Anna Akhmatova on the human cost of populism

Poet on Song

“Akhmatova’s song is capable of articulating love with exactitude and an emotional precision that cuts to the core of you. What makes her so powerful a voice is the emotional history she carries. It’s that feeling documented about what tyrannous institutions do to the human soul; what happens to us when that compassionate part of ourselves is in retreat, when our baser instincts are masters of the public scene.”

Musical Selection for this Podcast

• Another man done gone by Odetta
• We praise thee by Pavel Chesnokov interpreted by Dmitri Hvorostovsky with the Saint Petersburg Chamber Choir- Nikolai Korniev, conductor.
• 6 Impromptus, Op. 5 by Jean Sibelius interpretation by Leif Ove Andsnes
• Melody in F Op. 3: No. 1 by Anton Rubinstein, interpretation by Moura Lympany
• Salvation is created Op. 25: No. 5 by Pavel Chesnokov, with The PaTRAM Institute Male Choir; Vladimir Gorbik, conductor
• We hymn thee by Pavel Chesnokov interpreted by The Tenebrae Choir, Nigel Short conductor
• Lied der unruhevollen (Song of turbulent youth) by The Erich-Weinert-Ensemble
• Les Pleurs (Tears) by Monsieur de Sainte-Colombe interpretation by Jordi Savall
• Kogda my byli na voyne (When we were at war) performed by The Sretensky Monastery Choir
• Kinderszenen, Op. 15: No. 7 in F Major by Robert Schumann interpreted by Ivan Moravec
• Joy of the Celestial Forces by The Drevnerussky Rospev Male Choir
• Liturgy of St John Chrysostom Op. 41: VI. Cherubic Hymnby Andrey Zaboronok and The Bolshoi Theater’s Children Choir
• Les yeux noirs ( Dark eyes) by Stenka Razine, Op. 13 interpreted by Philippe Davenet, Martial Murray

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