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The Real Heartbeat of D.C. Isn’t Politics. It’s Go-Go Music.

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Manage episode 457189867 series 3581487
תוכן מסופק על ידי WNYC Studios. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי WNYC Studios או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.

The drumbeat of Washington, D.C. and the surrounding area is not politics. It’s go-go music.

The genre developed by Chuck Brown in 1976 features syncopated rhythms, a large ensemble of musicians and a rich drum beat to create a live experience that has fans dancing ’till they can't dance no more. Go-go has been nurtured by D.C. natives for decades, from the time the District was considered a majority Black “Chocolate City,” and the music has significantly influenced the broader region into Maryland and Virginia, known as the DMV. Its influence can be seen from fashion to food to lingo, especially among Black residents of the region.

Go-go became the official music of Washington, D.C. in 2020, and in early 2025 the Go-Go Museum and Café will open in the southeast neighborhood of Anacostia — the cultural heart of Chocolate City. However, it wasn’t an easy road for go-go to become widely celebrated in the District. Its evolution mirrors the trials and transformations of a rapidly changing D.C. and the feeling of many Black people who have found it harder and harder to call Washington home.

In this episode, host Kai Wright hands the mic to producer Siona Peterous, who grew up in the DMV and has spent much of her adult life immersed in D.C.'s vibrant arts and culture scene. With a deep love for go-go, Peterous sits down to learn more about it from the co-founders of the Go-Go Museum and Café, Ronald Moten and Dr. Natalie Hopkinson. She also talks with Chris Proctor, lead talker of the Take Over Band (T.O.B.), which will celebrate 20 years in the go-go scene this Christmas Day.

This episode serves as a primer to the complex and rich history of go-go, taking listeners on a journey to explore how the genre was born, how it became a cultural touchstone during some of D.C.'s darker times, and breaking down the elements that make go-go so unique. Whether you’re new to the sound or already a fan, this episode will help you better understand what makes go-go such a powerful, enduring force in the city’s identity.

After you listen to the show, check out our playlist of go-go essentials here.

Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.

Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

  continue reading

423 פרקים

Artwork
iconשתפו
 
Manage episode 457189867 series 3581487
תוכן מסופק על ידי WNYC Studios. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי WNYC Studios או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.

The drumbeat of Washington, D.C. and the surrounding area is not politics. It’s go-go music.

The genre developed by Chuck Brown in 1976 features syncopated rhythms, a large ensemble of musicians and a rich drum beat to create a live experience that has fans dancing ’till they can't dance no more. Go-go has been nurtured by D.C. natives for decades, from the time the District was considered a majority Black “Chocolate City,” and the music has significantly influenced the broader region into Maryland and Virginia, known as the DMV. Its influence can be seen from fashion to food to lingo, especially among Black residents of the region.

Go-go became the official music of Washington, D.C. in 2020, and in early 2025 the Go-Go Museum and Café will open in the southeast neighborhood of Anacostia — the cultural heart of Chocolate City. However, it wasn’t an easy road for go-go to become widely celebrated in the District. Its evolution mirrors the trials and transformations of a rapidly changing D.C. and the feeling of many Black people who have found it harder and harder to call Washington home.

In this episode, host Kai Wright hands the mic to producer Siona Peterous, who grew up in the DMV and has spent much of her adult life immersed in D.C.'s vibrant arts and culture scene. With a deep love for go-go, Peterous sits down to learn more about it from the co-founders of the Go-Go Museum and Café, Ronald Moten and Dr. Natalie Hopkinson. She also talks with Chris Proctor, lead talker of the Take Over Band (T.O.B.), which will celebrate 20 years in the go-go scene this Christmas Day.

This episode serves as a primer to the complex and rich history of go-go, taking listeners on a journey to explore how the genre was born, how it became a cultural touchstone during some of D.C.'s darker times, and breaking down the elements that make go-go so unique. Whether you’re new to the sound or already a fan, this episode will help you better understand what makes go-go such a powerful, enduring force in the city’s identity.

After you listen to the show, check out our playlist of go-go essentials here.

Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.

Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

  continue reading

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