#182: Are You Using Digital Distortion Wrong in Mastering? With Eric Mitchell

Music Production and Mixing Tips for Beginner Producers and Artists | Inside The Mix

Achieving a polished, professional sound in mastering requires a deep understanding of digital distortion and saturation—but how do you use them effectively without compromising clarity?

In this episode of Inside The Mix, I’m joined by mastering engineer Eric Mitchell to explore the fine balance between intentional and unintentional distortion, the role of saturation in mastering, and essential techniques to refine your sound.

Key Topics Covered:

• The difference between intentional vs. unintentional distortion in mastering
• How saturation enhances warmth and depth in a mix
• Essential techniques for managing loudness and dynamics
• Common pitfalls to avoid when using digital distortion
• The best tools for mastering and distortion
• Transitioning from analog to digital mastering—what you need to know
• Why trusting your ears is crucial in mastering and saturation

Whether you're a seasoned producer or just getting started, this episode will help you unlock the power of mastering while avoiding common mistakes.

Links mentioned in this episode:

• Follow Eric at Eric Mitchell Audio
• Kaptive Audio

Got a question? I’d love to hear from you! Submit a question, share your social media handles or website, and get featured in a future episode. Plus, one lucky question will win a Starbucks voucher each month!

Send me a message

Support the show

Ways to connect with Marc:

Listener Feedback Survey - tell me what YOU want in 2026

Radio-ready mixes start here - get the FREE weekly tips

Book your FREE Music Breakthrough Strategy Call

Follow Marc's Socials:

Instagram | YouTube | Synth Music Mastering

Thanks for listening!!

Try Riverside for FREE

פרקים

1. Managing Digital Distortion in Music (00:00:00)

2. Avoiding Distortion Pitfalls in Mastering (00:13:09)

3. Exploring Tools for Digital Distortion (00:23:58)

4. Analog vs. Digital Mastering Debate (00:30:05)