People & Music Industry podcast

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Music Business

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1
The Menendez Brothers | Five-Year Plan | 1 43:56

לפני 1 year43:56

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43:56

On August 20th, 1989, Lyle and Erik Menendez shot and killed their own parents. Until then, this Beverly Hills family had been a portrait of the American Dream. How did it go so wrong? To listen to all four episodes of 'The Menendez Brothers' right now and ad-free, go to IntoHistory.com . Subscribers enjoy uninterrupted listening, early releases, bonus content and more, only available at IntoHistory.com . If you or someone you know is in crisis, there is free help available at mhanational.org Learn more about your ad choices. Visit megaphone.fm/adchoices…

People & Music Industry

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Welcome to the Sound On Sound People & Music Industry podcast channel. Listen to experts in the field, company founders, equipment designers, engineers, producers and educators. More information and content can be found at https://www.soundonsound.com/podcasts | Facebook, Twitter and Instagram - @soundonsoundmag | YouTube - https://www.youtube.com/user/soundonsoundvideo

62 פרקים

#Tech #Music Technology #Recording #Studio #Synth #Music Business #Music #Music Industry #Sound #Synthesizers #Producers #Productivity #Engineering #Master

People & Music Industry

102 subscribers

updated לפני 20 ימים

שתפו

בית הסדרות•Feed

62 פרקים

#Tech #Music Technology #Recording #Studio #Synth #Music Business #Music #Music Industry #Sound #Synthesizers #Producers #Productivity #Engineering #Master

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1
Dave McCracken - Music Producer 30:28

לפני 20 ימים30:28

30:28

Dave McCracken talks to Kevin Paul about his impressive career as a songwriter and Producer, from his early years at Sarm Studios with Trevor Horn, where he worked with Ian Brown and Depeche Mode, before being signed to Roc Nation, where he recorded with various Hip Hop artists and co-wrote two tracks that were recorded by Beyoncé. Chapters 00:00 - Introduction 00:26 - Helping New Bands 04:53 - Working With Goldie 08:47 - Sarm Studios And Ian Brown 09:52 - The Role Of The Producer 12:11 - Achieving Realism With MIDI 14:45 - Learning Through Experience 17:57 - Working With Beyoncé 20:14 - Getting Bands To Relax In The Studio 22:01 - Contributing To Lyrics 23:16 - Favourite Plug-ins 26:29 - Having An End Destination For A Track In Mind Dave McCracken Biog Dave McCracken is a songwriter and producer who launched his career at Sarm West studios. He's worked on four Ian Brown solo albums - Golden Greats, Music Of The Spheres, Solarized and My Way. Later he was signed to Roc Nation as a producer, where he worked with various Hip Hop artists. His songwriting collaboration with Amanda Ghost resulted in two songs being placed on the Beyoncé album " I Am... Sasha Fierce". He has also worked with Kanye West, Mr Hudson, Depeche Mode, Seal, Chrissie Hynde, Hugo, Ohland, Swimdeep, Sports Team, Pip Blom and Sebastian Schub. More recently Dave has started to assist in the development of new, upcoming bands. https://www.instagram.com/mccracken23/ Kevin Paul Biog Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD. In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more. He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival. http://www.kevin-paul.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

1
Native Instruments - Behind The Brand 34:59

לפני 7 weeks34:59

34:59

Simon Cross, Chief Product Officer at Native Instruments, chats to Sam Inglis ahead of NAMM 2025, going into detail on the company history, philosophy and offering hints of future product releases at Native Instruments. Chapters 00:00 - Introduction 00:18 - The History Of NI 01:41 - Grouping Of Brands 03:11 - Supporting Other Manufacturers 05:04 - The Kontakt Sound Libraries 06:16 - Choosing Which Sound Libraries To Include 07:07 - Musical Differences Across Territories 08:48 - Collaborating Across Different Timezones 09:51 - The Company Structure 10:45 - Subscription and Perpetual Options 13:40 - Incorporating AI Technology To Manage Sounds 17:05 - Kontakt 8 / Offering Synthesis And Sampling 18:55 - Utilising User And Developer Feedback For Kontakt 20:44 - Partnerships With Other Developers 23:52 - Native Kontrol Standard (NKS) 26:44 - Extending The MIDI Spec 28:25 - The Intergration Of Hardware And Software 29:22 - The Future Of NI And The Industry In General Native Instruments Biog Native Instruments was founded in Berlin in 1996 and for over 25 years they have been at the forefront of musical innovation, creating software and hardware products for music producers, audio engineers and DJs. Their portfolio contains industry leading products such as Komplete, Kontakt, Maschine and Traktor. In June 2023, iZotope, Brainworx and Plugin Alliance became part of the Native Instruments family, providing them with increased engineering capabilities across integrated software and hardware, AI and machine learning, cloud and more. Today, Native Instruments have offices in Berlin, Langenfeld, London, Paris, Boston, Los Angeles, Tokyo and Shenzhen. https://www.native-instruments.com Sam Inglis Biog Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006). Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

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Apogee Electronics - Behind The Brand 47:07

לפני 7 weeks47:07

47:07

Betty Bennett, CEO and co-founder of Apogee Electronics, along with renowned engineer Bob Clearmountain, chat with Sam Inglis during a recent visit to London to talk about the 40-year history of Apogee and to give a teaser of their first product releases in five years which debut at NAMM 2025. Chapters 00:00 - Introduction 00:54 - Founding Apogee 03:26 - Bob Clearmountain's First Apogee Product 06:12 - Developing The First Converters 10:12 - Adapting To Hard Disk Recording 13:28 - Launching The Duet Interface 19:25 - Switching From High-End To Mass Marketing Products 21:30 - From Firewire To Thunderbolt And Other Formats 24:09 - Symphony Desktop And New Features 29:07 - The Popularity Of Atmos 32:30 - The HypeMiC 37:21 - Trade War And Tariffs 40:31 - Incorporating AI 44:45 - Apogee's 40th Anniversary Apogee Biog In 1985 Apogee founders Betty Bennett, Bruce Jackson and Christof Heidelberger developed technology that addressed the inherent brittleness and distortion heard on the new listening medium of the day, compact discs (CDs). Apogee’s unique 924 and 944 anti-aliasing filters were used in high-end Sony and Mitsubishi digital recording systems to make the CD format sound warmer and more like analogue. These Apogee products were important factors in the acceptance and acceleration of early digital recording and forever established Apogee as a leader in the field. Apogee continues to innovate with technologies and products for the home recording market, starting with Duet and Ensemble interfaces, followed by MiC and JAM, the first pro products for iOS recording. More recently they have introduced the Symphony Desktop interface and HypeMiC to their range. https://apogeedigital.com/ Sam Inglis Biog Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006). Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

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Louis Austin - Engineer Producer 29:45

לפני 13 weeks29:45

29:45

Engineer and Producer Louis Austin tells Paul White about his early days in the industry, where he developed his recording skills working with Queen, Fleetwood Mac, Sweet and Judas Priest. Louis became an expert is capturing drum and guitar sounds and shares some useful tips on miking instruments and capturing room ambience. Chapters 00:00 - Introduction 00:12 - Getting Into The Industry 00:59 - Starting Out As A Tape Op 02:29 - First Solo Session 03:35 - Early Fleetwood Mac Sessions 06:15 - Working With Queen 09:23 - Buying A Studio And Going Freelance 13:19 - How The Industry Changed 17:00 - Recording Sweet 18:56 - Getting A Good Drum Sound 22:02 - Going Mobile 24:56 - What Makes A Good Recording Engineer 26:18 - The Most Difficult Session 27:49 - Changing Career Direction "O ften you went to a studio where you had to adapt the studio to suit your needs, whereas on the mobile you had all the technology with you and you just use what rooms you fancied. Little living room for an intimate vocal, you know, it's all there, basically". Louis Austin Biog Louis Austin launched his career at De Lane Lea Studio in the 1970s, assisting on Fleetwood Mac’s Green Manalishi and Oh Well albums. He quickly rose to chief engineer and then pursued a freelance engineering / production career, recording Queen’s first album, Def Leppard, Deep Purple, Sweet (Action, Fox on The Run), Leo Sayer (Platinum) and 3 Judas Priest albums including the multi-Platinum Screaming For Vengeance. A close co-operation with Deep Purple’s singer Ian Gillan resulted in Kingsway Recorders, a studio in London that recorded artists such as Steve Hackett, David Coverdale, Sweet and Ian Gillan's own musical projects. Austin later built a mobile recording studio called Fleetwood Mobile, the largest and best equipped in its day and in 1988 launched the retailer Home Service, selling bespoke studio packages. He later diversified into marketing and handled the international sales & marketing for AD Systéme. In the 90’s he worked for various audio companies as a PR specialist, including spending 15 years at Genelec. https://www.louisaustin.com/ Paul White Biog Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing. He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual. Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too! http://www.cydoniacollective.co.uk/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

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Matt Lawrence - Mixer, Producer And Engineer 32:21

לפני 17 weeks32:21

32:21

Grammy Award-winning producer Matt Lawrence gives us a fun insight into his early years in the industry as an assistant producer, and offers a valuable selection of tips and ideas for launching a successful studio career today. Chapters 00:00 - Introduction 00:35 - Working At Metropolis 02:26 - Recording Van Morrison 05:02 - Capturing A Moment 07:10 - The Craft Of Recording 09:34 - Learning From Others 13:32 - Musical Interests 15:04 - Getting Into The Industry Today 19:08 - Starting A Mix 22:40 - Time Spent On A Mix 24:25 - The Importance Of Pre-Production 26:55 - Different Approaches To The Same Mix 28:56 - Dither And Delay #SSL #Neve Matt Lawrence Biog Matt Lawrence is a GRAMMY Award-winning mixer, producer and engineer who has worked on some of the most influential records of the past 20 years, contributing to over 11 billion streams worldwide. Matt is also a certified Dolby Atmos mix-engineer. Credits include Adele, Amy Winehouse, Bat For Lashes, Black Eyed Peas, Ellie Goulding, Foals, Frank Turner, Flowerovlove, George Ezra, Declan J Donovan, Laura Marling, Tom Chaplin, Tom Walker, Kodaline, You Me At Six, Macy Gray, Mumford & Sons, Naughty Boy, Emeli Sande, Sugababes, Beverley Knight, Katherine Jenkins, Keane, One Direction, Robbie Williams, Scissor Sisters, Kylie, Eric Clapton, Shirley Bassey, Joan Armatrading, George Michael, The Who, The White Stripes, The Vaccines, Van Morrisson, Lady Gaga, Beyoncé, Paloma Faith and Groove Armada. It was for his work on Mumford & Sons ‘Babel’ album, that won Matt a Grammy. Debuting at number one on both sides of the Atlantic, it has since gone 4x Platinum in the UK and has sold over 2.5 million copies in the US alone. Starting out at Van Morrison’s studio in Bath, Matt worked on no less than seven of his studio albums, as well as with other artists such as Annie Lenox, Paul Weller and Stereophonics. Following a move to London’s Metropolis Studios, Matt rose through the ranks to Chief Engineer, working with acts such as U2, The Clash, The Rolling Stones, Elton John, Joe Cocker and Garbage, as well as more leftfield artists such as Bjork, DJ Shadow, Goldie and Jeff Beck. Honing his skills working alongside such a variety of high calibre producers and mixers has given Matt an almost unrivalled education and experience in making records. Names such as Sir George Martin, Gus Dudgeon, Marius DeVries, Butch Vig, Steve Osborne, Ben Hillier, Guy Sigsworth, Alan Moulder, Gary Langan, Nellee Hooper, Michael Kamen, Bill Price, Norman Cook, Mark Ronson, Justin Timberlake, Timberland and Will.i.am have all had a direct influence on his career. Although Matt’s work has already contributed to many hit records internationally, he also enjoys working with new and up and coming artists from an early stage in their careers. Matt’s vast background in immersive and surround sound mixing allowed an easy transition into Dolby Atmos, where he has mixed albums for a wide range of clients, such as Lumineers, Mumford & Sons to NSG. Matt has also established himself as a ‘go-to’ for Live broadcast mix supervision, where during the busy festival season (namely Glastonbury, Reading and R1BW) he works alongside the artist and the BBC to ensure that the performances stand out as timeless concert classics. The ever-increasing client list who’s benefited include a wide range of artists such as George Ezra, Arctic Monkeys, Declan McKenna, Confidence Man to The Last Dinner Party. Matt’s production and mix work continues apace with current productions for Finnegan Tui and Olivier Martin and mixes for Jack Garratt and Flowerovlove. https://www.matt-music.com/ Kevin Paul Biog Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD. In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more. He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival. http://www.kevin-paul.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

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Genelec UNIO 34:59

לפני 18 weeks34:59

34:59

Genelec's new UNIO PRM (Personal Reference Monitoring) solution ensures reliable and consistent monitoring across multiple environments. In conversation with Sam Inglis, R&D Director Aki Mäkivirta and Regional Business Development Manager Andy Bensley explain how UNIO integrates existing technologies such as SAM (Smart Active Monitoring), GLM loudspeaker manager software and Aural ID binaural headphone monitoring with the new 9320A reference controller and Genelec's first ever pair of headphones. Chapters 00:00 - Introduction 00:21 - About The UNIO Ecosystem 01:53 - 9320A Reference Controller And 8550A Headphones 04:53 - How Aural ID Works 07:17 - Secondary Referencing 11:08 - Is Emulating Control Room Acoustics Desirable? 14:03 - Why We Still Need Monitors 15:33 - Head Tracking Capabilities 17:02 - Incorporating UNIO Into An Existing Studio 18:48 - Professional Tools For Home Studio Use 20:20 - Personal Aural ID Settings 23:37 - Designing The 9320A Reference Controller 26:18 - Developing The 8550A Headphones 30:39 - Setting Up For The Best Workflow 32:40 - Future Developments Genelec Biog Since 1978, Genelec active studio monitors and subwoofers have delivered truthful, neutral sound reproduction - enabling engineers and creatives to make accurate and reliable mix decisions, even in challenging rooms. Founded in Finland by childhood friends Ilpo Martikainen and Topi Partanen, the company’s first monitor, the S30, instantly became the blueprint for Genelec’s future direction. Its active design delivered consistent performance, total reliability, and the ability to adapt to the acoustic environment it was operating in. The following decades have seen a string of technically innovative Genelec releases, from the now-legendary 1031A nearfield model to the latest coaxial point source models from The Ones family. Genelec’s growing range of Smart Active Monitors work closely with GLM calibration software, allowing each monitor to be completely optimised for the room, producing mixes that translate consistently to the outside world. https://www.genelec.com/ Aki Mäkivirta joined Genelec in 1995. He originally worked for the Nokia Research Centre and teamed up with Ari Varla of Genelec during a joint venture between the two companies, where Mäkivirta demonstrated how to replace analogue filters with digital processing using the 1031A nearfield monitor. As a result, Mäkivirta joined Genelec to pioneer the creation of the original 8200 series of Smart Active Monitors, before becoming R&D Director in 2013. Andy Bensley joined Genelec as Regional Business Development Manager in 2019. Based in the UK, Andy has huge experience in analysing and tuning the in-room performance of loudspeaker systems in a wide range of studios – from the smallest bedroom to the largest post production studio. Sam Inglis Biog Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006). Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

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Universal Audio 45:11

לפני 21 weeks45:11

45:11

Universal Audio - Behind The Brand As CEO of Universal Audio, Bill Putnam Jr has pioneered some of the most important innovations of the last 35 years. In conversation with Sound On Sound's Sam Inglis, he traces the Universal Audio story back to its founding by his father Bill Putnam Sr in 1958. We hear how and why Bill Jr decided to relaunch the Universal Audio brand, and how they moved from meticulously recreating Bill Sr's analogue designs to cutting-edge digital modelling, culminating in today's launch of the latest generation of Apollo recording interfaces. Chapters (00:00) - - Introduction (00:25) - - Bill Putnam Sr. (04:24) - - A Natural Entrepreneur (05:49) - - From Physics To Electrical Engineering (10:44) - - Early Technological Hurdles (12:46) - - Digitally Emulating Analogue Equipment (14:39) - - The Challenges Of Emulating Tape And Speakers (17:35) - - The SHARC Processing Chip (18:18) - - The Endurance Of DSP Platforms (20:44) - - Developing The Apollo Audio Interface (21:47) - - The Advantages Of Thunderbolt (23:16) - - Adding DANTE To The x16D (25:02) - - The New Generation Of Apollo Interfaces (26:09) - - Multichannel Speaker Calibration With Sonarworks (28:21) - - Getting Digital Corrective EQ Accepted (29:43) - - Townsend Labs And Mic Modelling (30:40) - - The Bock Microphone Range (32:26) - - The Motivation For Creating LUNA (36:55) - - Developing Products For Guitarists (38:46) - - The Next Steps For Universal Audio #ApolloInterface #Sonarworks #x16D Universal Audio Biog Universal Audio was founded in 1958 by Bill Putnam Sr., a passionate innovator and favourite recording engineer of Frank Sinatra, Nat King Cole, Ray Charles and more. Putnam was the inventor of the modern recording console, the multi-band audio equaliser and the vocal booth, and he was the first engineer to use artificial reverberation in commercial recording. Alongside his friend Les Paul, he was also involved in the early development of stereophonic recording. Many of his legendary studio and equipment designs are still in use today. Universal Audio was re-founded in 1999 by Bill's sons, James Putnam, a skilled audio engineer and Bill Putnam Jr, who earned a degree in Electrical Engineering. Their two main goals were to faithfully reproduce classic analogue recording equipment in the tradition of their father and to design new digital recording tools with the sound and spirit of vintage analogue technology. Their award-winning products include the UAD Powered Plug-Ins platform and the Apollo audio interface, first introduced in 2012. Universal Audio is headquartered near Silicon Valley in Scotts Valley, California. A few miles away in Santa Cruz is the Universal Audio Custom Shop, where their classic analog gear is still hand-built, one unit at a time. Sam Inglis Biog Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006). Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

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Augmented Instruments Laboratory - Andrew McPherson 31:07

לפני 22 weeks31:07

31:07

Andrew McPherson is a composer and Professor of Design Engineering and Music in the Dyson School of Design Engineering, based at Imperial College. Here he talks to Nick Rothwell about the Augmented Instruments Laboratory, a music technology research team that he leads, whose ongoing projects include the Magnetic Resonator Piano and the Bela open-source platform. Chapters 00:00 - Introduction 00:30 - A Background In Composition And Electronic Engineering 01:57 - The Magnetic Resonator Piano 09:50 - TouchKeys USB Touch Sensor 13:05 - Developing Ideas Within A Community 15:47 - Using The Piano Within Different Genres 17:19 - Bela Open-Source Hardware Platform 22:15 - Augmented Instruments Laboratory 23:50 - Laurel Pardue / Augmented Violin 25:15 - Getting Nuanced Performances 26:22 - Overcoming Latency Issues 27:31 - Future Predictions Andrew McPherson Biog Andrew McPherson is a computing researcher, composer, electronic engineer, and musical instrument designer. He is Professor of Design Engineering and Music in the Dyson School of Design Engineering, Imperial College London, where he leads the Augmented Instruments Laboratory. Andrew holds undergraduate degrees in both engineering and music from MIT, an MEng in electrical engineering from MIT, and a PhD in music composition from the University of Pennsylvania. Prior to joining Imperial in 2023, he has been a professor in the Centre for Digital Music at Queen Mary University of London. Andrew’s musical instruments are widely used by performers and composers across many genres, and his research has led to three successful crowdfunding campaigns and the spinout of Augmented Instruments Ltd, which develops Bela, an open-source audio maker platform. He currently holds two fellowships: a Senior Research Fellowship from the Royal Academy of Engineering on embedded hardware for audio and music, and an ERC/UKRI Consolidator Grant investigating the cultural implications of engineering decisions. He is deeply committed to teaching: Bela is used in the classroom by dozens of universities, and his online course on audio programming has been followed by learners around the globe. https://andrewmcpherson.org/ https://instrumentslab.org/ Nick Rothwell Biog Nick Rothwell is a composer, performer, software architect, coder and visual artist. He has built media performance systems for projects with Ballett Frankfurt and Vienna Volksoper, composed sound scores for Aydın Teker (Istanbul / Kapadokya), Shobana Jeyasingh, AWA Dance, Luz&Mannion Dance (Flamenco) and Undercurrent Theatre, programmed physical media sculptures with Simeon Nelson and Rob Godman, live coded in Mexico and in Berlin with sitar player Shama Rahman, collaborated with the body>data>space collective in Prague, Paris and Dresden, written software for Studio Wayne McGregor, Beinghuman in Kathmandu, the Pina Bausch Foundation and Nesta's FutureFest, consulted for Tate Modern, and developed algorithmic visuals for large-scale outdoor projections in Poland, Estonia, the Cambridge Music Festival and Lumiere (London / Durham). He has taught design at CODE Berlin and currently runs the Computer Science undergraduate course at University of the Arts London. Nick Rothwell - Project Cassiel - https://cassiel.com Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

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Caesar Edmunds - Mix Engineer, Producer 28:05

לפני 25 weeks28:05

28:05

Mix Engineer and Producer Caesar Edmunds talks to Kevin Paul about his route into the industry via formal education at LIPA, before gaining work experience with Alan Moulder at Battery Studios which earned him a permanent position as an Assistant Engineer. He now works out of his own Dolby Atmos approved studio in London. Chapters 00:00 - Introduction 00:45 - Education And Work Experience 05:44 - Moving From LIPA To The Studio 09:02 - Working For Alan Moulder 13:00 - Moving To Own Studio Space 13:33 - How To Approach A Mix 16:17 - Enhancing Drums And Guitars 18:19 - Listening Carefully And Getting The Right Feel 21:04 - Mixbus Setup 22:50 - Favourite Hardware And Plug-ins 24:21 - Using Your Ears And Your Eyes To Mix 25:34 - Looking After Your Health In The Studio Caesar Edmunds Biog Caesar Edmunds is a Grammy Award winning mixer, engineer & record producer based in London. He trained at the Liverpool Institute For Performing Arts (LIPA), gained work experience at Battery Studios assisting Alan Moulder and won the MPG Breakthrough Engineer Of The Year award in 2020. He now works out of his own Dolby Atmos approved studio in London. Caesar has worked with artists such as Beach House, Queens of the Stone Age, PJ Harvey, The Killers, St Vincent, Ozzy Osbourne, Foals, Code Orange, Frank Carter & The Rattlesnakes, Wet Leg, Ride, Suede, Two Door Cinema Club, The Last Dinner Party and Hinds. https://www.caesaredmunds.com/ Kevin Paul Biog Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD. In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more. He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival. http://www.kevin-paul.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

1
Danny Briottet - Music Producer and DJ 45:03

לפני 30 weeks45:03

45:03

Music Producer and DJ Danny Briottet gives a fascinating insight into his formative years, including the global musical influences that shaped his career, being part of Rhythm Riders and organising warehouse parties across West London. Chapters 00:00 - Introduction 00:30 - Rhythm Riders 03:15 - London Sound Systems 06:02 - Getting Into Music and Visiting Berlin 12:33 - DJing in New York 17:05 - Renegade Soundwave 22:28 - Warehouse Parties 24:20 - The First Singles on Mute 26:59 - Equipment Used in Early Recordings 30:03 - Creating A Unique Sound 35:50 - Releasing 'In Dub' 39:35 - Favourite Equipment and Workflow Kevin Briottet Biog Musician, DJ and producer. Founder member of Renegade Soundwave, UK electronic music pioneers at the forefront of the original dance / electronica explosion of the late 80s/ 90s with seminal tracks such as The Phantom, Women Respond To Bass and Probably A Robbery. RSW name-checked as a primary influence on artists such as The Prodigy and the Chemical Brothers, whist the 1988 release Ozone Breakdown is often cited as the first Jungle tune. Danny’s production and remix credits include Depeche Mode, Cypress Hill, Grace Jones, Aswad, Radiohead, Moby and Orbital, together with a wealth of World Music artists such as Esma Redzepova (Macedonia), Amina Anabi (Tunisia) and Cheick Tidiane (Mali). Danny Briottet continues to DJ globally playing his unique mix of dub-influenced sounds from bass and breaks, through dubbed-out deep house and downtempo electronica, and hosts The ElectroScope Show on London’s Soho Radio, mashing up electronic music from the 70s to the present. Danny’s new full-length artist album is due for release next year. https://www.dannybriottet.com/ Kevin Paul Biog Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD. In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more. He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival. http://www.kevin-paul.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

1
Daniel Miller - Mute Records 41:49

לפני 34 weeks41:49

41:49

Daniel Miller, founder and chairman of Mute Records, talks to Kevin Paul about his entry into the music industry, the origins of the label and of his enduring love of modular synthesis. Chapters 00:00 - Introduction 00:58 - Early Musical Influences 03:57 - First Encounter With Synths 06:14 - The Korg 700s 08:50 - Setting Up The Label And The First Release 11:56 - How To Choose Artists To Sign 14:10 - The Music Business 17:38 - A More Relaxed Atmosphere 19:07 - What Makes A Good Producer 20:49 - Getting Started With Modular Synths 24:35 - Discovering Eurorack 29:21 - Modular Live Performances 32:11 - Working As A DJ Daniel Miller Biog Daniel Miller is the founder and chairman of Mute, a record label and publishing company with a long history of global Number One chart successes. Since its launch in 1978, Mute now has an artist roster that includes Goldfrapp, New Order, Can, KÁRYYN, Daniel Blumberg, Desire Marea, Louis Carnell, Josh T. Pearson, Erasure, Swans and Miss Grit, with offices in London and New York. Miller's early interest were electronics and synthesizers and he studied for a Diploma in Film and TV at Guildford School of Art (1969-72). After college, he worked as an assistant editor and editor in TV and advertising, before travelling and DJing across Europe. In 1976 he returned home and with a Korg 700S keyboard and a TEAC four-track recorder, made The Normal’s first single. He set up Mute to release the single in 1978 and the initial plan was for a minimum pressing of 500, but Rough Trade offered to distribute the single nationally, persuading Miller to press 2,000 copies. Called ‘TVOD’, it was backed with ‘Warm Leatherette’ and this electro-pop classic was later covered by Grace Jones on her epochal 1980 album of the same name. Further Mute releases soon followed and in 1980 Miller met Depeche Mode. When their original songwriter Vince Clarke left to form the synth-pop duo Yazoo in 1981, Miller suddenly found himself with two highly successful pop acts. Throughout the 1980s, Mute expanded at a careful pace, bringing Nick Cave and Erasure to the roster and expanding its international reach. New labels The Grey Area and NovaMute were launched plus a deal with Blast First saw the ‘Theme from S’Express’ become their first Number One single in 1988. Moby’s 1999 album ‘Play’ grew slowly from a modest success into a 10 million selling phenomenon. After several years working within the structure of the Labels Division of EMI, 2010 saw the label return to its independent roots. Mute continues to nurture fresh talent and Miller remains heavily focussed on Mute’s creative output and is also a well-respected and sought after techno DJ, playing regularly worldwide. https://mute.com/artists Kevin Paul Biog Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD. In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more. He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival. http://www.kevin-paul.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

1
Arturia - 25 Years Of Software Synthesis 41:23

לפני 41 weeks41:23

41:23

President and co-founder of Arturia, Frédéric Brun, talks to Sam Inglis about the company's eventful history, taking in highlights such as the innovative MiniBrute, the epic PolyBrute and the company's first stage keyboard, the new AstroLab. Chapters 00:00 - Introduction 01:52 - Storm & The Early Days Of Software Synthesis 02:53 - Emulating Classic Analogue Synths 07:23 - How To Approach An Emulation 08:24 - IRCAM And Physical Modelling 10:56 - Expanding Into Hardware 13:43 - The MiniBrute: Arturia's First Analogue Synth 18:16 - Synths For iPad & iOS 20:03 - The MatrixBrute 24:26 - The Importance Of User Feedback 26:48 - Development Time 28:53 - Moving Into Different Market Sectors 30:36 - Pigments: An Original Soft Synth 31:37 - The PolyBrute Morphing Analogue Polysynth 33:32 - AstroLab: Arturia's Stage Keyboard Arturia Biog Based in the French city of Grenoble, Arturia have built on their roots as pioneering developers of virtual instruments to become one of the world's leading manufacturers of analogue, digital and software synthesizers, controller keyboards and audio interfaces. Launched in 1999 by college friends Frédéric Brun and Gilles Pommereuil, the company initially started out by developing software that could accurately emulate retro analogue synths. In 2003 they started to work with some of the major manufacturers, turning out virtual versions of classic Moog, Roland, Yamaha and Sequential Circuits synths. In 2012 they launched their first analogue synth, the MiniBrute, later followed by the MicroBrute, MatrixBrute and PolyBrute. Celebrating their 25th anniversary this year, the company continues to grow and their product line now includes a wide range of soft synths, apps, controllers, audio interfaces and hardware synths. Sam Inglis Biog Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006). Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

1
Alan Moulder - Mixer/Producer and Engineer 33:03

לפני 43 weeks33:03

33:03

Alan Moulder, 2024 recipient of the Icon Of The Year Award from the Music Producers Guild, talks to Kevin Paul about his early years at Trident Studios and finding his specialist areas, plus tips on how aspiring producers and engineers can get started in the industry today. Chapters 00:00 - Introduction 00:30 - Starting Out In Indie Rock 02:28 - The Route Into Trident Studios 04:50 - Going Freelance With Dave Stewart 06:48 - Learning To Mix On An SSL Desk 09:03 - Developing The Studio With Flood 09:42 - Hiring Studio Assistants 13:14 - Structured Working Methods 14:27 - Actively Promoting Studio Assistants 16:48 - Deciding How To Handle A Mix 19:21 - MIDI Mapping With Battery 20:38 - Adding Intensity To The Mix 23:49 - Favourite Pieces Of Kit 25:43 - What's On The MixBus 26:08 - Method For Creating Stems 28:13 - Things To Avoid 30:31 - Making Use Of The Reference Mix Alan Moulder Biog Alan Moulder is a leading global Mixer/Producer and Engineer. Working mainly in the UK and USA since the 1980’s, Grammy award winning Alan Moulder has been at the helm of some of rock music’s most iconic records. His production, engineering and mixing credits include Nine Inch Nails, The Killers, The Smashing Pumpkins, Foo Fighters, Then Crooked Vultures, My Bloody Valentine, The Jesus and Mary Chain, Arctic Monkeys, Led Zeppelin, Death Cab For Cutie, Ride, Queens of the Stone Age, Frank Carter and the Rattlesnakes, Suede, Interpol, Iggy Pop, Simple Minds, Ozzy Osbourne and Wet Leg. Alan also received the prestigious ‘Icon of the Year’ award at the recent MPG Awards 2024. https://www.alanmoulder.com/ Kevin Paul Biog Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD. In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more. He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival. http://www.kevin-paul.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

1
Tim Bran - Music Producer 58:53

לפני 47 weeks58:53

58:53

Producer and Engineer Tim Bran talks us through his early career at Island Records, being invited to tour as a session musician, recording London Grammar and setting up his own collaborative tech and studio projects. Chapters 00:00 - Introduction 01:22 - The Early Days At Island Records 04:58 - Musical Taste 06:33 - Informative Years In The Bunker 08:10 - Being Invited To Tour 10:40 - Rez Rocket Surfer - A Virtual Band 15:47 - Developing Artist Management Skills 21:17 - Being Diplomatic In A Team 24:20 - Taking Chances And Being Creative 26:10 - Working With Roy Kerr And London Grammar 31:42 - Collaborative Projects And Learning New Techniques 38:07 - Being Respectful Of Other Talent In The Room 41:07 - Mixing During The Recording Process 45:17 - Dealing With Demo Love 47:14 - Favourite Hardware And Software 52:54 - Avoiding Dither And Delay Tim Bran Biog Tim Bran began his production career in his own studio in Guernsey where he grew up. He then worked in the legendary Fallout Shelter Studios at Island Records in London where he collaborated with artists such as Julian Cope, Mica Paris, Omar and ex-Big Audio Dynamite band Screaming Target (with whom he formed an alliance and created the seminal dub/ambient band Dreadzone later on). He toured for ten years then decided he needed to be in his home from home- the studio - so gave up touring and dedicated himself to production and writing. He co-produced London Grammar’s debut album If You Wait with his production partner Roy Kerr as MyRiot and has worked with artists such as Birdy, Paul McCartney, Rae Morris, La Roux, KT Tunstall, Halsey, The Verve, Imelda May and Primal Scream. Recently his work includes Haevn, Abby Sage, Axel Flovent and Wild Rivers. Today, Tim Bran continues to make waves in the music scene, working with both established and up-and-coming artists. With each project, he brings a fresh perspective and a dedication to pushing musical boundaries, ensuring that his influence on the industry remains as vibrant as ever. http://www.echobeachmanagement.com/artist/tim-bran/ Kevin Paul Biog Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD. In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more. He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival. http://www.kevin-paul.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

1
Guy Massey - Engineer Producer 39:05

לפני 52 weeks39:05

39:05

Guy Massey talks about his training at Abbey Road, how this gave him the confidence and experience to become freelance and how he enjoys blending new technology with traditional recording spaces. Chapters 00:00 - Introduction 00:28 - Getting Into The Industry 03:51 - Learning At Abbey Road 05:12 - Studio Etiquette 06:58 - Being Sensitive To Artist Needs 10:44 - Blending Modern Technology And Traditional Spaces 14:08 - Learning To Be A Good Engineer 16:40 - Working With Constrained Budgets 18:00 - The Curiosity Of Experimentation 19:07 - Confidence In Your Abilities 23:26 - What Makes A Good Producer 27:40 - Fixing Self-Produced Tracks 29:03 - Time Taken To Do A Mix 33:13 - Recommended Practices 35:30 - Preparing For A Session Guy Massey Biog Hailing from Merseyside, Guy’s love of music started at an early age, fuelled by his grandparents musical heritage and siblings record collections. He played guitar in various bands in and around New Brighton and Liverpool during the 80’s and 90’s, falling in love with Indie guitar music. His love of playing was soon superseded by the actual recording of the bands he was in and his time at The University Of Manchester studying Geology happened to coincide with the vibrant Madchester scene, re-igniting his love of music. A move to Guildford to do a Diploma in Recording at The University of Surrey resulted in a placement at Abbey Road Studios in 1995, where he remained for 10 years, working with many great artists, engineers and producers. This experience gave him the confidence to go freelance in 2005 and set up his own room in North London in 2010. Recent credits include the Kylie Minogue albums Tension including the song Padam Padam (which earned him a Grammy), Turin Brakes, the Score for Los Frikis, Lady Blackbird for Black Acid Soul, Rita Ora and The Divine Comedy. https://www.guymmassey.co.uk/ Kevin Paul Biog Kevin Paul started his career as a DJ but quickly found his passion was sound engineering. His first audio job was at Soho Studios in 1991, moving to Konk Studios six months later, where he worked alongside successful producers and engineers such as Bob Clearmountain, Adam Mosley, Pascal Gabriel and Gil Norton, as well as bands such as The Kinks, Galliano, Terrorvision, UFO and Elastica. After working on archiving the Depeche Mode back catalogue in 1994, he was offered an engineering role at Mute Records’ in-house studio, which eventually lead to a position as Head Engineer, which gave him access to the entire Mute Records roster. Highlights include mixing Goldfrapp’s “Felt Mountain”, David Bowie’s “Hours” and Nick Cave’s “No More Shall We Part”. He also worked in 5:1, mixing Moby’s “Hotel”, Goldfrapp’s “Black Cherry“ and more for DVD. In 2004 Kevin went freelance and re-mixed the entire Depeche Mode and Nick Cave and the Bad Seeds back catalogues for SACD/DVD. Since 2008, Kevin Paul has been in charge of mixing and remixing performances at the iTunes Festivals in the UK and Germany. He has mixed over 100 artists to date, including Adele, Ed Sheeran, Alicia Keys, Nick Cave & The Bad Seeds, The XX, Calvin Harris, Foo Fighters, Jack White, Linkin Park, Florence & The Machine, Deadmau5, David Guetta, Jessie J., Norah Jones, Oasis, Mumford & Sons, N.E.R.D., Lykke Li, James Blunt, KT Tunstall, Hot Chip, Paul Weller and many more. He continues to record, engineer, produce and mix many projects in music and film, runs the mixing and surround mixing modules for the Masters Degree course at UK’s Westminster University and divides his time between London and Berlin. Recent works include the International selling new album by Nick Cave & The Bad Seeds and mixing the latest album of Denmark’s “Dúné” with the first single premiering at the Danish Music Awards, plus the latest iTunes Music Festival. http://www.kevin-paul.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

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