Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
Manage episode 224165859 series 1301466
In 1927 Jerome Kern and Oscar Hammerstein created Ol’ Man River to bind their breakthrough Broadway musical Show Boat. Giving it an almighty showstopper. Audiences were carried away as ‘Joe’, the ordinary black labourer, took centre stage to sing of toil and suffering in the land of cotton along the banks of the Mississippi. From the beginning it thrilled with powerful contradictions. A song of black suffering by white artists in Jim Crow America where its mixed cast couldn’t even dine together. Its lyrics were racially charged and contested from the get go and before becoming a song of revolution and protest across three continents. Kern and Hammerstein wrote it specifically with rising superstar Paul Robeson in mind. The son of a slave, the singer of new Negro spirituals and, later, the voice of working class solidarity. But Robeson would not be the first to perform it. That would come a year later in London, beginning a complex personal relationship with the song including his own changes to the lyrics and performances on the front lines of Civil War Spain and Cold War America. Beyond Robeson, the song immediately became a jazz standard. Artists as diverse as Bing Crosby, Frank Sinatra, Sammy Davis Jr, Judy Garland, Rod Stewart, Ray Charles, Aretha Franklin and Dave Brubeck have performed it. Mark Burman navigates the many currents of history flowing through Ol’ Man River from Broadway to the Black Panthers to its last unlikely journey along the banks of the Brahmaputra and a new mass Indian audience that knew little of its original source.