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תוכן מסופק על ידי Aaron Christensen. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Aaron Christensen או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
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PETER CUSHING AND THE HAMMER FRANKENSTEINS!!!

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Manage episode 420000887 series 3564901
תוכן מסופק על ידי Aaron Christensen. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Aaron Christensen או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.

THE CURSE OF FRANKENSTEIN (1957) d. Terence Fisher (UK) THE REVENGE OF FRANKENSTEIN (1958) d. Terence Fisher (UK) THE EVIL OF FRANKENSTEIN (1964) d. Freddie Francis (UK) FRANKENSTEIN CREATED WOMAN (1967) d. Terence Fisher (UK) FRANKENSTEIN MUST BE DESTROYED (1969) d. Terence Fisher (UK) FRANKENSTEIN AND THE MONSTER FROM HELL (1974) d. Terence Fisher (UK)

With over 130 film and television credits to his name, there are plenty of options by which fans can celebrate horror icon Peter Cushing’s 111th birthday on May 26. For our part, we’ve elected to showcase the half-dozen features that made Cushing (and his myriad onscreen creations) immortal: Hammer’s Frankenstein series!

It’s impossible to overstate the historical significance of 1957’s The Curse of Frankenstein, a relatively low-budget British horror offering that not only launched Hammer Studios onto the international radar, its success paved the way for a second golden age of Gothic horror cinema, this time with a distinctly English accent and in full, vibrant color. As the titular Baron von F. (who would become the focus – and the “monster” – of the series as opposed to his creation), Cushing displays a fanaticism and wit as sharp as his scalpels, fiercely pursuing his ghoulish goal of creating life from dead tissue.

While co-star Christopher Lee is given fewer opportunities to imbue his resurrected monstrosity with the same sympathetic shadings as Boris Karloff, his portrayal proved memorable enough to secure the title role in Hammer’s Dracula the following year. Terence Fisher, also to become a mainstay at the “studio that dripped blood,” directs with skill and style, and Jimmy Sangster’s screenplay, which by law could not resemble the 1931 Universal classic, demonstrates an economy of setting and characterization within its melodramatic confines.

The enormous financial success of Curse, both at home and abroad, spawned five sequels (which occasionally surpassed the original in quality and depth), as well as a blackly comic, non-Cushing prequel, and inspired countless European and American efforts for years.

Tonight, AC and his awesome panel of fans (Jon Kitley, Aaron AuBuchon, Eli LaChance, Ian Simmons) celebrate the Hammer Frankensteins, a fond look back at a series that still endures five decades after its final installment hit screens in 1974. ---------------------------------------------------------- AARON AUBUCHON is a film professor and writer, and also an editor, director, motion graphics artist and producer. He is also co-host of the Discover the Horror podcast. https://discoverthehorror.com/

JON KITLEY has been running his website, Kitley's Krypt for 25 years. He's a columnist for HorrorHound magazine, a co-host on the Discover the Horror podcast, and attends multiple conventions and all-night horror movie marathons at the drive-in theaters! https://kitleyskrypt.com/

ELI LACHANCE is a horror writer, chemist, and paleontology enthusiast. He is currently starting his last year in UMSL’s MFA in creative writing program. He resides in St. Louis, Missouri with his wife, dog, and two cats, one of which may be the living dead. Some of his writing can be found in Medium Chill and on Channel-31.com. When he’s not writing, he loves walking with his dog, bird watching, and hunting fossils. https://channel-31.com/

IAN SIMMONS runs the Kicking the Seat YouTube channel @KickingtheSeat where he posts movie reviews, interviews, and critics round tables. He is also a member of the Chicago Film Critics Association, and feels conflicted about referring to himself in the third person. https://kickseat.com/ ---------------------------------------------------------

Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!!

  continue reading

38 פרקים

Artwork
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Manage episode 420000887 series 3564901
תוכן מסופק על ידי Aaron Christensen. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Aaron Christensen או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.

THE CURSE OF FRANKENSTEIN (1957) d. Terence Fisher (UK) THE REVENGE OF FRANKENSTEIN (1958) d. Terence Fisher (UK) THE EVIL OF FRANKENSTEIN (1964) d. Freddie Francis (UK) FRANKENSTEIN CREATED WOMAN (1967) d. Terence Fisher (UK) FRANKENSTEIN MUST BE DESTROYED (1969) d. Terence Fisher (UK) FRANKENSTEIN AND THE MONSTER FROM HELL (1974) d. Terence Fisher (UK)

With over 130 film and television credits to his name, there are plenty of options by which fans can celebrate horror icon Peter Cushing’s 111th birthday on May 26. For our part, we’ve elected to showcase the half-dozen features that made Cushing (and his myriad onscreen creations) immortal: Hammer’s Frankenstein series!

It’s impossible to overstate the historical significance of 1957’s The Curse of Frankenstein, a relatively low-budget British horror offering that not only launched Hammer Studios onto the international radar, its success paved the way for a second golden age of Gothic horror cinema, this time with a distinctly English accent and in full, vibrant color. As the titular Baron von F. (who would become the focus – and the “monster” – of the series as opposed to his creation), Cushing displays a fanaticism and wit as sharp as his scalpels, fiercely pursuing his ghoulish goal of creating life from dead tissue.

While co-star Christopher Lee is given fewer opportunities to imbue his resurrected monstrosity with the same sympathetic shadings as Boris Karloff, his portrayal proved memorable enough to secure the title role in Hammer’s Dracula the following year. Terence Fisher, also to become a mainstay at the “studio that dripped blood,” directs with skill and style, and Jimmy Sangster’s screenplay, which by law could not resemble the 1931 Universal classic, demonstrates an economy of setting and characterization within its melodramatic confines.

The enormous financial success of Curse, both at home and abroad, spawned five sequels (which occasionally surpassed the original in quality and depth), as well as a blackly comic, non-Cushing prequel, and inspired countless European and American efforts for years.

Tonight, AC and his awesome panel of fans (Jon Kitley, Aaron AuBuchon, Eli LaChance, Ian Simmons) celebrate the Hammer Frankensteins, a fond look back at a series that still endures five decades after its final installment hit screens in 1974. ---------------------------------------------------------- AARON AUBUCHON is a film professor and writer, and also an editor, director, motion graphics artist and producer. He is also co-host of the Discover the Horror podcast. https://discoverthehorror.com/

JON KITLEY has been running his website, Kitley's Krypt for 25 years. He's a columnist for HorrorHound magazine, a co-host on the Discover the Horror podcast, and attends multiple conventions and all-night horror movie marathons at the drive-in theaters! https://kitleyskrypt.com/

ELI LACHANCE is a horror writer, chemist, and paleontology enthusiast. He is currently starting his last year in UMSL’s MFA in creative writing program. He resides in St. Louis, Missouri with his wife, dog, and two cats, one of which may be the living dead. Some of his writing can be found in Medium Chill and on Channel-31.com. When he’s not writing, he loves walking with his dog, bird watching, and hunting fossils. https://channel-31.com/

IAN SIMMONS runs the Kicking the Seat YouTube channel @KickingtheSeat where he posts movie reviews, interviews, and critics round tables. He is also a member of the Chicago Film Critics Association, and feels conflicted about referring to himself in the third person. https://kickseat.com/ ---------------------------------------------------------

Keep Searching, Keep Exploring, and, most of all, Keep Sharing the Scare!!

  continue reading

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