Irony as Anesthetic in Robert Altman’s “M.A.S.H” (1970) – Part 2

Subtext: Conversations about Classic Books and Films

Wes & Erin continue their discussion the 1970 classic “M.A.S.H,” and whether irony ought always to be our anesthetic, when confronted with traumas that are otherwise unspeakable.

Upcoming Episodes: Rilke, Rebecca (1940), Dickinson.

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