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תוכן מסופק על ידי Jack Dappa Blues Heritage Preservation Radio. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Jack Dappa Blues Heritage Preservation Radio או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
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Lipstick on the Rim
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1 Amy Schumer & Brianne Howey on the Importance of Female Friendships, Navigating Hollywood's Double Standards, Sharing Their Birth Stories, and MORE 50:05
50:05
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This week, in what might be the funniest episode yet, Molly and Emese are joined by co-stars Amy Schumer and Brianne Howey. They get candid about motherhood, career evolution, and their new film, Kinda Pregnant —which unexpectedly led to Amy’s latest health discovery. Amy opens up about how public criticism led her to uncover her Cushing syndrome diagnosis, what it’s like to navigate comedy and Hollywood as a mom, and the importance of sharing birth stories without shame. Brianne shares how becoming a mother has shifted her perspective on work, how Ginny & Georgia ’s Georgia Miller compares to real-life parenting, and the power of female friendships in the industry. We also go behind the scenes of their new Netflix film, Kinda Pregnant —how Molly first got the script, why Amy and Brianne were drawn to the project, and what it means for women today. Plus, they reflect on their early career struggles, the moment they knew they “made it,” and how motherhood has reshaped their ambitions. From career highs to personal challenges, this episode is raw, funny, and packed with insights. Mentioned in the Episode: Kinda Pregnant Ginny & Georgia Meerkat 30 Rock Last Comic Standing Charlie Sheen Roast Inside Amy Schumer Amy Schumer on the Howard Stern Show Trainwreck Life & Beth Expecting Amy 45RPM Clothing Brand A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us at @sonypodcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices…
Jack Dappa Blues Heritage Preservation Radio
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Manage series 2283011
תוכן מסופק על ידי Jack Dappa Blues Heritage Preservation Radio. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Jack Dappa Blues Heritage Preservation Radio או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
Jack Dappa Blues Heritage Preservation Foundation (JDBHPF) is a nonprofit established in 2011, officially becoming a 501 (c) 3 in 2016 to create public programs that raise cultural and ethnic awareness of Black traditional music, traditional art, folklore, oral histories, and the experiences of Black people in the United States. Standing on the foundation of the Blues People's legacy, JDBHPF works to celebrate, preserve, and conserve Blues music and culture while highlighting the many events in American history that have cultivated our communities and musical expressions.
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100 פרקים
סמן הכל כלא נצפה...
Manage series 2283011
תוכן מסופק על ידי Jack Dappa Blues Heritage Preservation Radio. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Jack Dappa Blues Heritage Preservation Radio או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
Jack Dappa Blues Heritage Preservation Foundation (JDBHPF) is a nonprofit established in 2011, officially becoming a 501 (c) 3 in 2016 to create public programs that raise cultural and ethnic awareness of Black traditional music, traditional art, folklore, oral histories, and the experiences of Black people in the United States. Standing on the foundation of the Blues People's legacy, JDBHPF works to celebrate, preserve, and conserve Blues music and culture while highlighting the many events in American history that have cultivated our communities and musical expressions.
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continue reading
100 פרקים
كل الحلقات
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Jack Dappa Blues Heritage Preservation Radio
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1 🎙️ From Slave Seculars to The Blues Pt. 2 – The Legacy of Black Spirituals and Hymnals 🎶 1:32:19
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🎙️ From Slave Seculars to The Blues: Preserving & Conserving Black American Folklore Pt. 2 – The Legacy of Black Spirituals and Hymnals 🎶Join us for Part 2 of our deep dive into the evolution of Black American music, as we explore how Black Spirituals, hymnals, and Slave Seculars informed the Blues. In this episode, we uncover the sacred and secular traditions that shaped the foundation of the blues, from the sorrowful expressions of spirituals to the raw storytelling of early blues songs.We’ll break down the two distinct styles of Black hymnals—one rooted in oral tradition and the other shaped by formal musical training—and discuss how class and education influenced Black religious music. We’ll also examine how field hollers, lined-out hymns, and call-and-response structures carried over into the blues, creating a continuous thread of Black cultural expression.Expect a mix of history, storytelling, and audience participation as we connect the past to the present.🔥 Tune in and join the conversation as we honor, preserve, and celebrate Black musical heritage! 🔥Songs Played Title• The Old Ship of ZionNames• Johnson, Warren G. (Performer)• Gregory, Richard (Performer)• Richardson, Zema (Performer)• Winrow, Anthony (Performer)• Work, John W. (John Wesley), 1901-1967 (Collector)• Holloway High School Quartet (Performer)Created / Published• Murfreesboro, Tennessee, 1941Headings• - African Americans--Southern States--MusicSource Collection• John Work Collection of Negro Folk Music from the Southeast (AFC 1941/035)Repository• American Folklife CenterTitle• John the RevelatorNames• Work, John W. (John Wesley), 1901-1967 (Collector)• Heavenly Gate Quartet (Performer)Created / Published• Nashville, Tennessee, 1941Headings• - African Americans--Southern States--Music• - The performers of this song are identified by Bruce Nemerov as the Heavenly Gate Quartet. "In the spring of 1941 John Work recorded the Heavenly Gate Quartet at his house...(AFS #5163 -64)" -- article by Bruce Nemerov.• - Heavenly Gate Quartet, unaccompanied vocals.Medium• Sound disc : analog ; 12 in.Call Number/Physical Location• AFC 1941/035: AFS 05163a01Source Collection• John Work Collection of Negro Folk Music from the Southeast (AFC 1941/035)Title• Po' Boy Long Way From HomeNames• Work, John W. (John Wesley), 1901-1967 (Collector)• Chestain, Sonny (Performer)Created / Published• Georgia, 1941Headings• - African Americans--Southern States--MusicSource Collection• John Work Collection of Negro Folk Music from the Southeast (AFC 1941/035)Repository• American Folklife CenterTitle• Rock My Soul in the Bosom of AbrahamNames• Work, John W. (John Wesley), 1901-1967 (Collector)• Unidentified vocal quartet (Performer)Created / Published• Fort Valley, Georgia, 1941Headings• - African Americans--Southern States--MusicSource Collection• John Work Collection of Negro Folk Music from the Southeast (AFC 1941/035)Repository• American Folklife CenterDigital Id…
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Jack Dappa Blues Heritage Preservation Radio
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1 From Slave Seculars to The Blues: Preserving & Conserving Black American Folklore 1:39:35
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אהבתי1:39:35![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
In this episode, we explore the rich cultural legacy of Black American music, focusing on the evolution from slave seculars—non-religious songs of survival, work, and resistance—to the development of the blues. Through stories, historical insights, and music, we uncover how enslaved African Americans used music to communicate, preserve their identity, and confront hardship. They also used their traditional expression to resist and revolt against ideologies and beliefs not part of their traditions. We also highlight the contributions of early folklorists, musicians, and modern artists who continue to keep these traditions alive. Join us as we celebrate the resilience and creativity that shaped American music and culture.…
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Jack Dappa Blues Heritage Preservation Radio
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1 The 13th Amendment, Blues, Black Folklore, and Black Indigenous Roots 1:29:17
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January 31 marks a pivotal moment in American history—the passing of the 13th Amendment in 1865, which abolished slavery. But freedom was more than a legal decree; it became a living story told through the rhythms of the blues, the wisdom of Black folklore, and the resilience of Afro-Indigenous traditions. On this episode, we explore how the fight for liberation shaped cultural expressions that endure today. Discover the powerful connections between Black American folklore, the birth of the blues, and the often-overlooked histories of Afro-Indigenous communities. From the trickster tales of Br’er Rabbit to the haunting melodies of the Delta blues, this is a story of survival, resistance, and the unbreakable spirit of a people who turned struggle into song. Join us as we honor the roots, the rhythms, and the resistance woven into the fabric of Black history.…
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Jack Dappa Blues Heritage Preservation Radio
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1 African American Folklorist of The Month - Larry Handy 55:42
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אהבתי55:42![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
African American Folklorist of the Month - Larry Handy Larry Handy discusses with me the concept of Ethnopoetic theory (a method for analyzing and recording oral poetry and performances to capture the poetic elements of the original performance) and his love for archiving and being a librarian. Handy is a “Folklife Poet” and shares with us the meaning; he also dives deep into activism and protests. Larry lives in California, and we recorded this interview at the height of the California wildfires when he was a few miles away. In sharing his Journey to Folklore, he discusses Folk Consciousness and his "Tour of Duty," an LA Protest Memoir. BIO: Larry Handy is a folklife poet who leads the award-winning poetry band Totem Maples. His fiction, nonfiction, and poetry appear in such journals as The Coachella Review, Cog, Mosaic: Art and Literary Journal, Proximity, Quiddity, Rivet, Roi Fainéant, Storylandia, Straight Forward Poetry, and elsewhere. He holds an MFA in creative writing and writing for the performing arts from the University of California, Riverside, and a master’s in library science from Emporia State University. TWB Press published his horror novelette Paper Cuts: 1000 Paper Cranes. His essay “What to Do When Grandma Has Dementia” was nominated for a Pushcart Prize and was listed in The Best American series under Notable Essays and Literary Nonfiction of 2016. He is either practicing Chinese martial arts or running 26.2-mile marathons when not writing. Southern California is his home.…
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Jack Dappa Blues Heritage Preservation Radio
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1 Misty Blues: A Live Tribute to Odetta 54:10
54:10
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אהבתי54:10![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
Misty Blues and lead singer Gina Coleman celebrate 25 years of composing and performing original blues. They will be celebrating this feat on a Blues Cruise this coming Friday. With that, after an encounter with Legendary singer and activist Odetta, Coleman and crew have been working towards a project that has now manifested as – I’m Too Old For Games: A Live Tribute To Odetta. In this episode, I will speak with Gina Coleman about the inspiration, thoughts, and efforts behind this significant folk-blues album! For donations so we can continue producing content please click here: DONATIONS…
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Jack Dappa Blues Heritage Preservation Radio
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1 The Blues Society - Memphis Country Blues Festival 1:31:04
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אהבתי1:31:04![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
THE BLUES SOCIETY is a re-evaluation of the 1960s seen through the lens of the Memphis Country Blues Festival (1966-1969). It’s the story of Blues masters like Furry Lewis and Robert Wilkins, who had attained fame in the 1920s but were living in obscurity by the 1960s. It’s also the story of a group of white artists from the North and the South who created a celebration of African American music in a highly segregated city. THE BLUES SOCIETY follows the festival from its start in 1966 as an impromptu happening, through a period of cross-pollinization with New York’s East Village scene, and up to the 1969 Festival, which mushroomed into a 3-day event and garnered substantial print and television coverage including an appearance on Steve Allen’s national PBS show, Sounds of Summer. Festival co-founder and legendary music Executive Nancy Jeffries says, “Everyone remembers the 60s as a party, but there was a seriousness of purpose to what we were doing.” Furry Lewis worked for decades sweeping the city streets, so the efforts to recognize his musical accomplishments echo the 1968 Sanitation Strike, where each worker’s sign proclaimed “I AM A MAN,” underlining theracist refusal to honor African Americans’ basic humanity. Reaching into the present, the film ends in a 2017 concert where Rev. John Wilkins returns to the stage he last shared with his father 48 years earlier. What is the legacy of the Memphis Country Blues Festival, and who do the blues belong to in 2020? On this episode, I will speak to Filmmaker and Scholar Augusta Palmer, daughter of Robert Palmer, one of the founding members of the Memphis Country Blues Society, who, with her team, worked relentlessly to get this film to the public. Joining Augusta in this episode will be The American Songster Don Flemons, who is featured in the film.…
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Jack Dappa Blues Heritage Preservation Radio
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1 Cultural Conservation - Cultural Conservation - The Attack on Blues Legacy and Land 1:14:20
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In February of 2024, the Mississippi John Hurt Museum burned. The fire, believed to have been set intentionally, happened immediately after the Legendary Mississippi Blues Pioneer's cabin received landmark status. That was not the first or last attack on the Hurt Family museum, land, or legacy. A week later, the sheriff's office began investigating a break-in at the historic store located on County Road 41 in the Teoc community, where the Mississippi John Hurt marker was stolen. The executor of the estate and granddaughter of Hurt, Mary Francis Wright, has been fighting for a long time the many racialized attacks on her family's land and legacy. Mary and Shannon Evans have been working to keep the integrity and safety of the location and family. In this episode, I will speak with Mary and Shannon about the fire and many other assaults they have endured.…
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Jack Dappa Blues Heritage Preservation Radio
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1 Juneteenth and African American Folklore 1:08:36
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As we celebrate JUNETEENTH, we must understand how Folklore and the Blues Narrative relate to this celebration. In this episode, I will discuss the celebration, what the celebration is actually about, and its connection to and significance of African American Folklore and traditional Black Music. Juneteenth should always be mentioned with “African American Traditional Music and Folklore!” Juneteenth is the celebration of the releasing of the last remaining slaves after the emancipation proclamation and civil war. In 1865, June 19 Union soldiers led by Major General Gordon Granger shared the news that the war is over and the slaves were now free, in Galveston, Texas. Ironically, this freedom came after the actual date of 1863, when Lincoln made his declaration. Though, the first documented celebration of emancipation dates back to March 2, 1807, when Congress passed a bill to halt the importation of “slaves” into the United States, effective January 1, 1808, which prompted Absalom Jones, a pastor at St. Thomas’s African Episcopal Church in Philadelphia to call for a special commemoration of the ban. “Let January 1, the day of the abolition of the slave trade in our country, be set apart every year, as a day of public thanksgiving for that mercy,” he declared. The 1808 ban fueled annual public observances, primarily religious gatherings in northern cities such as New York, Boston, and Philadelphia, called Emancipation Day. Though the initial celebration of January 1, 1808, was the first recording of Emancipation Day, June 19 then took on the name Emancipation Day, as well as Jubilee Day, now known as Juneteenth. In 1866, during the first celebration of “Jubilee Day” aka Juneteenth, newly freed African Americans sang Black Spirituals such as “Go Down Moses,” and “Many Thousands Gone.” In resemblance to Independence Day, they released a barrage of fireworks. The fact is, Texas was the last to free the slaves... Read More Here: Get Merch here :…
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Jack Dappa Blues Heritage Preservation Radio
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1 Smithsonian Folkways releases The Complete Friends of Old-Time Music Concert 1:13:30
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Black Spirituals, Field Hollers, and Slave Seculars celebrate Black American Traditional Music and Experience. This show is dedicated to sharing and raising awareness of folklife, songs, dance, scripture, lyrics, and everything related to black Spirituals, Field Hollers, and Slave secular expressions, as well as the coded songs of Black Spirituals that were maps and landmarks for escaping bondage. June 5th, I will be speaking with Eric Crawford, Associate Professor of Musicology, and Peter K. Siegal, Producer and American roots music archivist, about the June 14, 2024, Smithsonian Folkways release “The Complete Friends of Old-Time Music Concert” by Bessie Jones, John Davis & The Georgia Sea Island Singers with Mississippi Fred McDowell and Ed Young. The album is a live recording of a 1965 concert that captured the intersection of Black folk traditions and civil rights activism, produced and hosted by Folklorist Alan Lomax and recorded by Peter K. Siegal. The Liner notes, and essay are written by Eric Crawford, whose research focuses on the rich tradition of Gullah music. Crawford has also written books titled Gullah Spirituals: The Sound of Freedom and Protest in the South Carolina Sea Islands (2021) and Gullah Culture in America (March 2023). Together with Smithsonian Folkways, they have collaborated on presenting a significant album that conserves black expression while introducing these outstanding performances to new audiences.…
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Jack Dappa Blues Heritage Preservation Radio
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1 The Lady and the Empress! Lady D's One Woman Bessie Tribute Show 50:21
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On this episode of Jack Dappa Blues, enjoy the collaboration of Jack Dappa Blues Radio and Southern Ohio Folklife for a conversation w/ Lady D (West Virginia’s First Lady of Soul) to talk about her recent performance of The Lady and the Empress, a one-woman show about the life and music of Bessie Smith, the Empress of the Blues. Learn about Bessie Smith, her role in Blues music, her lasting impact, and why Lady D was drawn to her life story. On the day of the interview, Lady D later performed at the Southern Ohio Museum of The Lady and the Empress! This project is made possible by Mid Atlantic Arts’ Central Appalachia Living Traditions program. Project collaborators include the 14th Street Community Center, Time Out for Me Inc., Portsmouth Unity Project, Southern Ohio Museum and Cultural Center, The African American Folklorist, and Jack Dappa Blues Heritage Preservation Foundation. #wethebluespeople #appalachia #centralappalachia #ohio #appalachianohio #westvirginia #bessiesmith #blues #folklore #folklife #livingtraditions #southernohiofolklife #hiphoptraditions Facebook: @MidAtlanticArts @CentralAppalachiaLivingTraditions @southern.ohio.museum @jackdappabluesradio @TheAfricanAmericanFolklorist @ladyandtheempress @fourteenthst @TimeOutForMeInc @dafields Instagram: @fieldsdoris @MidAtlanticArts @centralapplivingtrad @jackdappabluesradio @africanamericanfolklorist @southern.ohio.musum…
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Jack Dappa Blues Heritage Preservation Radio
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1 Why Is It Always About Race? - “Country, Country Blues, and Blackness” 55:27
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For some reason, when it comes to Country Music, most people do not associate it with black folk or folk musical expression. The thing is, country music, in its many forms, comes directly from black expression. i.e., the blues, country blues, and more. To give the context to the roots of commodified music presented and thought of as white music… We can use Leslie Riddle as an example… he was the teacher to the Carters for the music they would be credited for. Maybelle Carter always let that be known. In this episode, I discuss Why it is Always about Race regarding Country music, Country Blues, and Blackness. Coffle Gang and Domestic Slavery African American Tribal Music DONATION…
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Jack Dappa Blues Heritage Preservation Radio
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1 Candice Ivory - Queen of Avant Soul Sangs The Blues 1:24:27
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Today, I speak with Candice Ivory about her new project, When The Levee Breaks. As said on her website After releasing three acclaimed albums of jazz-driven original songs, vocalist Candice Ivory reveals a whole new sound on When the Levee Breaks: The Music of Memphis Minnie. Raised in Memphis and based in St. Louis, Ivory hails from an illustrious musical family that shaped Memphis’s secular and sacred sounds. Her great-uncle was the singer and guitarist Will Roy Sanders of the Fieldstones, one of the premier Memphis blues bands from the 1970s to the 1990s. Ivory grew up in the church, and by the age of eleven, she was singing in a choir that featured the soon-to-be-famous R&B artist D’Angelo. When the Levee Breaks brings together all of her formative musical experiences in a tribute to Memphis Minnie (1897-1973), whose powerhouse vocals and compositional creativity served as inspiration for Ivory’s own innovations as the Queen of Avant Soul. Produced by singular guitarist-bassist Charlie Hunter, a onetime D’Angelo collaborator, Ivory’s When the Levee Breaks is a midnight run to the crossroads, where jazz, blues, gospel, and R&B all converge. https://candiceivory.com/ paypal.me/LamontJack Join Patreon…
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Jack Dappa Blues Heritage Preservation Radio
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1 Black Scholarship and Black Culture 1:23:38
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Many Black Academic Scholars are also active practitioners in our respective cultures and traditions. That doesn't negate their ability to teach, mentor, or share skills and tricks of the trade with the folk. It actually makes them even more qualified. Some feel Black Scholars who are educated or formally trained cannot teach or pass on the folk tradition. I see it differently, and here's why. Charlotte Forten Grimke NAMA HARLEM (New Amsterdam Musical Association) Colored Musicians Club John Wesley Work III DONATE Join Patreon…
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Jack Dappa Blues Heritage Preservation Radio
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On this episode, I'm encouraging all folks invested in the story of Black American tradition, folklore, folklife, material art, street art, religious belief, spiritual belief, Advocacy, Organization work, Public Programming, and everything that has to do with the "so-called" African American Narrative to submit work to the African American Folklorist Magazine and website. We no longer need to rely on any other platform to share, publish, or even interrogate our narratives. After a long-time supporter contacted me and shared how we are significant in disseminating and distributing the Blues People story, I felt it necessary to put the call out! Jack Dappa Blues Heritage Preservation Foundation is a focal point for researching, archiving, and raising awareness of African American Traditional Music, folklore, folklife, public programs, and the Black Experience!! The African American Folklorist Magazine gives a voice to those writing and working in and on Black American Folklore through the lens of Black Folk. From the nonprofit to the Magazine, this is the space for the story of everything African Americans. https://jackdappabluesradio.tv/ https://theafricanamericanfolklorist.com/…
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Jack Dappa Blues Heritage Preservation Radio
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1 Shirley Moody-Turner African American Folklorist of The Month 57:16
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אהבתי57:16![icon](https://imagehost.player.fm/icons/general/red-pin.svg)
On this episode, I speak with Shirley Moody-Turner, an associate professor of English and African American Studies and founding co-director with Gabrielle Foreman of the Center for Black Digital Research/#DigBlk. She is an Author and award-winning educator that says, “As a young girl growing up in Buffalo, NY, I felt a deep longing to learn more about my family history. Shirley has worked to unearth those stories and many others. She has authored, edited, and written many books, essays, and journals depicting the African American story through a folkloric and ethnographic lens. She is highlighting and honoring the Black men and women scholars like her who have significantly contributed to the Blues and Black narrative of the Americas. Her website also states, “Honoring the legacy of the intellectuals and activists I study, I also work in partnerships to carry these histories out into communities beyond the university. Through the Center for Black Digital Research/#DigBlk and the Black Women’s Organizing Archive , I work with extraordinary individuals to help public and scholarly audiences forge meaningful collaborations with the shared mission of bringing the buried and scattered histories of early Black organizing to digital life. “…
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