延續1950年代，主要的導演和編劇都是1950年代初已入行的一批，創作觀念上改變不大。但1960年代香港的經濟已擺脫1950年代的貧困局面而進入小康。粵語片方面，類型也就由淒慘的文藝片逐漸轉向「小康之家式」中產小夫妻喜劇以至歌頌自食其力的「工廠妹萬歲」電影，也有關心下一代會否學壞的青春片，並由此出現陳寶珠、蕭芳芳的影迷熱潮。國語片方面，經濟成長也造就一種追求個性解放的心態，造就了張徹以陽剛為號召的武俠片，從而把香港電影以至中國電影的女明星主導的傳統徹底改變。在這第五集的podcast，我們一共分開三節，每節的主題如下： 5.1 60年代香港電影產業的總體特色、以及重點討論了三種粵語流行電影類型, 包括武俠片、小夫妻喜劇、青春歌舞電影。 5.2 60年代流行的張徹的國語武俠電影如何範式轉移影響日後的香港電影，另外我們也重點討論了楚原和龍剛的電影 5.3 60年代電影產業的一些特有現象，以及六七暴動和無線電視廣播對香港電影的影響，及至最後香港粵語片停產的原因。 Outline of Introduction to Hong Kong Film Industry Podcast Part 5 About this series of podcasts, please check here . Episode 5: “Changes in Hong Kong Cinema in the 1960s” The 1960s for the Hong Kong film industry was, for the most part, a continuation of the 1950s. Many key directors and screenwriters of the era had their origins rooted in the group that emerged in the 1950s; as such, creative theories in regard to filmmaking changed little during this time. However, during the 1960s, Hong Kong’s economy had begun to break off from the economically impoverished state of the 1950s, entering instead into a relative period of prosperity. For Cantonese cinema, tragic art films were gradually replaced by “Family Style” middle-class and young family comedies. These films celebrated the self-supported “Factory Girl” and youth films that focused on the worry of a new generation that might be led astray. These gave rise to then-upcoming stars like Connie Chan Po-chu and Josephine Siao Fong-Fong, who had fervent film fanbases. As for Mandarin Films, their economic growth created an attitude of pursuing individual freedom, leading to Chang Cheh's use of Wuxia films to appeal to masculine audiences—completely changing the tradition of female movie stars dominating Hong Kong and even Chinese Cinema. In this fifth episode of the podcast, we have three segments, each focusing on the following topics; 5.1 The overall characteristics of the Hong Kong film industry in the 1960s, with a specific focus on discussing three popular Cantonese film genres, including martial arts films, romantic comedies featuring married couples, and youth musical films. 5.2 How the paradigm shift in popular Chang Cheh's Mandarin martial arts films of the 1960s influenced subsequent Hong Kong films. Additionally, there is a specific emphasis on discussing the films of directors Cheung Po Kin (Chu Yuan) and Lung Kong. 5.3 Some unique phenomena in the 1960s film industry, the impact of the six-seven riots and wireless TV broadcasting on Hong Kong cinema, and finally, the reasons for the cessation of Hong Kong Cantonese films. ****************** Follow the hosts: Kay Ho's Instagram: @kayho1430 Po Fung's Facebook: https://www.facebook.com/flash1030/ This episode is part of the "Preserve Yesterday - Back to Lee Theatre VR" project , which was a collaboration with the Hong Kong XR Museum. For more info, visit here: https://www.hongkongxrmuseum.org/lee-theatre-ticket . --- The Hong Kong On Screen Podcast is a podcast about Hong Kong Cinema. The HKOS Podcast is hosted by Hong Kongers. You can follow us on Twitter, Facebook, and Instagram. You can also email us at info@hkonscreen.org . Support the show: https://www.hkonscreen.org/giving Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

The Hong Kong On Screen Podcast

לפני 3 years40:11

40:11

We introduce you to Hong Kong On Screen and our podcast, dive into a brief history of the Hong Kong New Wave, and discuss Ann Hui’s career-defining Boat People (1982). Films mentioned: Love After Love《第一爐香》 Father and Son《父子情》 Jumping Ash《跳灰》 The Butterfly Murders《蝶變》 The Secret《瘋劫》 Night and Fog (2009)《天水圍的夜與霧》 The Beast《山狗》 A Simple Life《桃姐》 Still Human《淪落人》 House of the Lute《慾火焚琴》 Ju Dou《菊豆》 Rouge《胭脂扣》 Center Stage《阮玲玉》 Night and Fog (1956) Man with a Movie Camera Song of the Exile《客途秋恨》 Ann Hui’s “Vietnam Trilogy”: Boy from Vietnam〈來客〉 The Story of Woo Viet《胡越的故事》 Boat People《投奔怒海》 Leave a comment and share your thoughts: https://open.firstory.me/user/cl55om7v70ekf01t9ff6n3tkt/comments Powered by Firstory Hosting…

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The Hong Kong On Screen Podcast « » Ep. 34: Frank Djeng on Bruce Lee's ENTER THE DRAGON 50th Anniversary [Cantonese]

Ep. 34: Frank Djeng on Bruce Lee's ENTER THE DRAGON 50th Anniversary [Cantonese]

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The Hong Kong On Screen Podcast « »
Ep. 34: Frank Djeng on Bruce Lee's ENTER THE DRAGON 50th Anniversary [Cantonese]