Schubert’s Die Forelle: how a classical music piece changes over time

10-Minute Talks

Classical music is often wrongly considered to be unaffected by political and social change. Exploring Franz Schubert’s ‘Die Forelle’, Laura Tunbridge FBA considers the cultural history of a song and the importance of a piece of music changing over time – both in sound and meaning.

Speaker: Professor Laura Tunbridge FBA, Professor of Music, University of Oxford

This podcast is for informative and educational purposes.

Music included in this podcast:
02:28 - 'Die Forelle', performed as part of the Oxford International Song Festival www.oxfordsong.org by Irish soprano Ailish Tynan and pianist Iain Burnside.

Translation © Richard Wigmore, author of Schubert: The Complete Song Texts (Schirmer Books), provided via Oxford International Song Festival (www.oxfordsong.org).

07:12 - Schubert: Die Forelle, D. 550 (Orch. Britten) (Live), Anne Sofie von Otter, The Chamber Orchestra Of Europe & Claudio Abbado, from ‘Schubert: Orchestrated Songs’.

08:35 - "DIE Forelle!" from Arrangements and Derangements: Interpretations of Schubert (Arr. Michael Ching), performed by the ARK Trio: Allison Charney, soprano, Kajsa William-Olsson, cello, Reiko Uchida, piano.

10:09 - “Die Forelle” music by Franz Schubert, arranged by The Erlkings, English translation by Bryan Benner.

10-Minute Talks are a series of pre-recorded talks from Fellows of the British Academy screened each Friday on YouTube and also available on Apple Podcasts. https://podcasts.apple.com/gb/podcast/10-minute-talks/id1530020476

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