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CSO Program Notes: An American Suite

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Manage episode 485319834 series 13711
תוכן מסופק על ידי Chicago Symphony Orchestra Association. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Chicago Symphony Orchestra Association או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
Dvořák’s radiant salute to the New World kicks off an American road trip with James Gaffigan at the wheel. Take in poignant selections from Gershwin’s landmark opera — sung by Janai Brugger — and the composer’s urbane and nostalgic love letter to Paris. Chicago native Florence Price sets two American poems to song, and a pair of symphonic showstoppers by Bernstein transports audiences to “New York, New York” and beyond. Learn more: cso.org/performances/24-25/cso-classical/an-american-suite
  continue reading

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CSO Program Notes: An American Suite

CSO Audio Program Notes

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Manage episode 485319834 series 13711
תוכן מסופק על ידי Chicago Symphony Orchestra Association. כל תוכן הפודקאסטים כולל פרקים, גרפיקה ותיאורי פודקאסטים מועלים ומסופקים ישירות על ידי Chicago Symphony Orchestra Association או שותף פלטפורמת הפודקאסט שלהם. אם אתה מאמין שמישהו משתמש ביצירה שלך המוגנת בזכויות יוצרים ללא רשותך, אתה יכול לעקוב אחר התהליך המתואר כאן https://he.player.fm/legal.
Dvořák’s radiant salute to the New World kicks off an American road trip with James Gaffigan at the wheel. Take in poignant selections from Gershwin’s landmark opera — sung by Janai Brugger — and the composer’s urbane and nostalgic love letter to Paris. Chicago native Florence Price sets two American poems to song, and a pair of symphonic showstoppers by Bernstein transports audiences to “New York, New York” and beyond. Learn more: cso.org/performances/24-25/cso-classical/an-american-suite
  continue reading

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Verdi’s Requiem Mass, in its fervent quest for eternal rest, stands as a powerful demonstration of the composer’s ability to harness the human voice. Hailed by NPR as “simply magnificent” for their two-time Grammy Award-winning CSO Resound recording of this work, Riccardo Muti and the Chicago Symphony Orchestra and Chorus are joined by a thrilling quartet of international singers to once again deliver a masterful blend of passion and precision. Please note: This program replaces Berlioz’s The Damnation of Faust. Learn more: cso.org/performances/24-25/cso-classical/muti-verdi-requiem…
 
Esteban Batallán, the CSO’s principal trumpet since 2019, makes his much-anticipated debut as a soloist with the Orchestra in a pair of brilliant, high-flying concertos. Riccardo Muti frames the program with Joseph Haydn’s tempestuous Symphony No. 48 and Schubert’s Haydn-inspired Tragic Symphony. Learn more: cso.org/performances/24-25/cso-classical/muti-and-esteban-batallan…
 
In Randall Goosby, the pioneering American composer Florence Price “has her ideal champion,” writes The Guardian, “his playing full of old-school warmth and breadth but never schmaltzy.” Price’s beguiling violin concerto shares a program with Prokofiev’s enchanting Seventh Symphony, composed for a children’s radio broadcast. The suite from Die Meistersinger von Nürnberg gathers stirring moments from Wagner’s opera. Learn more: cso.org/performances/24-25/cso-classical/elder-goosby-and-price…
 
Dvořák’s radiant salute to the New World kicks off an American road trip with James Gaffigan at the wheel. Take in poignant selections from Gershwin’s landmark opera — sung by Janai Brugger — and the composer’s urbane and nostalgic love letter to Paris. Chicago native Florence Price sets two American poems to song, and a pair of symphonic showstoppers by Bernstein transports audiences to “New York, New York” and beyond. Learn more: cso.org/performances/24-25/cso-classical/an-american-suite…
 
The CSO brings the soaring emotional peaks and valleys of Mahler’s Sixth Symphony to Chicago audiences before performing it on Amsterdam’s Concertgebouw stage. The “hammer blows of fate” in the finale seem to foreshadow the tragedies in Mahler’s life, including his own fatal illness. But the symphony brims with life’s pleasures, too, from memories of mountain pastures (listen for the cowbells) to a rapturous portrait of the composer’s wife, Alma. Learn more: cso.org/performances/24-25/cso-classical/mahler-6-with-jaap-van-zweden…
 
CSO Artist-in-Residence Daniil Trifonov, “without question the most astounding pianist of our age” (The Times of London), takes on Brahms’ Second Piano Concerto, as remarkable for its rich orchestral writing as for its simultaneously glittering and muscular piano part. Dvořák’s turbulent Seventh Symphony is both an expression of the composer’s personal crises and a lyrical tribute to the Czech spirit. Learn more: cso.org/performances/24-25/cso-classical/makela-and-trifonov…
 
In his Third Symphony, Mahler portrays the whole of earthly existence. Its six movements — written for a massive orchestra, two choruses and a contralto soloist — explore humanity’s relationship with nature using fanfares, marches, folk dances and bird calls. Children’s voices portray angels while the sixth movement is a pantheistic love song to all of creation. Learn more: cso.org/performances/24-25/cso-classical/makela-conducts-mahler-3…
 
Dancers from Chicago’s world-renowned Joffrey Ballet join the CSO with newly commissioned choreographies. Symphonies by Haydn and the Chevalier de Saint-Georges abound in witty and joyful melodies while two 20th-century works are full of popular influences: Perkinson’s jazz-tinted Sinfonietta No. 1 and Milhaud’s rollicking Brazilian postcard, The Ox on the Roof. Learn more: cso.org/performances/24-25/cso-classical/cso-and-the-joffrey-ballet…
 
Earth, in all its marvelous vitality and fragility, has inspired generations of composers. In The Oceanides, Sibelius conjures the water nymphs of Greek mythology and the broad majesty of the sea. Dvořák’s The Wild Dove is based on a dark folktale about a dove’s prophetic song. Childhood memories shape Rachmaninov’s Symphonic Dances, his sumptuous masterpiece. Learn more: cso.org/performances/24-25/cso-classical/canellakis-and-rachmaninov…
 
Journey up the Rhine River, as lovingly portrayed in Robert Schumann’s Rhenish Symphony. Listen for the flowing water and contemplate the majesty of the Cologne Cathedral. To begin, Nikolaj Szeps-Znaider leads and performs the rich and alluring melodies of Bruch’s First Violin Concerto. Pierre Boulez’s iridescent Livre pour cordes marks the centenary of the composer’s birth. This program will also be performed at Wheaton College on Friday, March 28. Learn more: cso.org/performances/24-25/cso-classical/bruch-and-schumann-rhenish…
 
Shostakovich’s Eleventh Symphony unfolds with the immediacy of a newsreel as it depicts the harrowing events of the 1905 Russian Revolution. Brimming with rebellious anthems and prisoners’ songs, the Cold War-era score is widely heard as a veiled critique of the Soviet regime. Rachmaninov’s First Piano Concerto, a farewell to Russia, features the captivating Simon Trpčeski. Learn more: cso.org/performances/24-25/cso-classical/hrusa-trpceski-and-rachmaninov…
 
Composed as Napoleon’s forces were threatening Austria, Haydn’s Mass in Time of War features an extraordinarily ominous use of timpani and ends with a plea for peace. Beethoven’s spirited First Symphony bears the influence of Haydn but also foreshadows the development of his own compositional style. MacMillan’s eloquent Larghetto is based on his choral setting of Psalm 51. Learn more: cso.org/performances/24-25/cso-classical/haydn-mass-in-time-of-war…
 
Hear why Ravel is a classical music master, whether capturing the sensuous allure of Spain in Rapsodie espagnole or summoning “the Greece of [his] dreams” in his ravishing suite from Daphnis and Chloe. Barber’s Second Essay reflects the turbulent emotions of wartime. CSO Principal Clarinet Stephen Williamson solos in the world premiere of Indigo Heaven, a work written for him by American composer Christopher Theofanidis. Learn more: cso.org/performances/24-25/cso-classical/ravel-daphnis-and-chloe…
 
The cool of the Arctic meets the warmth of Italy. The brooding, majestic themes of Sibelius’ Fifth Symphony evoke the remote landscapes of conductor Santtu-Matias Rouvali’s native Finland. Tchaikovsky transports listeners to a Roman carnival in his Capriccio Italien. Seong-Jin Cho, lauded for his “expert music-making … miraculous in its execution” (The New York Times), takes on Prokofiev’s incendiary Second Piano Concerto. This program will also be performed at Wheaton College on Friday, February 28. Learn more: cso.org/performances/24-25/cso-classical/seong-jin-cho-plays-prokofiev/…
 
Mixing ceremonial pomp with pastoral splendor, this survey of British classics features Haydn’s last and grandest symphonic statement, the London Symphony; exquisite gems by Elgar and Britten, and the soaring beauty of Vaughan Williams’ The Lark Ascending with violinist Stella Chen, winner of the prestigious Queen Elisabeth Competition and Gramophone’s 2023 Young Artist of the Year. Marking the 150th anniversary of Ravel’s birth, the program crosses the English Channel for the composer’s beguiling Tzigane. CSO Concertmaster Robert Chen has withdrawn from his planned solo appearances in these performances due to rotator cuff tendinitis symptoms. Learn more: cso.org/performances/24-25/cso-classical/glover-and-english-classics…
 
The rugged, windswept beauty of Sibelius’ Violin Concerto is a perfect showcase for Christian Tetzlaff, whose “fiery and compelling” 2022 CSO performance was named one of the year’s 10 best by Chicago Classical Review. Schoenberg’s Pelleas and Melisande is a lush, quintessentially romantic orchestral portrait of Maeterlinck’s mysterious, symbolist play, while Wagner’s prelude delivers a thrilling opener. Learn more: cso.org/performances/24-25/cso-classical/tetzlaff-plays-sibelius…
 
A taut and gripping thriller, Bartók’s one-act opera follows Duke Bluebeard and his newest wife Judith as she opens the seven doors of his castle and discovers increasingly disturbing sights. Opera stars Christian Van Horn and Ekaterina Gubanova bring to life these ill-fated characters. Juxtaposed with this macabre folktale is Beethoven’s joyful Second Symphony. Sung in Hungarian with English supertitles. Bluebeard’s Castle by arrangement with Boosey & Hawkes, publisher and copyright owner. Learn more: cso.org/performances/24-25/cso-classical/salonen-and-bluebeards-castle…
 
Revel in the sonic splendor of the CSO with two of its signature works: Strauss’ brash symphonic portrait of the infamous libertine Don Juan and Bartók’s exhilarating Concerto for Orchestra, a virtuosic tour de force for every instrument. The organ in Salonen’s “boldly cinematic” (Los Angeles Times) Sinfonia concertante adds another thrilling aural dimension. Learn more: cso.org/performances/24-25/cso-classical/bartok-concerto-for-orchestra…
 
Brimming with wry wit and affectionate warmth, Shostakovich’s Second Piano Concerto was a gift for his teenage son. Here, it’s a showcase for the brilliant Lahav Shani, who conducts from the keyboard. Beethoven’s powerful Egmont Overture captures the brave struggle for freedom and justice, while Brahms’ stormy and heroic First Symphony is the culmination of years of labor by the composer. Learn more: cso.org/performances/24-25/cso-classical/shani-shostakovich-and-brahms…
 
Embark on a seafaring journey as Tchaikovsky summons Shakespeare’s magical island and storm-tossed seas in The Tempest. Korngold evokes the swashbuckling sailors of the 1940 Hollywood epic The Sea Hawk, and Britten portrays the coastal village of his opera Peter Grimes. The voyage concludes as Konstantin Krimmel presents Mahler’s song cycle about a traveling journeyman. Learn more: cso.org/performances/24-25/cso-classical/the-tempest-and-the-sea-hawk…
 
Rachmaninov’s majestic First Symphony churns with youthful romantic fervor and ethereal mystery — perfect for a December outing. Grieg’s Peer Gynt Suite No. 1, inspired by Norway’s national folk hero, includes the instantly familiar dream-like fantasy of “The Hall of the Mountain King.” Johannes Moser brings his “remarkably visceral and vivid playing” (Gramophone) to Lutosławski’s wild and enchanting Cello Concerto. Learn more: cso.org/performances/24-25/cso-classical/grieg-and-rachmaninov…
 
Experiencing a Bruckner symphony is often compared to walking around inside a massive gothic cathedral. Step inside this sacred space and experience its awed silences, reverent melodies and towering brass chorales. Francesco Piemontesi, “a performer in total, joyful command of his material” (The Guardian), brings power and panache to Liszt’s formidable Second Piano Concerto. Learn more: cso.org/performances/24-25/cso-classical/liszt-and-bruckner-3/…
 
Be transported to the landscapes of southern Spain with vivacious, dance-inspired works by Falla and Chabrier. The journey begins in Riccardo Muti’s native Italy with a boisterous overture by Donizetti and sumptuous ballet music by Verdi. Golijov’s Megalopolis Suite features music from his score to the 2024 release of Francis Ford Coppola’s epic film, in which the fate of Ancient Rome haunts a modern world. Learn more: cso.org/performances/24-25/cso-classical/muti-and-the-cso…
 
Music Director Emeritus for Life Riccardo Muti returns with Beethoven’s Eroica Symphony, a work that shattered the symphonic conventions of its day, with themes of heroism, struggle and triumph. Beethoven’s majestic Emperor Concerto features Mitsuko Uchida, who brings “the unaffected wisdom and clarity that comes with decades of interpretive rigor and commitment” (The New York Times). Learn more: cso.org/performances/24-25/cso-classical/muti-uchida-emperor-and-eroica…
 
Join Nicholas Kraemer and four preeminent singers for a selection of Handel’s brilliant and soul-stirring vocal numbers, which explore the full spectrum of human emotions — from utmost sorrow to joy and sensuality. Plus, enjoy music fit for a king with Handel’s Water Music, composed for the royal court of George I, and Mozart’s grand Coronation Mass. Learn more: cso.org/performances/24-25/cso-classical/mozart-coronation-mass…
 
With his Fifth Symphony, Shostakovich outwitted Soviet authorities with the finesse of a double agent. Threatened by Stalin’s regime, the composer skillfully appeased Soviet officials with this gripping work packed with triumphant Russian themes, but also subversive satire and daring irony. Chief conductor of the Ravinia Festival Marin Alsop also leads the CSO in a captivating work about Harriet Tubman and a beloved Chopin concerto featuring pianist Lukáš Vondráček. Learn more: cso.org/performances/24-25/cso-classical/alsop-and-vondracek…
 
Lose yourself in the idyllic landscapes of Beethoven’s Pastoral Symphony. Inspired by the composer’s country hikes, the piece summons rippling streams, a raging thunderstorm and plenty of warmth. Mozart’s double piano concerto showcases the deft teamwork of Dutch brothers Lucas and Arthur Jussen, who make two pianos “sound for all the world like a single instrument” (Gramophone). Learn more: cso.org/performances/24-25/cso-classical/eschenbach-jussen…
 
Starting with a ferocious fanfare representing fate, Tchaikovsky pours his soul into his Fourth Symphony, a fearless musical autobiography packed with surging melodies and dazzling colors. Antoine Tamestit brings his “gorgeous smoky sound” (The Guardian) to Walton’s Viola Concerto, a work of wistful beauty and quicksilver energy. Learn more: cso.org/performances/24-25/cso-classical/tchaikovsky-4…
 
Lahav Shani conducts Tchaikovsky’s Pathétique, a symphony that the composer premiered less than a week before his death and was later nicknamed for the passion and suffering it expresses. Daniil Trifonov takes the spotlight in a piano concerto composed for him by former CSO Mead Composer-in-Residence Mason Bates, which “shows off the pianist’s virtuosity first and foremost, but also captures a listener’s attention with jazzy rhythms, ear-catching tunes … and a number of big climaxes” (Seen and Heard International). Learn more: cso.org/performances/23-24/cso-classical/tchaikovsky-pathetique-and-trifonov…
 
Grammy Award-winning violinist Joshua Bell presents The Elements, a suite of five works for violin and orchestra, commissioned by Bell and written by leading American composers Kevin Puts (Earth), Edgar Meyer (Water), Jake Heggie (Fire), Jennifer Higdon (Air), and CSO Mead Composer-in-Residence Jessie Montgomery (Space). Conductor Juraj Valčuha frames the program with Weber’s Oberon Overture and Shostakovich’s jaunty, mischievous First Symphony. The June 15 performance of The Elements with Joshua Bell is a part of the 2023/24 Season of CSO MusicNOW. Learn more: cso.org/performances/23-24/cso-classical/the-elements-with-joshua-bell…
 
Pianist Jean-Yves Thibaudet brings his customary joie de vivre to Saint-Saëns’ Egyptian Concerto, inspired by a trip down the Nile in 1896. Conductor Stéphane Denève unpacks the French fascination with Spanish culture in Debussy’s sultry Ibéria and Ravel’s ever-popular Boléro, with its sensuously hypnotic theme building to a volcanic climax. Learn more: cso.org/performances/23-24/cso-classical/ravel-bolero…
 
Conductor Manfred Honeck leads the CSO in two captivating works. Principal Percussion Cynthia Yeh takes the spotlight in the premiere of a new concerto by Jessie Montgomery, the CSO’s Mead Composer-in-Residence. Bruckner’s Seventh Symphony awes with its breadth, drama and rapturous intensity. This enthralling score includes a radiant tribute to Bruckner’s idol, Richard Wagner, and a boisterous Austrian country dance. The June 1 performance of Montgomery & Bruckner 7 is a part of the 2023/24 Season of CSO MusicNOW. Learn more: cso.org/performances/23-24/cso-classical/montgomery-and-bruckner-7…
 
In his Second Symphony, Mahler constructs a universe all his own, exploring themes of death and afterlife using a massive orchestra, offstage brass and percussion, chorus and vocal soloists. Estonian conductor Neeme Järvi — whose music-making is “as dynamic and exhilarating as ever” (Chicago Classical Review) — guides the CSO from the great, tragic opening march, through pastoral dances and gentle songs to a final tableau of trumpet calls, percussive thunderbolts and the hymn of resurrection. Conductor Neeme Järvi replaces Esa-Pekka Salonen, who has withdrawn from these performances for personal reasons. Learn more: cso.org/performances/23-24/cso-classical/mahler-resurrection…
 
Martin Helmchen, “who brings both freshness and expressive depth to everything he plays” (Chicago Classical Review), takes on Beethoven’s First Piano Concerto, a work of youthful bravura and pensive elegance. To open the program, Kazuki Yamada conducts Takemitsu’s shimmering How slow the Wind and Franck’s D Minor Symphony, featuring a mix of soaring lyricism and brooding intensity. Learn more: cso.org/performances/23-24/cso-classical/helmchen-plays-beethoven…
 
The versatile Nikolaj Szeps-Znaider leads the CSO as soloist in Mozart’s richly melodic Violin Concerto No. 2 and Kreisler’s wistful Liebesleid. Trading violin bow for baton, Szeps-Znaider conducts Stravinsky’s Pulcinella Suite, a neoclassical gem that shines a spotlight on the orchestra’s principal players, and Mozart’s Prague Symphony, a work of grand gestures and profound, melodious depth. Learn more: cso.org/performances/23-24/cso-classical/mozart-and-stravinsky…
 
Elim Chan leads Rimsky-Korsakov’s sumptuous symphonic suite Sheherazade, inspired by the legendary heroine and tales of One Thousand and One Nights. Paul Jacobs, “a virtuoso of dazzling technical acumen” (The New York Times), performs Barber’s Toccata festiva, an exuberant showcase for organ containing echoes of J.S. Bach. Learn more: cso.org/performances/23-24/cso-classical/sheherazade…
 
Two mighty orchestras present a rousing, jazz-meets-classical event. Discover selections from Prokofiev’s Romeo and Juliet, alternating between the original orchestral version performed by the Chicago Symphony Orchestra and imaginative new jazz arrangements presented by the Jazz at Lincoln Center Orchestra. Both ensembles join forces for a selection from Wynton Marsalis’ Swing Symphony, which The Telegraph calls “a journey through jazz history and the sounds of America itself.” Learn more: cso.org/performances/23-24/cso-classical/cso-x-jazz-at-lincoln-center-orchestra…
 
Tugan Sokhiev conducts Tchaikovsky’s youthful First Symphony, nicknamed Winter Dreams for its cozy evocation of Russian winters. Chopin’s exuberant Piano Concerto No. 1 features Russian pianist Yulianna Avdeeva, described by the Pittsburgh Post-Gazette as “a one-woman powerhouse” who “stole the show.” Andrzej Panufnik’s Heroic Overture, composed in 1952, is a tribute to the courageous spirit of the Polish people. Learn more: cso.org/performances/23-24/cso-classical/chopin-and-tchaikovsky…
 
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