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19.24: An Interview on Worldbuilding with Arkady Martine
Manage episode 423852455 series 3541959
תוכן מסופק על ידי Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler, Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler, Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
We've spent the last month talking about "A Memory Called Empire, and now, we are so excited to welcome the author, Arkady Martine, to the show! On today's episode, we talk with Arkady about the origins of her novel, and dive into how she navigated the dense and intricate world-building. Arkady gives us advice on what not to do, where to look for your first ideas, and what her writing process looks like.
Thing of the Week:
“The Shamshine Blind” By Paz Pardo
Homework:
Using the character and the story you are currently working on, look at the nearest building you can see out your window, and describe it from their point of view. What does that say about the world that you are in and the world that they are in?
Close Reading Series: Texts & Timeline
Next up is Character! Starting July 7, we’ll be diving into three short stories by C.L. Clark. These are all available for free through Uncanny Magazine.
Character: “You Perfect, Broken Thing,” “The Cook,” and “Your Eyes, My Beacon: Being an Account of Several Misadventures and How I Found My Way Home” by CL Clark (starting July 7)
And a sneak peak on the rest of the year…
Tension: Ring Shout by P. Djèlí Clark (starting September 1)
Structure: The Fifth Season by N.K. Jemisin (starting October 13)
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Credits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.
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