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תוכן מסופק על ידי Collider. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Collider או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
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Kate Siegel Interview: She Isn't Saying Goodbye to Acting, But She's Ready to Direct More

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Manage episode 444426010 series 2168061
תוכן מסופק על ידי Collider. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Collider או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.

During her third appearance on Collider Ladies Night, Kate Siegel laughed and said, “It's so cliché for an actor to be like, ‘Oh, what I really want to do is direct,’ but I think what I really want to do is direct.” With each and every interview I’ve done with Siegel, for Ladies Night and beyond, it’s become more and more clear that not only does she have a firm handle on her craft as an actor, but she also has a deep understanding of and enthusiasm for the entire filmmaking process. Now that she’s put that passion and skill set to use on her directing debut, the V/H/S/Beyond segment “Stowaway,” it’s undeniable. Siegel is meant to be a filmmaking multi-hyphenate.


Penned by Mike Flanagan, “Stowaway” features YouTube star, journalist and voice actor Alanah Pearce as Halley, a young mother who heads out into the desert in hopes of having and documenting an extraterrestrial encounter. After interviewing a number of locals, Halley does manage to track down a spaceship, but the thrill of discovery is short-lived. Halley’s eagerness to explore the unknown lands her in a nightmarish situation that forces her to confront what she’s left behind at home in pursuit of finding something out of this world.


Siegel has a wealth of experience in film and television. Not only has she starred in hits including The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher, but she also headlined and co-wrote the 2016 gem Hush. How did those titles and more tee her up for success behind the lens as a director? That’s what we dug into during her third go-around on Collider Ladies Night.



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

389 פרקים

Artwork
iconשתפו
 
Manage episode 444426010 series 2168061
תוכן מסופק על ידי Collider. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Collider או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.

During her third appearance on Collider Ladies Night, Kate Siegel laughed and said, “It's so cliché for an actor to be like, ‘Oh, what I really want to do is direct,’ but I think what I really want to do is direct.” With each and every interview I’ve done with Siegel, for Ladies Night and beyond, it’s become more and more clear that not only does she have a firm handle on her craft as an actor, but she also has a deep understanding of and enthusiasm for the entire filmmaking process. Now that she’s put that passion and skill set to use on her directing debut, the V/H/S/Beyond segment “Stowaway,” it’s undeniable. Siegel is meant to be a filmmaking multi-hyphenate.


Penned by Mike Flanagan, “Stowaway” features YouTube star, journalist and voice actor Alanah Pearce as Halley, a young mother who heads out into the desert in hopes of having and documenting an extraterrestrial encounter. After interviewing a number of locals, Halley does manage to track down a spaceship, but the thrill of discovery is short-lived. Halley’s eagerness to explore the unknown lands her in a nightmarish situation that forces her to confront what she’s left behind at home in pursuit of finding something out of this world.


Siegel has a wealth of experience in film and television. Not only has she starred in hits including The Haunting of Hill House, Midnight Mass, and The Fall of the House of Usher, but she also headlined and co-wrote the 2016 gem Hush. How did those titles and more tee her up for success behind the lens as a director? That’s what we dug into during her third go-around on Collider Ladies Night.



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

389 פרקים

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