Grumpy helps a reader choose the best hydrangea for their hometown. Plus, Grumpy’s gripe of the week. You can find us online at southernliving.com/askgrumpy Ask Grumpy Credits: Steve Bender aka The Grumpy Gardener - Host Nellah McGough - Co-Host Krissy Tiglias - GM, Southern Living Lottie Leymarie - Executive Producer Michael Onufrak - Audio Engineer/Producer Isaac Nunn - Recording Tech Learn more about your ad choices. Visit podcastchoices.com/adchoices…
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Everything you need to know about virtual production, with Final Pixel
Manage episode 319751702 series 2915825
תוכן מסופק על ידי broadcasttechtalks. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי broadcasttechtalks או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
Virtual production experts Final Pixel join Broadcast Tech editor Jake Bickerton to provide invaluable insight into the burgeoning world of virtual production. Final Pixel's Monica Hinden, Chris McKenna and Michael McKenna talk in-depth about what virtual production offers producers; the long list of advantages for filmmaking in an LED Volume stage; and the planning and approach required to maximise the potential of virtual production. The Final Pixel team bring to life the world of virtual production through real-life examples, showcasing where they have worked with a wide range of clients across a variety of genres to create fully immersive environments that make great use of real-time, in-camera VFX.
52 פרקים
שתפוManage episode 319751702 series 2915825
תוכן מסופק על ידי broadcasttechtalks. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי broadcasttechtalks או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
Virtual production experts Final Pixel join Broadcast Tech editor Jake Bickerton to provide invaluable insight into the burgeoning world of virtual production. Final Pixel's Monica Hinden, Chris McKenna and Michael McKenna talk in-depth about what virtual production offers producers; the long list of advantages for filmmaking in an LED Volume stage; and the planning and approach required to maximise the potential of virtual production. The Final Pixel team bring to life the world of virtual production through real-life examples, showcasing where they have worked with a wide range of clients across a variety of genres to create fully immersive environments that make great use of real-time, in-camera VFX.
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1 What's next for virtual studios? 27:57
27:57 
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הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיFor this week’s episode of the Broadcast Tech Talks Podcast , senior reporter Max Miller speaks to Warner Bros. Discovery’s director of graphics and innovation, Alex Dinnin, and Vizrt’s head of sport, Andy O’Neil, about the state of play and future of virtual studios. The pair reveal how Warner Bros. Discovery created the TNT Sports studios from scratch, and has managed to centralise its virtual studios for Eurosport across Europe – including innovative uses of space and technology. In addition, they discuss what’s next for virtual studios, and how advances in technology could see them become indistinguishable from real studios for viewers at home.…
1 The future of AI in post-production 23:36
23:36 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי23:36
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיFor this edition of the Broadcast Tech Talks Podcast, senior reporter Max Miller speaks to Azimuth head of audio Kate Davis and HHB CTO John Johnson about how AI is changing the way post-production is completed. AI, or machine learning, has long been used in post, but recent years have seen its use grow at an increasing rate. Audio post is one of the most talked about areas for AI, with new tools that can clean up poorly recorded audio, replace dubbing by replicating an actor’s voice in another language, and more meaning that it is a hotbed for innovation. Davis and Johnson reveal what they have already seen being done in the industry, and what could be coming in the next 12 months.…
1 What AI means for media businesses 24:40
24:40 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי24:40
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיThis episode of the Broadcast Tech Talks podcast series was recorded at the AI Creative Summit at BFI Southbank on 6 November 2024. It features Cyrus Mewawalla, head of thematic intelligence at GlobalData and globally-renowned AI expert and analyst. The session presents the findings of world-leading data and analytics company, GlobalData's most comprehensive and detailed report on AI to date. The report focuses on what AI means for media businesses.…
1 How we used AI to launch a national TV channel 20:20
20:20 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי20:20
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיE-commerce business Must Have Ideas has launched an AI-powered TV channel, and Broadcast Tech speak to co-founder and director Amy Knight plus head of Broadcast Michael Wood about how they've done this. The channel aims to look live, while actually being 30 pre-recorded segments that were filmed in an NDI studio. These segments are automatically scheduled and stitched together by an in-house AI tool, which Must Have Ideas has named Spark, and the hope is that no two shows will look or feel the same.…
In this episode of the Broadcast Tech Talks Podcast, senior reporter Max Miller speaks to Forever Audio’s senior sound engineer Alistair Bolt and ADR manager Gabriel Dutru about the present and future of ADR. Delving into the best techniques for the area, the pair speak about how to work with actors, directors, and producers, as well as how to prepare for ADR in production and when it works best. In addition, the conversation turns to the future of ADR, and the tech advances, such as automation and AI cleanup services, that could have an effect on it going forwards.…
The Revolutionising Post-Production podcast sees industry experts delve into the cutting-edge technologies shaping the landscape of post-production in 2024 and beyond. From GenAI/AI-driven tools to immersive virtual reality experiences, the panel explore how these innovations are transforming content creation, enhancing efficiency, and pushing the boundaries of creative storytelling. The panelists each predict the major tech trends for the year ahead, with a large focus on GenAI and AI. A long-list of creative functions opened up by AI are singled out, including synthetic voices; face detection and tracking; automated clip selection; productivity tools; automated transcription; metadata enrichment; audio clean-up tools; training post-production skills using AI; and the pros and cons of colour-matching tools. This episode of the Broadcast Tech Talks Podcast was recorded at the Future of Post Production Event 2024 event Broadcast Tech and Avid held at The BFI Southbank, London earlier this year. Speakers: Rhodri James, Director of Technology and Operations, Gorilla Lily Ketley, Technical Manager, Finish Line Jess Nottage, Operations & Technical Director, Clear Cut Group Craig Dwyer, Vice President Strategy, Business Development & Alliances, Avid Moderated by Max Miller, Senior Reporter, Broadcast Tech…
1 Tim Burgess reveals what's next for Tim's Listening Party 15:57
15:57 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי15:57
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיTim Burgess talks to Broadcast Tech editorial director Jake Bickerton about the development of Tim's Listening Party, from Twitter/X to an Absolute Radio show to a hit podcast series. Tim also covers the influence of AI in music, and reveals he's recorded a song he asked ChatGPT to write in the style of The Charlatans. Find out more in this great episode of the Broadcast Tech Talks, which was recorded live at the Media Production & Technology show at London Olympia.…
Broadcast Tech editorial director Jake Bickerton talks to president of Picture Shop, Cara Shepherd, Racoon founder David ‘Klaf’ Klafkowski and director of post production and partnership at Sky, Adam Downey, about the major issues affecting post-production right now. The discussion covers the ongoing impact of the recent writers’ and actors’ strikes, and the potential of more strikes to follow from other sectors of the industry. A big focus of the debate is on how post-production houses are having to adapt to deal with several major business challenges coming at once – the strikes, the commissioning slowdown, significant budget pressures, the cost of living crisis, etc. In some cases, these have slashed workload for post houses by half. The good news is things are set to change dramatically in the second half of 2024, which could see facilities being packed out again, as discussed in this podcast. Also discussed is how post is reacting to the growth of GenAI and automation, whether it’s a welcome change or a threat to business; whether post houses could or should accommodate the needs of the social-first generation of content creators; and ensuring data security within post-production. This episode of the Broadcast Tech Talks podcast is a recording of the opening speaker panel discussion at the recent Future of Post Production Forum we ran in association with Avid at the BFI Southbank, London last month.…
1 What rapidly evolving GenAI means for the media industry 17:42
17:42 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי17:42
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיCyrus Mewawalla, head of thematic intelligence at GlobalData explains what the future looks like for GenAI and how it won't take as long as you might imagine for AI to present with 100% accuracy, to be a sentient being with a conscience that's at least as intelligent as a human being. And that's when the future of the human race could be under threat. In terms of the immediate future, Mewawalla looks at how GenAI is already impact every segment of the media and entertainment industry, and how it's evolving fast, improving ten fold every 12 months. This short podcast makes compelling listening. It was recorded at the AI Creative Summit, held at BFI Southbank, London towards the end of 2023.…
1 Generative AI & the Art of Storytelling 45:28
45:28 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי45:28
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיThis podcast is a recording of a speaker session from the AI Creative Summit, held at BFI Southbank, London, in November. The session, called Generative AI & the Art of Storytelling, looks at where Artificial Intelligence can push the boundaries of storytelling; how it disrupts traditional methods of conveying a narrative; and how the industry might harness generative AI and ChatGPT. The panellists talk about how AI will be the catalyst for new forms of storytelling – bringing illustrations to life, creating immersive theatre environments, adding the ability to speak to characters in a narrative context, and more. Talking about their current use of AI, one of the panellists says their whole team has to use it every day, for everything from mundane tasks to generating short form video scripts, for which they say it does a great job. The panel's use of AI includes for creating post-production deep fakes to make someone speak in different languages and recording professional-sounding voiceover from a smartphone microphone. The panel also talks about the ability to monetise the use of AI by selling prompts to get the most out of GenAI for generating scripts, and how certain jobs in the industry including rotoscoping will likely to replaced by AI. More specifically, one panellist says AI will not steal your jobs but people who know how to use it may. Another panellist believes AI will eventually be better than us at making TV programmes and “might even kill us, but we might as well enjoy it while it lasts”. Speakers: Guy Gadney, Co-Founder & CEO - Charisma.ai Eline van der Velden, CEO & Founder - Particle6 Alex Hryniewicz, Director of Content - Little Dot Studios Chair: John Cassy, CEO & Founder - Factory 42…
1 The Business of AI: Where Artificial Intelligence can make a real difference 40:03
40:03 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי40:03
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיThe Business of AI: Tools of the Trade - Where Artificial Intelligence Can Make a Real Difference Discover how much of a game-changer AI and machine learning is, and how it's benefitting broadcast businesses. Find out how the industry is looking to adapt, what technologies and AI tools have already been adopted, and how to keep on top of innovative technologies in such a rapidly evolving market place. This episode of the Broadcast Tech Talks podcast is the full recording of a speaker session at the AI Creative Summit held at BFI Southbank, London on 16 November. The speakers: Maria Ingold, Strategy & Innovation CTO - mireality Connagh Flynn, Senior Insights Manager - Formula E Asa Bailey, Writer & Director - BAILEY AI Film Company Sanjeevan Bala, Group Chief Data & AI Officer - ITV Philippe Petitpont, CEO & Co-Founder - Newsbridge…
1 AI Innovations: The Future of Multilingual Automatic Speech Recognition 22:56
22:56 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי22:56
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיIn the first episode of the new series of the Broadcast Tech Talks Podcast, Jake Bickerton talks to Trevor Back from Speechmatics and Mira Pelovska from Broadteam about large language models and the future of multilingual automatic speech recognition. The focus of the episode is about how AI-driven speech-to-text engines can more accurately and more effectively handle different dialects and accents, and what goes into the machine learning training to enable this to happen. Trevor and Mira explain in straightforward terms what's currently possible for applications such as live subtitling utilising speech recognition, and how highly trained AI from Speechmatics makes it possible to cope with different voices from around the world and produce highly accurate speech transcriptions in a matter of seconds. The podcast also covers what the future holds for AI-driven transcription and translation services as their accuracy and abilities continue to grow, especially with the introduction of genAI enabling a move from speech transcription to speech comprehension. What this means in practice is Speechmatics will, in the future, be able to understand what was said, how it was said and the context in which it was said, which will have a huge range of benefits and potential uses within the broadcast industry.…
1 Airspeeder takes flying car races to the sky with Base Media Cloud 22:15
22:15 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי22:15
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיAirspeeder head of media Stephen Sidlo joins Base Media Cloud CEO Ben Foakes to talk to Broadcast Tech & Sport Group editorial director Jake Bickerton about how they are capturing and handling broadcast and a host of digital content during the inaugural season of Airspeeder flying car races. Airspeeder is the world’s first racing series for flying electric cars. The first competitive races are with the remotely piloted EXA Series, which navigate tracks in the sky in a series of close-proximity races. Airspeeder and Base Media Cloud work together to create an end-to-end digital media workflow, which handles digital media content to be distributed online and used on social media. It also takes care of the analytical data for the robot Aviators that takes the place of pilots. They digitally receive remote inputs and mimic the movements of the human pilot on the ground. The series includes multiple teams, with multiple craft transmitting data that needs to be processed, tagged and stored. The isolated locations where the races take place require flexible, scalable applications that can be scaled up and down as demand fluctuates on race days.…
1 TikTok and BBC Studios - How to plan a content strategy for TikTok 21:27
21:27 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי21:27
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיTikTok head of UK media partnerships, Normanno Pisani and BBC Studios VP commercial, digital, Matt Ford talk to Broadcast Tech & Sport Group editorial director, Jake Bickerton, about how BBC Studios is bringing high-profile properties, including Top Gear, Eastenders and Doctor Who to the TikTok platform. Pisani and Ford discuss how they have been working together to plan the content mix and editorial tone of the different BBC Studios' TikTok accounts, in advance of their launch on the short-form video giant. The podcast offers advice for all content creators on how to plan and roll out a successful TikTok account; how to create 'trends' on TikTok and utilise existing trends; and how to ensure your account complements your broader content strategy across social media. Pisani and Ford also talk about the rapid growth of vertical video and how to best present content in this format.…
1 How the OB sector has to adapt to the changing shape of live production 25:58
25:58 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי25:58
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיOutside broadcasts, post-production and studios provider Timeline CEO Dan McDonnell and head of operations Dave Harnett talk to Broadcast Tech reporter Max Miller about the company's recent expansion in Ealing. It has opened a 9,700 sq ft broadcast facility specifically designed for remote productions, and including a 2,000 sq ft virtual studio space. McDonnell and Harnett explain the thinking behind the facility, and how it's been designed to complement the company's existing range of live production services. They also discuss the future of live production, sustainability in production and the possibilities opened up by virtual studios. The podcast also covers the impact on the outside broadcast industry of the collapse of Arena TV, and why Timeline are continuing to invest in outside broadcast trucks despite the huge growth in remote production over the last few years.…
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1 Jigsaw24 talks about remote audio post-production, working in Dolby Atmos and the benefits of network audio 17:14
17:14 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי17:14
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיJigsaw 24 head of audio Matt Ward is joined by pro audio consultant Saxon on this Broadcast Tech Talks recording with Broadcast Tech editor Jake Bickerton. Together, they talk about the current trends in audio post-production, including a rapid move to enable remote audio post-production, including ADR/voiceover recording remotely, and making Dolby Atmos immersive mixes at home. The conversation also covers the cost-saving and practical benefits of network audio in post-production.…
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Formula 1 global head, digital media and licensing, Frank Arthofer talks to Broadcast Sport editor Jake Bickerton about the F1 Virtual GP series, which replaced the real grand prix races during lockdown. It involved 11 x F1 drivers and high-profile celebs racing head-to-head on virtual versions of real F1 grand prix circuits. The series received impressive viewing figures, across digital and linear, and proved a notable success for F1 at a time when real racing wasn't possible. Arthofer talks about the popularity of the series and about F1's future plans for esports, including whether F1 might bring in real-time virtual racing to enable fans to join in live races virtually in an esports environment at home.…
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1 Ingrid Silver, partner, Reed Smith, on the legal implications of the Covid-19 cancellations for sports broadcasters and federations 10:53
10:53 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי10:53
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיIngrid Silver, partner, Entertainment and Media Industry Group at global law firm Reed Smith, talks to Broadcast Sport editor Jake Bickerton about the 'gradual return' of sports to our screens, following Government guidance that enables different sports and events to resume over the coming months. Silver also discusses the legal side for sports broadcasters and sports federations of the Covid-19 cancellations of sports events during lockdown. The podcast was recorded the day after the Premier League resumed.…
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1 BBC Sport's Ron Chakraborty on the 50 hours of Wimbledon archive content the BBC is airing during Wimbledon fortnight 11:41
11:41 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי11:41
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיRon Chakraborty, executive editor, major events at BBC Sport talks to Broadcast Sport editor Jake Bickerton about the BBC's plans for Wimbledon 2020 following the cancellation of the tournament due to the Covid-19 pandemic. Rather than live tennis from Wimbledon, the BBC has lined up a varied mix of archive tennis content during what would have been Wimbledon fortnight. It includes three hours of classic archive Wimbledon games each day, followed by a live show in the evening, hosted by Sue Barker at Wimbledon. This again raids the Wimbledon archives to re-run some of the best moments from the tournament. Barker is joined by tennis stars at the BBC pop-up studio at the club, and from around the world through the now ubiquitous wonders of Zoom. As the fortnight progresses, the BBC will show the Top 10 men's and women's finals of all time. It also plans to host interactive quizzes, polls and tennis challenges on the BBC Sport website to encourage fans to take part.…
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1 Melanie Jones, MD, Manchester Studios on the re-opening of TV studios in Manchester City Centre 12:17
12:17 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי12:17
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיMelanie Jones, managing director, Manchester Studios, talks to Broadcast Tech editor Jake Bickerton about her role in bringing fully-equipped high-end TV studios back to Manchester City Centre. Manchester Studios is on the site of the former Granada Studios facility (famously home to many classic LE shows as well as Coronation Street), and is utilising many of the spaces used by productions at Granada Studios. The facility is currently undergoing the complete overhaul and renovation of the former Granada Studios to make the spaces fit for the modern age, complete with an entirely new infrastructure, 4K facilities and plush superstar dressing rooms. In this podcast, Jones talks about how Manchester Studios began by offering drama productions four-waller space in the old Granada Studios building, before setting its sights on TV productions. It opened its first fully kitted-out TV studio space (the 13,000 sq ft 4K Studio 1) at the beginning of June, and now plans to have a full TV studio complex up and running by the end of next year.…
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1 Adam Heyhurst, head of broadcast at Amplify on his love of live streaming and his role in setting up BBC Radio 1's Live Lounge 12:03
12:03 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי12:03
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיAdam Heyhurst is former head of events at the BBC and now heads up the broadcast operations of marketing agency Amplify. While at the BBC he set up the broadcast infrastructure for BBC Radio 1's Live Lounge, which he talks about in detail during this conversation with Broadcast Tech editor Jake Bickerton. His passion for live streaming over pre-recorded content is also covered in this podcast, with Heyhurst presenting numerous compelling reasons why live streaming is the best way forward for many productions. Heyhurst also provides his top tips for creating high quality images while filming subjects at home during lockdown.…
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1 Defected Records' James Kirkham on launching the label's massive live streamed Virtual Festivals 14:33
14:33 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי14:33
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיDefected Records chief business officer James Kirkham talks to Broadcast Tech editor Jake Bickerton about the dance label's hugely popular weekly Virtual Festivals, which kicked off as soon as the UK went into lockdown. The 12-hour live streamed events, which went out on a plethora of social media platforms every Friday night, brought in an audience of millions of dance music fans each week. Each Virtual Festival brought together DJs from around the world, who each had an hour to spin discs from their home, before the next DJ kicked off their set. The complexity of how each set was filmed ranged from a single iPhone camera stream to a multi-camera setup, including drones. Kirkham explains how it was all put together and what the future for Virtual Festivals might be post-lockdown.…
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1 Senior colourist Paul Ensby at Technicolor on the changing role of the grading artist 11:02
11:02 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי11:02
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיSenior colourist Paul Ensby began his career in 1990, following his father and grandfather's footsteps into the film lab. He started as a 35mm laboratory feature timer and moved to digital grading in 2001. Since then, Ensby has notched up an impressive credit list, including Ridley Scott's Kingdom of Heaven, Guy Ritchie's The Man From U.N.C.L.E, Asif Kapadia's Oscar winning Amy and Josie Rourke's Mary Queen of Scots. After some years working at a number of other facilities, Ensby has now rejoined Technicolor where be began and spent the majority of his career. He speaks to Broadcast Tech editor Jake Bickerton about his life as a grading artist, and the changing role from the film lab to digital grading and working through the coronavirus lockdown.…
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1 Orla Chennaoui, journalist and Eurosport presenter, on how Zoom calls can bring out the best in interviewees 10:45
10:45 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי10:45
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיWith TV studios on lockdown, Eurosport presenter Orla Chennaoui turned to Zoom to film interviews with a who's who of British athletics for Eurosport's re-runs of the London 2012 Olympics next week (24 May-31 May). Her interviews, with the likes of Mo Farah, Adam Peaty, Chris Hoy, Rebecca Adlington, Greg Rutherford and Bradley Wiggins, were all recorded with the athletes at home, recollecting their memories of the hugely successful Olympic Games. This came with its own challenges, and also a number of key benefits, as discussed in the podcast. The entire production was created remotely – it was filmed and edited remotely, the archive clips were all accessed remotely, and some re-commentating was also done remotely. Impressively, the production values still manage to mirror that of a typical studio-based show. Orla discusses how it all worked in this 11-minute chat with Broadcast Sport editor Jake Bickerton.…
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1 Freelance lighting cameraman Graham Howe on making the most of lockdown 12:20
12:20 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי12:20
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיBroadcast Sport editor Jake Bickerton talks to freelance lightning cameraman Graham Howe about what he’s doing to keep busy during lockdown. With the Covid-19 pandemic cancelling almost all his future bookings, Graham decided to make the most of his new-found free time to learn new skills that would be useful for his job. So, he’s learned how to live stream content; he’s completed Health and Safety courses he’s been trying the find the time to do for years; he’s learned how to expertly use a DJI Ronin-S gimbal and a motorised slider; and he’s also found the time to put the Sony FX9 camera through its paces. You can hear how he got on with it all here.…
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Broadcast Tech Talks
1 Football archive Dugout co-founder Sebastian Gray on content demand during lockdown 12:12
12:12 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי12:12
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיSebastian Gray, co-founder and SVP of football content platform Dugout talks to Broadcast Sport editor Jake Bickerton about what the company does, how it does it, and the growth in demand for previously undiscovered archive football clips. Dugout is co-owned by 10 world-leading football clubs (including Real Madrid, Barcelona, Chelsea, Arsenal, Liverpool and Manchester City) and offers access to the archives of 100+ football clubs from around the world. It receives 400m views a month of its football content.…
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Broadcast Tech Talks
1 VFX giant MPC's CEO Mark Benson on the demand for CG/VFX during lockdown 10:10
10:10 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי10:10
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיMark Benson, CEO of Academy Award winning VFX house/creative studio, MPC, talks to Broadcast Tech editor Jake Bickerton about the changing needs of commercials producers during lockdown. With Covid-19 severely limiting options for live shoots and with the tone of advertising messages necessarily adjusted to be appropriate for the global circumstances we’re living through, there are many challenges facing content creators. MPC is seeing a shift to CG/VFX work to replace what might have previously been live components, and Benson talks about how it is collaborating with clients to ensure they get the most out of this approach, and that its honed to suit their needs and budget. He also talks about the impact of lockdown on MPC, both from a practical and business point of view, and also how its Shanghai office has all but reverted back to business as normal after the lockdown was lifted in China.…
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Broadcast Tech Talks
1 Gorilla TV MD Rich Moss and Jigsaw24 sales director Rupert Watson talk remote production tech 14:38
14:38 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי14:38
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיGorilla TV managing director Rich Moss and Jigsaw24 sales director Rupert Watson join Broadcast Tech editor Jake Bickerton for a chat through the tech enabling post-production houses to transition overnight from office-based to cloud-based remote home working. The companies work together at the cutting edge of post-production, with Gorilla having a long history of innovating in new workflows to continually enhance its service to clients. This informative, educational discussion explains the practical benefits of products such as Avid Edit on Demand, Deja Edit, and vMix in enabling post houses to ensure business as usual and the same high-end service levels while their staff work from home. The podcast also looks more broadly at cloud-based working and how remote collaborative working will be further enhanced over the coming months as the industry beds in for an extended lockdown.…
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Broadcast Tech Talks
1 Blast Premier esports CEO Robbie Douek - transitioning live tournaments from arenas to homes 10:03
10:03 הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתי10:03
הפעל מאוחר יותר הפעל מאוחר יותר רשימות לייק אהבתיBlast Premier esports CEO Robbie Douek talks to Broadcast Sport reporter Max Miller about the appeal of esports – what draws fans to the games, and how esports can capitalise on the cancellation of live conventional sports. Blast Premier runs a year-long series of tournaments that are typically held in huge arenas with thousands of fans watching the gaming live at the venue. With the pandemic putting a halt to this setup, Douek reveals how the Blast Premier events have transitioned to online, with the players based at home. He also presents his ideas on how esports and the Blast Premier series can continue to grow in a post-pandemic world.…
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Broadcast Tech Talks
BT Sport chief operating officer Jamie Hindhaugh explains how the broadcaster has created a 'virtual BT Sport studio', taking 400 people out of its physical studios in Stratford and replacing the studios with decentralised production to enable home working. With the system up and running, BT Sport is able to continue to broadcast presenter-led live shows with each of the presenters and the crew working from their homes. Hindhaugh talks through the new programming it's creating during lockdown and how it can implement long-term changes based on its reaction to the pandemic.…
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