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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Before Norman Bates: Talking the Spiral Staircase (1946)
Manage episode 359293147 series 3462087
תוכן מסופק על ידי Horror Homeroom. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Horror Homeroom או שותף פלטפורמת הפודקאסט שלו. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
In today's episode, it is early horror with an unexpected feminist twist in 1946’s The Spiral Staircase, directed by Robert Siodmak. Set in 1906, the film follows Helen (Dorothy McGuire), a woman with traumatic mutism, who cares for Mrs. Warren (Ethel Barrymore), the difficult and bedridden lady of the manor. When a serial killer begins killing off women with so-called afflictions, Helen is warned that she may be next. Adapted from Ethel Lina White’s novel Some Must Watch (1933), the film takes up themes such as disability and masculinity while simultaneously challenging the notion that the modern slasher film began with Hitchcock’s Psycho (1960). We’re breaking it all down today with spoilers, so stay tuned.
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