Psychedelic Regrets in “Rime of the Ancient Mariner” (Part 6)

Subtext: Conversations about Classic Books and Films

Subtext: Conversations about Classic Books and Films

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תוכן מסופק על ידי Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.

Mind The Business: Small Business Success Stories

1
Integrating AI Efficiency + Human Connection to Better Your Business 31:08

לפני 13 ימים31:08

הפעל מאוחר יותר

רשימות

לייק

אהבתי

31:08

AI isn't about replacement – it's about enhancement. Austin and Jannese travel to Tampa, Florida to meet Alexa Kritis Mancuso , founder of Alexa Kritis Events , who reveals how she masterfully blends artificial intelligence with the personal connection essential to event planning. Discover how Alexa shares how she leverages AI platforms to handle routine tasks as well as showing clients how she can bring their creative visions to life. Like QuickBooks, there’s a perfect combination of AI-driven processes and human expertise that can help free up your time to make more money and focus on the things that matter. Whether you're AI-curious or AI-cautious, Alexa explains how to harness this technology to boost your bottom line while creating deeper connections with your customers. Learn more about how QuickBooks can help you grow your business: QuickBooks.com See omnystudio.com/listener for privacy information.…

MP3•בית הפרקים

Wes & Erin continue their discussion of “Rime of the Ancient Mariner.”

Thanks to our sponsor for this episode, HelloFresh. Go to HelloFresh.com/subtextapps for free appetizers for life.

For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.

This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.

Email advertising@airwavemedia.com to enquire about advertising on the podcast.

Follow: Twitter | Facebook | Website

127 פרקים

#Arts #Wes Alwan and Erin O'Luanaigh #Erin O'Luanaigh #Wes Alwan #Books #Storytelling #Books and Writing #Cinema #Entertainment #Post Script

Subtext: Conversations about Classic Books and Films

Psychedelic Regrets in “Rime of the Ancient Mariner” (Part 6)

Subtext: Conversations about Classic Books and Films

145 subscribers

published לפני שנה

שתפו

MP3•בית הפרקים

Wes & Erin continue their discussion of “Rime of the Ancient Mariner.”

Thanks to our sponsor for this episode, HelloFresh. Go to HelloFresh.com/subtextapps for free appetizers for life.

For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.

This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.

Email advertising@airwavemedia.com to enquire about advertising on the podcast.

Follow: Twitter | Facebook | Website

127 פרקים

#Arts #Wes Alwan and Erin O'Luanaigh #Erin O'Luanaigh #Wes Alwan #Books #Storytelling #Books and Writing #Cinema #Entertainment #Post Script

כל הפרקים

Subtext: Conversations about Classic Books and Films

1
“Where the Meanings Are” – Four Poems by Emily Dickinson 52:34

לפני יומיים52:34

52:34

If only because of its seeming incongruity with a brain “wider than the sky,” the central fact of Emily Dickinson’s life has become her seclusion. As she wrote to Thomas Wentworth Higginson in 1869, “I do not cross my Father’s ground to any House or town.” Like the relatively modest dimensions of her poems, this self-imposed constraint—of the property line within Amherst, Massachusetts, then the Dickinson home itself, then her bedroom—proved no barrier to a cosmic poetic imagination which “went out upon circumference,” and to which no subject, tone, or emotion was foreign. Erin & Wes discuss four of Dickinson’s best-loved poems, whose little rooms contain some of the definitive poetic statements on grief, pain, violence, death, reason, identity, and encounters with the divine: numbers 340, 372, 320, and 477. Upcoming Episodes : Rosemary’s Baby. For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
The Weight of Memory in Hitchcock’s “Rebecca” (1940) – Part 2 38:25

לפני 9 ימים38:25

38:25

Alfred Hitchcock’s first American film—part love story, part ghost story, part courtroom melodrama—centers on a poor, timid young woman who falls in love with wealthy aristocrat Maxim de Winter, a widower tortured over the death of his first wife. When the young woman becomes the second Mrs. De Winter and moves into Maxim’s estate, she finds her predecessor’s initials stamped all over the house, and its staff in thrall to her beautiful, vibrant memory. But at the heart of the first Mrs. De Winter’s legacy lies a rot, and just what that rot represents in the film—be it the oppressions of vitality and ambition, the wages of class mobility, the unruly desires of sexuality, or the latent evidence of civilizational decline—is our subject today. Wes & Erin discuss the 1940 Best Picture winner “Rebecca,” starring Joan Fontaine and Laurence Olivier. Upcoming Episodes : Emily Dickinson, Rosemary’s Baby. For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
The Weight of Memory in Hitchcock’s “Rebecca” (1940) 43:52

לפני 15 ימים43:52

43:52

Subtext: Conversations about Classic Books and Films

1
Possibility and Loss in the Poetry of Rainer Maria Rilke (Part 2) 39:05

לפני 6 weeks39:05

39:05

Wes & Erin continue their discussion of Rainer Maria Rilke’s “You Who Never Arrived” and “Be Ahead of All Parting” (II.13 from his “Sonnets to Orpheus”), and whether—as Rilke suggests—death can be put in service of life, and suffering sourced as the principal wellspring of a joyful existence. Upcoming Episodes : Rebecca (1940), Dickinson. For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
Possibility and Loss in the Poetry of Rainer Maria Rilke 46:01

לפני 7 weeks46:01

46:01

In his poem “You Who Never Arrived,” Rainer Maria Rilke suggests that we can mourn love as an unrealized possibility, and see this loss signified everywhere in the ordinary objects of the external world. In “Be Ahead of All Parting” (II.13 from his “Sonnets to Orpheus”), he seems to claim that poetry has the capacity to redeem such losses—and retrieve them, so to speak, from their underworld. Wes & Erin discuss these two classics, and whether—as Rilke suggests—death can be put in service of life, and suffering sourced as the principal wellspring of a joyful existence. Upcoming Episodes : Rebecca (1940), Dickinson. For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
Irony as Anesthetic in Robert Altman’s “M.A.S.H” (1970) – Part 2 47:53

לפני 8 weeks47:53

47:53

Wes & Erin continue their discussion the 1970 classic “M.A.S.H,” and whether irony ought always to be our anesthetic, when confronted with traumas that are otherwise unspeakable. Upcoming Episodes : Rilke, Rebecca (1940), Dickinson. For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
Irony as Anesthetic in Robert Altman’s “M.A.S.H” (1970) 45:37

לפני 9 weeks45:37

45:37

It begins with the “stupidest song ever written,” as Robert Altman called it, and ends with a self-referential jab at the very idea of finding comic relief in the tragedy of war. But it is equally unserious, the film “M.A.S.H” seem to suggest, to take seriously the authority of war-making institutions, and their pretense to putting violence in service of an ideal. And so morality succumbs to mockery, love to hedonism, and military rank to the form of authority immanent in the power to save lives. Yet suicide is not in fact painless, if it means robbing others of our presence, or ridding ourselves of the capacities for grief and earnestness. Wes & Erin discuss the 1970 classic “M.A.S.H,” and whether irony ought always to be our anesthetic, when confronted with traumas that are otherwise unspeakable. Upcoming Episodes : Rilke, Rebecca (1940), Dickinson. For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
Aesthetic Humility in Marianne Moore’s “The Jerboa” (Part 2) 50:11

לפני 10 weeks50:11

50:11

Wes & Erin continue their discussion of Marianne Moore’s poem, “The Jerboa,” first published in 1932, and whether power and wealth might paradoxically prove less abundant than the strictures of form and necessity. Upcoming Episodes : M*A*S*H, Rilke, Dickinson. For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
Aesthetic Humility in Marianne Moore’s “The Jerboa” 44:14

לפני 11 weeks44:14

44:14

Of all the great American Modernists, the poetry of Marianne Moore is perhaps the most idiosyncratic, even the most radical, of them all—no small feat in a group of friends and admirers that included Ezra Pound, T. S. Eliot, Wallace Stevens, William Carlos Williams, e. e. cummings, and HD. Moore’s preferred form was a syllabic stanza bespoke to each poetic occasion, like the unique shell of each individual snail or paper nautilus, and often containing rhyme. In these stanzas, Moore hid behind her virtuosic performance of deflection and difficulty and, of course, revealed herself in it, much as one of her pet-subjects, the exotic animal-portrait, contained a self-portrait at its heart. In her poem on the jerboa, Moore contrasts the desert mouse’s decorousness with the decadence of empire, and in so doing, distinguishes her ideal of true artistry—a vigorous, humble, and ultimately liberated response to one’s natural and formal limitations—with a false art which oppresses the natural in service of the powerful. Wes & Erin discuss Marianne Moore’s poem, “The Jerboa,” first published in 1932, and whether power and wealth might paradoxically prove less abundant than the strictures of form and necessity. Upcoming Episodes : M*A*S*H, Rilke, Dickinson. For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
Word and Image in “Sunset Boulevard” (1950) – Part 2 35:41

לפני 12 weeks35:41

35:41

What can the contrast between silent and talking pictures teach us about the nature of film itself? And how might it reflect the age-old rivalries between word and image, movement and stasis, the living and the dead? Wes & Erin continue their discussion of Billy Wilder’s 1950 masterpiece, “Sunset Boulevard.” Upcoming Episodes : Marianne Moore’s “Jerboa,” M*A*S*H. For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
Word and Image in “Sunset Boulevard” (1950) 41:17

לפני 13 weeks41:17

41:17

When the film starts, its two leads are already dead, more or less. Silent Screen legend Norma Desmond’s career is dead, and because she’s nothing more than her career, the best she can do is linger in the tomb of her former glory, hoping for a resurrection. And failed screenwriter Joe Gillis quite literally enters the film as a corpse, so, as the film’s narrator, he has no choice but to tell his story in flashback. Thus, it’s safe to say that both Norma and Joe are, well, fatally disadvantaged in the realization of their respective dreams. And yet, both achieve a kind of post-mortem success—Norma as the star of one last film, and Joe as the writer of one last, great, highly-personal tale. (In an expression of what might be the screenwriter’s secret fantasy, he even gets to star in it, to boot.) How is such life after death possible? Arguably only through the magic of celluloid, a medium ghoulishly capable of preserving humans precisely as they are—which all too soon becomes as they were. What can the contrast between silent and talking pictures teach us about the nature of film itself? And how might it reflect the age-old rivalries between word and image, movement and stasis, the living and the dead? Wes & Erin discuss Billy Wilder’s 1950 masterpiece, “Sunset Boulevard.” Upcoming Episodes : Marianne Moore’s “Jerboa,” M*A*S*H. For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
The Sublime Mundane in Conrad Aiken’s “Morning Song of Senlin” (Part 2) 47:39

לפני 14 weeks47:39

47:39

Wes & Erin continue their discussion of Aiken’s “Morning Song of Senlin,” and whether humanity’s religious impulses can be fully compensated with an aesthetic or ironic relation to nature and cosmic scale. Thanks to our sponsor GiveWell, an organization that would provide rigorous, transparent research about the best opportunities for charitable giving. If you’ve never used GiveWell to donate, you can have your donation matched up to $100 before the end of the year, or as long as matching funds last. To claim your match, go to GiveWell.org , pick “Podcast,” and enter “SUBTEXT Literature and Film Podcast” at checkout. Upcoming Episodes : Conrad Aiken’s “Morning Song of Senlin,” “Sunset Boulevard,” Marianne Moore’s “Jerboa.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
The Sublime Mundane in Conrad Aiken’s “Morning Song of Senlin” 47:51

לפני 15 weeks47:51

47:51

Where the repetitions of ordinary life threaten to overwhelm any sense of the sublime, the poet Conrad Aiken seems to suggest that they can be transformed into a way of being connected to it. The mundane order is, after all, just a part of the cosmic. When we get ready to go to work, it is on a “swiftly tilting planet” that “bathes in a flame of space.” The sun is “far off in a shell of silence,” but its light decorates the walls of our homes. We might wonder, in light of modernity’s crisis of faith, if the sublime is meant to replace the divine, and if so whether what Aiken calls “humble offerings” to a “cloud of silence” are enough. Wes & Erin discuss Aiken’s “Morning Song of Senlin,” and whether humanity’s religious impulses can be fully compensated with an aesthetic or ironic relation to nature and cosmic scale. Thanks to our sponsor GiveWell, an organization that would provide rigorous, transparent research about the best opportunities for charitable giving. If you’ve never used GiveWell to donate, you can have your donation matched up to $100 before the end of the year, or as long as matching funds last. To claim your match, go to GiveWell.org , pick “Podcast,” and enter “SUBTEXT Literature and Film Podcast” at checkout. Upcoming Episodes : Conrad Aiken’s “Morning Song of Senlin,” “Sunset Boulevard,” Marianne Moore’s “Jerboa.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
The Aesthetics of Death in “Beetlejuice” (1988) (Part 2) 46:29

לפני 16 weeks46:29

46:29

Wes and Erin continue their discussion of “Beetlejuice,” and what its battle royale between conflicting aesthetic sensibilities—rustic, gothic, and avant-garde—has to say about the connections between love, mortality, and the many pitfalls of growing up. Thanks to our sponsor GiveWell, an organization that would provide rigorous, transparent research about the best opportunities for charitable giving. If you’ve never used GiveWell to donate, you can have your donation matched up to $100 before the end of the year, or as long as matching funds last. To claim your match, go to GiveWell.org , pick “Podcast,” and enter “SUBTEXT Literature and Film Podcast” at checkout. Upcoming Episodes : Conrad Aiken’s “Morning Song of Senlin,” “Sunset Boulevard,” Marianne Moore’s “Jerboa.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

Subtext: Conversations about Classic Books and Films

1
The Aesthetics of Death in “Beetlejuice” (1988) 43:29

לפני 17 weeks43:29

43:29

Adam and Barbara Maitland are dead, but their troubles have just begun. The farmhouse decor of their home is under threat from the pretentious modernism of Delia Deetze, and her plan to remake it in her own image could turn their post-life purgatory into earthbound hell. Solving this problem leaves them with an impossible choice between figuring out how to navigate an intractable netherworld bureaucracy, or seeking the help of a renegade demon whose perverse remedies are worse than what they’re supposed to cure. Their way out of this impasse involves teaming up with Delia’s step-daughter Lydia, whose goth style seems to lend itself to communicating with the dead. Wes and Erin discuss “Beetlejuice,” and what its battle royale between conflicting aesthetic sensibilities—rustic, gothic, and avant-garde—has to say about the connections between love, mortality, and the many pitfalls of growing up. Thanks to our sponsor GiveWell, an organization that would provide rigorous, transparent research about the best opportunities for charitable giving. If you’ve never used GiveWell to donate, you can have your donation matched up to $100 before the end of the year, or as long as matching funds last. To claim your match, go to GiveWell.org , pick “Podcast,” and enter “SUBTEXT Literature and Film Podcast” at checkout. Upcoming Episodes : Conrad Aiken’s “Morning Song of Senlin,” “Sunset Boulevard,” Marianne Moore’s “Jerboa.” For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes. This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science . Email advertising@airwavemedia.com to enquire about advertising on the podcast. Follow: Twitter | Facebook | Website…

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