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תוכן מסופק על ידי Christian Howes. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Christian Howes או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
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The Intersection of Classical, Jazz, and Flamenco w/ Pablo Martín Caminero

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Manage episode 192634535 series 1097838
תוכן מסופק על ידי Christian Howes. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Christian Howes או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
After staying up until 7 a.m. surrounded by Flamenco guitar, dancing, and singing in a room full of people clapping knowingly along to the Bulería, Tango, and Soleá, I was forever changed. It was my first trip to Spain in 2001, and I had just discovered the music world’s best kept secret. Following 20 more trips to Spain, I get to share a bit of that magic with you today in a fully produced audio episode plus an extended video version. (scroll down for both). All the music in Spain is infected by Flamenco, whether pop, R&B, jazz, modern classical music.. Traditional Flamenco itself has evolved in ways that are mind boggling. After visiting regularly for 17 years, I still struggle to find the downbeat of the Buleria! But I’ve come to enjoy the music immensely, and one of the primary reasons for this has been my close friendship with a handful of Spanish musicians, most notably Federico Lechner, Antonio Serrano, and my guest today, Pablo Martín Caminero. After hundreds of hours spent with Pablo touring, recording, eating tapas, and listening with fascination to his perspective on culture, philosophy, and music, my understanding of Spanish music and culture is shaped by our kinship. In Creative Strings Podcast Episode 25 we listen in on Pablo’s compositions plus insightful commentary on: >- Clavé as a mantra >- Fear in classical music >- The academizing of jazz >- Adapting Jazz as “a concept with freedom and improvisation” to Flamenco forms Please take a moment to visit our sponsor Electric Violin Shop, your one-stop shop for electric instruments, amps, gear, accessories, and most of all, expertise. Use code CHOWES at checkout and take 5% off of your order. Call 866-900-8400 to get your questions answered on “all things electric strings.” Clips used in this episode (all by Pablo Martín Caminero): "Calabazas" "Soleá de Gasteiz" "O.N.F.I." "Melanie" "Guadalquivir" End Credits Theme "El Republicanon" "Trianatrón" Check out the blog post here: https://christianhowes.com/2017/11/30/the-intersection-of-classical-jazz-and-flamenco-with-pablo-martin-caminero-creative-strings-podcast-ep-25/ Watch my full conversation with Pablo here: https://youtu.be/WSjPG_BzEMs
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64 פרקים

Artwork
iconשתפו
 
Manage episode 192634535 series 1097838
תוכן מסופק על ידי Christian Howes. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Christian Howes או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
After staying up until 7 a.m. surrounded by Flamenco guitar, dancing, and singing in a room full of people clapping knowingly along to the Bulería, Tango, and Soleá, I was forever changed. It was my first trip to Spain in 2001, and I had just discovered the music world’s best kept secret. Following 20 more trips to Spain, I get to share a bit of that magic with you today in a fully produced audio episode plus an extended video version. (scroll down for both). All the music in Spain is infected by Flamenco, whether pop, R&B, jazz, modern classical music.. Traditional Flamenco itself has evolved in ways that are mind boggling. After visiting regularly for 17 years, I still struggle to find the downbeat of the Buleria! But I’ve come to enjoy the music immensely, and one of the primary reasons for this has been my close friendship with a handful of Spanish musicians, most notably Federico Lechner, Antonio Serrano, and my guest today, Pablo Martín Caminero. After hundreds of hours spent with Pablo touring, recording, eating tapas, and listening with fascination to his perspective on culture, philosophy, and music, my understanding of Spanish music and culture is shaped by our kinship. In Creative Strings Podcast Episode 25 we listen in on Pablo’s compositions plus insightful commentary on: >- Clavé as a mantra >- Fear in classical music >- The academizing of jazz >- Adapting Jazz as “a concept with freedom and improvisation” to Flamenco forms Please take a moment to visit our sponsor Electric Violin Shop, your one-stop shop for electric instruments, amps, gear, accessories, and most of all, expertise. Use code CHOWES at checkout and take 5% off of your order. Call 866-900-8400 to get your questions answered on “all things electric strings.” Clips used in this episode (all by Pablo Martín Caminero): "Calabazas" "Soleá de Gasteiz" "O.N.F.I." "Melanie" "Guadalquivir" End Credits Theme "El Republicanon" "Trianatrón" Check out the blog post here: https://christianhowes.com/2017/11/30/the-intersection-of-classical-jazz-and-flamenco-with-pablo-martin-caminero-creative-strings-podcast-ep-25/ Watch my full conversation with Pablo here: https://youtu.be/WSjPG_BzEMs
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