תוכן מסופק על ידי Talkin' Talkin' Animals. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Talkin' Talkin' Animals או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
Player FM - אפליקציית פודקאסט התחל במצב לא מקוון עם האפליקציה Player FM !
The War and Treaty’s Michael and Tanya Trotter grew up in Cleveland, Ohio, and Washington, DC, respectively, but both have family roots in the South. They also grew up in the musical traditions of their churches – Tanya in the Black Baptist Church and Michael in the Seventh Day Adventist Church – where they learned the power of song to move people. After becoming a father at a very young age, Michael eventually joined the armed forces and served in Iraq and Germany, where he took up songwriting as a way of dealing with his experiences there. Meanwhile Tanya embarked on a singing and acting career after a breakthrough appearance in Sister Act 2 alongside Whoopi Goldberg and Lauryn Hill. Now, after a long and sometimes traumatic journey, Michael and Tanya are married, touring, winning all sorts of awards, and set to release their fifth album together, and their fourth as The War and Treaty. Sid talks to Michael and Tanya about the new record, Plus One , as well as their collaboration with Miranda Lambert, what it was like to record at FAME studios in Muscle Shoals, and how they’re blending country, soul, gospel, and R&B. Learn more about your ad choices. Visit podcastchoices.com/adchoices…
תוכן מסופק על ידי Talkin' Talkin' Animals. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Talkin' Talkin' Animals או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
If there’s one thing the world assuredly needs more of, it’s another podcast hosted by three middle-aged white guys who think they’re hilarious (of course in THIS case they obviously are). But what the world explicitly needs exactly ONE of is a podcast focused on discussing the lost and forbidden art of talking animal movies. So as a much-needed service to the world, even if the world didn’t ask for it, this is that podcast. You’re welcome. But, what makes a movie a “talking animal movie?” you probably weren’t wondering to yourself before, but are now. Good question! Quite simply, any full-length feature film (made-for-TV or released in theaters) where an animal can communicate with humans, or amongst other animals, in a language understood by humans. But here’s the catch; the animal(s) must be live-action - no animation or computer-generated imagery (CGI) - and the animal must be either the star or have a heavily featured supporting role. Prior to the turn of the 21st Century, talking animal movies were a staple of American cinema. Some became major financial successes (i.e. “Babe”) while many others desperately tried to cash in on the franchise potential and failed miserably. It should be noted that while these types of movies were once a popular genre, in order to manipulate or train the animal to perform or appear as though talking, the means to do so were often quite cruel. As such, and appropriately so, animal rights activists cracked down on animal cruelty in Hollywood, and were able to reach more minds with the advent of the internet. So, couple this with advancements in CGI (allowing productions to avoid the fickle unpredictability of live animals on set) and you get the precipitous drop in true live-action talking animal movies around the late 90’s… with the notable exception of Dean Cain’s infamous franchise involving animals “saving” various holidays/seasons. To be fair, this franchise actually spawned the idea for Talkin’ Talkin’ Animals, which is largely an excuse for us to get together, wax nonsensically, and drink copious amounts of brown liquor. So for this (and only this), Dean Cain, we thank you. But we also mercilessly critique the cinematic value of the individual films themselves while calling attention to Hollywood’s past practices of animal cruelty so as to help prevent them in the future… as well as calling attention to and hopefully preventing the unnecessary cruelty of Hollywood subjecting audiences to Dean Cain’s aforementioned franchise. The voices you hear are that of: Dr. Andrew Dewald, buffet intellectual and collector, holds a bachelor’s degree in experimental biology, advanced degrees in cognitive science, and is the psychology department chair for a local university. Garrett Hols, an eidetic mind for useless pop-culture trivia, holds bachelors degrees in areas unrelated to the podcast, but has improvisational theatre training, and a decade of live theatre experience. Kevin Keaveney, equal parts pop-culture elitist and enthusiast, holds a bachelor’s degree in film and theatre, once set the Guinness World Record for most consecutive hours of TV watched, and is the founder of the non-profit theater, Kailua Onstage Arts. Kevin’s daughter, Sage, periodically drops in to add a modern ten-year-old’s perspective on these films, most of which were made for children, but are being discussed on a podcast that decidedly is not.All three men own cats of various ages and weights, none of which can talk. Not heard (if we can help it) is our sound engineer, bird owner (possible talkers) and overall class-act of a human being, Phill Foster; and our patient, brilliant, and truly lovely producer/manager/enabler, Ahnya Chang, who owns three loveable mutts. We hope you take delight in listening to our inane, sometimes impressive, oftentimes offensive, and always good-natured ramblings as much as we take delight in providing them as we explore, together, the lost artistic universe of talking animal movies.
תוכן מסופק על ידי Talkin' Talkin' Animals. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Talkin' Talkin' Animals או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
If there’s one thing the world assuredly needs more of, it’s another podcast hosted by three middle-aged white guys who think they’re hilarious (of course in THIS case they obviously are). But what the world explicitly needs exactly ONE of is a podcast focused on discussing the lost and forbidden art of talking animal movies. So as a much-needed service to the world, even if the world didn’t ask for it, this is that podcast. You’re welcome. But, what makes a movie a “talking animal movie?” you probably weren’t wondering to yourself before, but are now. Good question! Quite simply, any full-length feature film (made-for-TV or released in theaters) where an animal can communicate with humans, or amongst other animals, in a language understood by humans. But here’s the catch; the animal(s) must be live-action - no animation or computer-generated imagery (CGI) - and the animal must be either the star or have a heavily featured supporting role. Prior to the turn of the 21st Century, talking animal movies were a staple of American cinema. Some became major financial successes (i.e. “Babe”) while many others desperately tried to cash in on the franchise potential and failed miserably. It should be noted that while these types of movies were once a popular genre, in order to manipulate or train the animal to perform or appear as though talking, the means to do so were often quite cruel. As such, and appropriately so, animal rights activists cracked down on animal cruelty in Hollywood, and were able to reach more minds with the advent of the internet. So, couple this with advancements in CGI (allowing productions to avoid the fickle unpredictability of live animals on set) and you get the precipitous drop in true live-action talking animal movies around the late 90’s… with the notable exception of Dean Cain’s infamous franchise involving animals “saving” various holidays/seasons. To be fair, this franchise actually spawned the idea for Talkin’ Talkin’ Animals, which is largely an excuse for us to get together, wax nonsensically, and drink copious amounts of brown liquor. So for this (and only this), Dean Cain, we thank you. But we also mercilessly critique the cinematic value of the individual films themselves while calling attention to Hollywood’s past practices of animal cruelty so as to help prevent them in the future… as well as calling attention to and hopefully preventing the unnecessary cruelty of Hollywood subjecting audiences to Dean Cain’s aforementioned franchise. The voices you hear are that of: Dr. Andrew Dewald, buffet intellectual and collector, holds a bachelor’s degree in experimental biology, advanced degrees in cognitive science, and is the psychology department chair for a local university. Garrett Hols, an eidetic mind for useless pop-culture trivia, holds bachelors degrees in areas unrelated to the podcast, but has improvisational theatre training, and a decade of live theatre experience. Kevin Keaveney, equal parts pop-culture elitist and enthusiast, holds a bachelor’s degree in film and theatre, once set the Guinness World Record for most consecutive hours of TV watched, and is the founder of the non-profit theater, Kailua Onstage Arts. Kevin’s daughter, Sage, periodically drops in to add a modern ten-year-old’s perspective on these films, most of which were made for children, but are being discussed on a podcast that decidedly is not.All three men own cats of various ages and weights, none of which can talk. Not heard (if we can help it) is our sound engineer, bird owner (possible talkers) and overall class-act of a human being, Phill Foster; and our patient, brilliant, and truly lovely producer/manager/enabler, Ahnya Chang, who owns three loveable mutts. We hope you take delight in listening to our inane, sometimes impressive, oftentimes offensive, and always good-natured ramblings as much as we take delight in providing them as we explore, together, the lost artistic universe of talking animal movies.
Babe (1995) For our season finale, we go from the garbage fire of The Dog Who Saved Easter to one of the most beautiful movies ever made. A simple movie about a pig trying to find his place in the world; about breaking stereotypes, and forging relationships; about eschewing the expectations placed upon you by the world, extolling the virtues of kindness and respect. A movie that needs no plot summary as it is the paragon of talking animal movies. This time, we at Talkin' Talkin' Animals are legitimately pleased to present to you, our review and discussion of the 1995 classic: Babe. Within this episode, such topics are discussed as: The sheer beauty of this movie How Garrett's going to hell James Cromwell's almost unbelievably badass life The surprisingly interwoven industries of New Zealand talent and voice actors Discrimination, dehumanization, and the concept of "otherness" as applied to animals Andy's Corner of commenting on the main (animal) character's phallus Kevins' daughters' questionable system of determining cinematic value Garrett does 6 degrees of separation linking disparate actors through Babe The gang plays several rounds of fuck-marry-kill with the animals from Babe and the rest of the talking animals this season…
The Dog Who Saved Easter (2014) A family drops off their yellow lab (Zeus) to be pet-sat while they are on vacation. A rival pet-sitting company sets out to sabotage the new competition by hiring bumbling criminals to sabotage... ... you know what? Fuck it. This movie was beyond trash. Dean Cain is trash. We watched this trash so that you don't have to. If you're an inattentive suburban parent in need of distracting your brats with soft, mindless, low-budget entertainment for 1 hour and 27 minutes - boy, do we have the movie for you. All others should just listen to this episode and count your blessings we intercepted this trash first. Within this episode, we at Talkin' Talkin' Animals: Mercilessly and justifiably rip on Dean Cain for 40 minutes. That's pretty much it. * STILL not sponsored by Ola Hard Seltzer…
Francis aka: Francis The Talking Mule (1950) A banker recalls his experience as a hapless 2nd Lieutenant in Burma during WW2 when his career had vaulted (and his sanity was questioned) by receiving valuable military intelligence from an incredibly condescending and racist talking mule. Within this episode, contention develops in the ranks as the hosts vehemently disagree on the rank of Francis The Talking Mule among this season's line-up thus far, and powerful themes are discussed such as: Anti-Japanese racism and the temporal context of ethnic slurs in cinema Acknowledgement and treatment of PTSD by the military (or historically the lack thereof) Commentary on the oftentimes ridiculous nature of bureaucratic advancement A shockingly graphic wartime massacre for a comedy movie How racist talking mules fit into the shifting political demography of America Mule dicks in cinema (or historically the lack thereof) * Still not sponsored by Ola Hard Seltzer…
A genteel symposium on the 1978 Disney movie, The Cat from Outer Space , in which the felines may have been dangerously sedated, and our three podcast heroes might be as well. Topics of discussion: The relative merits of the commanding officers of M*A*S*H Issues of consent between talking and non-talking animals The world's longest, most uneventful aerial chase Lax security at our nation's military bases How Disney indoctrinated our children into a life of gambling Where's our Mr. Olympus spin-off movie?! The boys (mostly Kevin) get very thirsty for a cat named Jake…
Hot to Trot (1988) PG 1988 ‧ Comedy [1] 1h 28m [2] High-concept heaven: Bobcat Goldthwait screaming at a talking horse. Feral underachiever Fred Chaney (Bobcat Goldthwait) inherits a TALKING horse named Don (John Candy) who can pick winning stocks. Coincidentally, Fred also inherits a stock brokerage firm from his dead mother. Burgess Meredith does the voice of TALKING horsefly. Winner of five Razzie Awards including Worst Picture, Worst Actor, Worst Director, Worst Screenplay and Worst New Star (Don the horse). [1] Parts of it [2] Felt longer…
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