If truth is stranger than fiction, why shouldn’t music be stranger than science fiction? Sounds manipulate space and time, unlock new dimensions and open wormholes in parallel universes. In this respect, sonic fiction does the same as fantasy literature: It distorts the present and creates space for alternative worlds. Speakers: Sarj Lynch, Sasha P…

2.11.2022 im HKW: 18.30h Einlass, 19h Manuel or A Hint of Evil, 20h Pause, 20.30h Schlechte Wörter„Bei Nacht leben, heißt mit dem Ohr leben, und das Auge wird folgen.“– Etel AdnanAusgehend von verschiedenen Texten, schafft die Audioserie Schlechte Wörter einen Ort für ein anderes Sprechen über Sprache und Literatur, für die Annäherung an ein neues …

In the approach to Jupiter, the sun can be heard singing. But apart from the soundscapes on neighboring planets or in black holes, according to probability theory there is also extraterrestrial music. Science fiction literature has made it possible to understand how it might sound: a cacophony of smells or a symphony of free energy flows. Speakers:…

The slogan used to advertise Ridley Scott’s science fiction film “Alien” is nothing more than a statement of fact: In space, no one can hear you scream. But isn’t the idea of sound everywhere in space, which is permeated to the last corner by cosmic background radiation, like an echo of the Big Bang?Speakers: Sarj Lynch, Sasha Perera. Editing and p…

„Ich bitte euch, heute Nacht nicht zu schlafen.“ Nachdem die erste Staffel von Ilse Aichingers titelgebenden Essay Schlechte Wörter und ihrer widerständigen Poetik ausging, führt Etel Adnans Bei Nacht leben in die Dunkelheit. Zwischen dem revolutionären Potential des Wachbleibens und den umhüllenden Qualitäten der Nacht, verhandelt die zweite Staff…

Club culture is a global phenomenon, but usually only a few centers are in the focus of general perceptions. What challenges do protagonists face away from the big cities? What conditions shape dance floors and their social contexts there? In “Shaping Dance Floors, Locally,” organizers and club activists from small German towns talk about how they …

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. As part of The White West IV: Whose Universal?, the podcast invites participants of the conferences and other experts to discuss the overlaps between metaphysical predicates and colonial …

What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila …

The Mississippi River traverses the United States for 2,350 miles from Lake Itasca in Minnesota to the Gulf of Mexico as a route of migration, trade, exploitation, and cultural exchange. The musicians Swamp Dogg, Donald Harrison, Leyla McCalla and Logan Schutts explain how influences from West Africa and the Caribbean find new forms in places like …

What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila …

Alluvial soil and sediments of large parts of the USA are deposited on the southern banks of the Mississippi. In the opposite direction, from the mouth of the river and its delta, cultural riches were brought north and from there to the entire world: the globally understood languages of blues, jazz, rock ‘n’ roll and soul. The musicians Swamp Dogg,…

What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila …

What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila …

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. As part of The White West IV: Whose Universal?, the podcast invites participants of the conferences and other experts to discuss the overlaps between metaphysical predicates and colonial …

„Ich bitte euch, heute Nacht nicht zu schlafen.“ Nachdem die erste Staffel von Ilse Aichingers titelgebenden Essay Schlechte Wörter und ihrer widerständigen Poetik ausging, führt Etel Adnans Bei Nacht leben in die Dunkelheit. Zwischen dem revolutionären Potential des Wachbleibens und den umhüllenden Qualitäten der Nacht, verhandelt die zweite Staff…

„Ich bitte euch, heute Nacht nicht zu schlafen.“ Nachdem die erste Staffel von Ilse Aichingers titelgebenden Essay Schlechte Wörter und ihrer widerständigen Poetik ausging, führt Etel Adnans Bei Nacht leben in die Dunkelheit. Zwischen dem revolutionären Potential des Wachbleibens und den umhüllenden Qualitäten der Nacht, verhandelt die zweite Staff…

Music doesn’t only belong to humans. Whales and songbirds also hand down their songs from generation to generation. Musician David Rothenberg improvises with nightingales, biologist Tina Roeske studies their social behavior; both want to understand: Can nightingales and humans communicate with each other via sound? Can they learn from each other in…

Architecture can be described as frozen music. For some musicians, it’s not enough to just thaw it; they want to make conventions flow. Ethnomusicologist Michael E. Veal finds new opportunities for comprehension in collapse and distortion, which he talks about in the On Music podcast episode on Living Space. Veal approaches the free jazz of John Co…

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. As part of The White West IV: Whose Universal?, the podcast invites participants of the conferences and other experts to discuss the overlaps between metaphysical predicates and colonial …

In the final years of the Soviet Union, how did the subculture win over conceptual and real freedoms? Did a trail lead from occupied houses in Moscow and St. Petersburg to the Afrofuturism of Sun Ra and Missy Elliott? Musicologists Giada Dalla Bontà and Holger Schulze trace the developmental lines of sonic fiction. They follow the mythical language…

„Ich gebrauche jetzt die besseren Wörter nicht mehr.“ So beginnt Ilse Aichinger ihren kurzen Essay Schlechte Wörter und die gleichnamige Textsammlung, in der sie ihre widerständige Poetik entwickelt. Eine Verweigerung gegen das Gebotene, gegen falsche Zusammenhänge und Gewissheiten. Können wir verlernen, die Gewalt in der Sprache zu reproduzieren? …

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. As part of The White West IV: Whose Universal?, the podcast invites participants of the conferences and other experts to discuss the overlaps between metaphysical predicates and colonial …

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. As part of The White West IV: Whose Universal?, the podcast invites participants of the conferences and other experts to discuss the overlaps between metaphysical predicates and colonial …

„Ich gebrauche jetzt die besseren Wörter nicht mehr.“ So beginnt Ilse Aichinger ihren kurzen Essay Schlechte Wörter und die gleichnamige Textsammlung, in der sie ihre widerständige Poetik entwickelt. Eine Verweigerung gegen das Gebotene, gegen falsche Zusammenhänge und Gewissheiten. Können wir verlernen, die Gewalt in der Sprache zu reproduzieren? …

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. As part of The White West IV: Whose Universal?, the podcast invites participants of the conferences and other experts to discuss the overlaps between metaphysical predicates and colonial …

„Ich gebrauche jetzt die besseren Wörter nicht mehr.“ So beginnt Ilse Aichinger ihren kurzen Essay Schlechte Wörter und die gleichnamige Textsammlung, in der sie ihre widerständige Poetik entwickelt. Eine Verweigerung gegen das Gebotene, gegen falsche Zusammenhänge und Gewissheiten. Können wir verlernen, die Gewalt in der Sprache zu reproduzieren? …

Around 1989, what were the promises of techno and its fictions? How are they significant today? And to whom?Episode 2 focuses on past, present and future of the Detroit-Berlin axis. By means of an interview collage, writer and Make Techno Black Again activist DeForrest Brown, Jr., Lerato Khathi aka Lakuti (founder of Uzuri Recordings and the Bring …

Around 1989, what were the promises of techno and its fictions? How are they significant today? And to whom?This episode is led by DeForrest Brown, Jr., author of Assembling a Black Counter Culture, in conversation with Steve Goodman (a.k.a. Kode9, founder of Hyperdub) and Nkisi (co-founder of Non Worldwide). Collectively they discuss the migration…

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. As part of “The White West IV: Whose Universal?,” the podcast invites participants of the conferences and other experts to discuss the overlaps between metaphysical predicates and colonia…

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. In the run-up to the conference The White West IV: Whose Universal? (summer 2021), the podcast invites participants of the conference to discuss the overlaps between metaphysical predicat…

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. In the run-up to the conference The White West IV: Whose Universal? (summer 2021), the podcast invites participants of the conference to discuss the overlaps between metaphysical predicat…

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. In the run-up to the conference The White West IV: Whose Universal? (summer 2021), the podcast invites participants of the conference to discuss the overlaps between metaphysical predicat…

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. In the run-up to the conference The White West IV: Whose Universal? (summer 2021), the podcast invites participants of the conference to discuss the overlaps between metaphysical predicat…

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. In the run-up to the conference The White West IV: Whose Universal? (summer 2021), the podcast invites participants of the conference to discuss the overlaps between metaphysical predicat…

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. In the run-up to the conference The White West IV: Whose Universal? (summer 2021), the podcast invites participants of the conference to discuss the overlaps between metaphysical predicat…

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. In the run-up to the conference The White West IV: Whose Universal? (summer 2021), the podcast invites participants of the conference to discuss the overlaps between metaphysical predicat…

The music industry is dominated by neoliberal structures; large corporations hold the monopoly. How can the gatekeepers’ power be redistributed? Is it possible to collectivize mainstream digital platforms? And what role do class, privilege and representation play? The third episode of the Politics of the Dance Floor podcast explores the economic as…

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. In the run-up to the conference The White West IV: Whose Universal? (summer 2021), the podcast invites participants of the conference to discuss the overlaps between metaphysical predicat…

The legacies of colonialism tend to find expression in a language that contemporary audiences find familiar and compelling, and hence remain largely unquestioned. In the run-up to the conference The White West IV: Whose Universal? (summer 2021), the podcast invites participants of the conference to discuss the overlaps between metaphysical predicat…

How can nightlife be designed in harmony with the earth’s finite resources? What would really be necessary to create a club experience that takes the climate and fragility of all of us into account? And how does this relate to physical pleasure? Community organizer Sarj Lynch hosts the second episode of the Politics of the Dance Floor podcast and d…

Raving is community, solidarity, contact. A club can be a safer space, especially for People of Color, Black people and LGBTQ+ people. How do the communities bridge the pandemic void? What mechanisms of social exclusion exist even in the music scene and club culture? And what role does gentrification play? In the first episode of the Politics of th…

The podcast series by Sarah Farina and Kerstin Meißner aka Transmission explores the varied responses of club culture to current events. How can this momentum advance new ways of raving and experiencing club music? In three podcasts, representatives from the diverse spectrum of club culture will focus their eyes and ears on the Politics of the Danc…

A lecture by Karin Knorr Cetina as part of the “Governing the technosphere” seminar at the Anthropocene Curriculum 2016: The Technosphere Issueעל ידי Haus der Kulturen der Welt

Dictionary of Now #5 - Kader Attia, Françoise Vergès and others - BODYNovember 3, 2016 8pmLecture performance, dialogues, talkKader Attia: IntroductionIn his works, the artist Kader Attia addresses the concept of “repair” as a constant in life. In the oldest and largest anatomy lecture hall at Berlin’s Charité he develops a narrative about the body…

Dictionary of Now #5 - Kader Attia, Françoise Vergès and others – BODYNovember 3, 2016 8pmLecture performance, dialogues, talkLecture by Françoise VergèsIn his works, the artist Kader Attia addresses the concept of “repair” as a constant in life. In the oldest and largest anatomy lecture hall at Berlin’s Charité he develops a narrative about the bo…

Museums stage objects as testimonies of specific narratives. How do these museum things articulate the global order and supplant alternative narratives? What meanings do they adopt in the context of the dynamics of globalization and decolonization? At one of the last events at the Dahlem location of the Ethnologische Museum, Arjun Appadurai, Tony B…

Dictionary of Now #3 - Wole Soyinka & Manthia Diawara - TRUTHMay 4, 2016 7pmFilm, discussionA meeting of the Nobel laureate in literature Wole Soyinka and the film theorist Manthia Diawara to discuss the notion of truth against the background of global postcolonial conflicts. What role does the truth play in the context of violence and human rights…

Dictionary of Now #2 - Dipesh Chakrabarty & Eyal Weizman – FORUMApril 11, 2016 7pmLectures, discussionWithin what forums can the political evolve today? In the face of post-democratic mechanisms of globalization, the crisis of the national state and increasing restrictions on human rights and civil liberties, there have been shifts in the places an…

With Armin Linke, Territorial Agency (John Palmesino and Ann-Sofi Rönnskog)The Anthropocene Observatory—a knowledge station, a constantly expanding reservoir—pursues and documents the thesis of the “age of man” and its political, practical, institutional, and cultural formulation in international climate policy, among other areas. It enters institu…