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תוכן מסופק על ידי PuSh Festival. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי PuSh Festival או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
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Ep. 13 - L’amour telle une cathédrale ensevelie

23:39
 
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Manage episode 407512069 series 3562521
תוכן מסופק על ידי PuSh Festival. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי PuSh Festival או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.

Guy Régis Jr. sits down with Cory Haas, Artistic Director of Théâtre la Seizième, to talk about L’Amour telle une cathédrale ensevelie, which will be presented as part of the PuSh Festival from February 3-4 at the SFU Goldcorp Centre for the Arts.

Co-presented with Théâtre la Seizième and SFU Woodward’s Cultural Programs.

About the Show

With staggering subtlety and lyricism, L’amour telle une cathédrale ensevelie tells the story of exiled Haitian families through opera-theatre. Born into just such a family, author and director Guy Régis Jr uses a chorus to sing of the tumultuous, uprooted nature of migration—the journey and the aftermath—in Creole and French, accompanied by Haitian classical guitarist, Amos Coulanges.

A stunning creation that explores exile and dislocation through a portrait of families over sixty years, told in different forms and across different territories. Each fractal in the larger journey evokes those who live in the aftermath of voyages made or lost; each narrative reflects on the social, political and economic realities of a globalized world.

This is a profound work, poetic and political. An interrogation of migration, human rights, social injustice and discrimination, the play is an ode to all those in search of a promised land.

About NOUS Théâtre

Created in 2001 in Haiti by Guy Régis Jr, NOUS Théâtre began its theatre work in the streets, cemeteries and universities. The approach is to bring theatre to the people. The form is paired down, ritualized, the speech is elevated. The discourse reflects the interrogations and the indignations of the company’s members on the social, political and economic situation in Haiti and the world.

The style ‘nous’ (meaning ‘us’) is about radical research and experimentation of theatrical gesture which shook up the Haitian theatre milieu. In 2009, the association NOUS Théâtre is created in France. It produces the works of Guy Régis Jr in France and internationally and works to develop artistic exchanges and encounters between France and Haiti.

The company produces artistic projects of various forms, from sound installations to performance and theatre creations, that can involve dance and/or music and/or video. The political speech and social engagement of the work, as well as the poetry of the texts, movements, images, sound and music compositions are all constants in the work of Guy Régis Jr. Themes of migration, human rights, social injustice, racism and discrimination of all kinds are very important to the texts and creations of the company.

Show Transcript

A complete transcript of this episode will be available soon.

  continue reading

48 פרקים

Artwork
iconשתפו
 
Manage episode 407512069 series 3562521
תוכן מסופק על ידי PuSh Festival. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי PuSh Festival או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.

Guy Régis Jr. sits down with Cory Haas, Artistic Director of Théâtre la Seizième, to talk about L’Amour telle une cathédrale ensevelie, which will be presented as part of the PuSh Festival from February 3-4 at the SFU Goldcorp Centre for the Arts.

Co-presented with Théâtre la Seizième and SFU Woodward’s Cultural Programs.

About the Show

With staggering subtlety and lyricism, L’amour telle une cathédrale ensevelie tells the story of exiled Haitian families through opera-theatre. Born into just such a family, author and director Guy Régis Jr uses a chorus to sing of the tumultuous, uprooted nature of migration—the journey and the aftermath—in Creole and French, accompanied by Haitian classical guitarist, Amos Coulanges.

A stunning creation that explores exile and dislocation through a portrait of families over sixty years, told in different forms and across different territories. Each fractal in the larger journey evokes those who live in the aftermath of voyages made or lost; each narrative reflects on the social, political and economic realities of a globalized world.

This is a profound work, poetic and political. An interrogation of migration, human rights, social injustice and discrimination, the play is an ode to all those in search of a promised land.

About NOUS Théâtre

Created in 2001 in Haiti by Guy Régis Jr, NOUS Théâtre began its theatre work in the streets, cemeteries and universities. The approach is to bring theatre to the people. The form is paired down, ritualized, the speech is elevated. The discourse reflects the interrogations and the indignations of the company’s members on the social, political and economic situation in Haiti and the world.

The style ‘nous’ (meaning ‘us’) is about radical research and experimentation of theatrical gesture which shook up the Haitian theatre milieu. In 2009, the association NOUS Théâtre is created in France. It produces the works of Guy Régis Jr in France and internationally and works to develop artistic exchanges and encounters between France and Haiti.

The company produces artistic projects of various forms, from sound installations to performance and theatre creations, that can involve dance and/or music and/or video. The political speech and social engagement of the work, as well as the poetry of the texts, movements, images, sound and music compositions are all constants in the work of Guy Régis Jr. Themes of migration, human rights, social injustice, racism and discrimination of all kinds are very important to the texts and creations of the company.

Show Transcript

A complete transcript of this episode will be available soon.

  continue reading

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